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Baby Invasion 2024 - ()
McVeigh 2024 - ()
Riff Raff 2024 - ()
High Ground 2025 - ()
ODessa 2025 - ()
Hamlet 2024 - ()
Modì Three Days on the Wing of Madness 2024 - ()
The Twister Caught in the Storm 2025 - ()
Novocaine 2025 - ()
DSLR 2025 - ()
One Night in Tokyo 2025 - ()
Midwinter 2024 - ()
Flight Photographers 2025 - ()
American Terror Tales 3 2024 - ()
Bert Kreischer Lucky 2025 - ()
Dead Teenagers 2024 - ()
Wolves Against the World 2024 - ()
Bill Squire Were Getting Famous 2024 - ()
Andrew Orvedahl Doom Math 2024 - ()
Final Heist 2024 - ()
“Frank” (Layke Anderson - anyone else thing he looks a lot like Freddie Fox?) is a young British gay lad living in Amsterdam who has just left school and who is looking for life, love and some sort of adventure. He arrives at the “House of Boys” where “Madame” (Udo Kier) believes his assertions that he’s a great dancer - even is he looks bedraggled! He has to share a room with the club’s straight star “Jake” (Benn Northover) who kicks him out each time his girlfriend come for a visit, but quickly this eclectic yet friendly group welcome him to their fold and he starts to become popular. The emphasis now shifts a little to “Jake” who is having a fairly torrid time with his “my body my rules” partner whilst simultaneously providing services for wealth visiting Americans who pay well to sleep with him. Things come to an head when someone steals his savings and when he discovers who took it, feels betrayed and that’s where the arms of the waiting “Frank” might come in handy. Their relationship starts to take on a new dimension but it’s not long before an incident leads to an hospital appointment and the entry of Stephen Fry’s “Dr. Marsh” who has some news to deliver - news that was grabbing headlines all around the world in 1985! Initially, this is quite a light and fluffy look at stereotypical gay culture, centred around a seamy dance club where sex is bought and paid for with scant regard to any though of the repercussions. It’s only when the story beds down and the characters become a little more established that it becomes a bit more substantial. It looks a little at transitional sexuality, and it addresses (albeit entirely one-sidedly) issues around abortion but the main thrust of the plot sees two characterful efforts from Anderson and Northover emerge from the “Magic Mike” elements and take us on quite a tormentedly plausible story set at the outset of the HIV/AIDS epidemic that was being stigmatised by not just the community at large, but the gay one too whilst the scientific one struggled to get it’s head around people with no T-cell count at all in their blood! The plot is not that original, but it has an earthiness to it; a darkness peppered with bits of sarcastic comedy and some decent drag routines at the start to illustrate quite potently a naive and cavalier way of life that was in for a shock. Given it’s timeframe, the outcome is pretty much writing in the wall, but to watch now when the disease is relatively manageable reminds us that a mere forty years ago this was an out-and-out killer.
A young man is forced out of his comfort zone when he goes on an unconventional date.
Trisha, a Filipino transgender woman, suddenly dies while being crowned in a beauty pageant. Her last wish was to be presented as a different celebrity on each night of her wake, but her conservative father wants to bury her as a man.
Léto, a young trans and gay man, lives in a small, social housing apartment near Tours. During the day, he kills boredom on his phone from the ticket booth of a movie theater on its last legs. But where he's looking for feelings, he's only offered sex. So at night, he flees disillusionment by heading for the stars. The roof of his high-rise building is like his moped: a refuge, an escape. However, one morning, the parking lot of an ice rink becomes the setting for a life-changing encounter when he comes face to face with Hamza, a solitary employee with an enigmatic charm. The emotional disturbance is immediate. With all due respect to the scoundrels!
Lester Burnham, a depressed suburban father in a mid-life crisis, decides to turn his hectic life around after developing an infatuation with his daughter's attractive friend.
Kristian, who is a transvestite, still lives at home with his mother Emma, because she loves him just the way he is. Life as a transvestite offers many humiliations from the outside world, but with his mom, Kristian feels that he can be himself. Until one day when Emma meets the alcoholic Søren, who does not have the same tolerance...
When her son gets critically injured in a car accident, a mother discovers that there's more to his relationship with his friend than she had thought.
The real story of Marion Fraisse, who committed suicide at the age of 13 after being viciously and repeatedly bullied by her classmates.
Two high school students form an intense connection as they navigate the challenges of discovering and expressing their truest selves.
Three young men are suspected of kidnapping and murdering a little boy. Most likely, two of them are really involved, but one is not. All of their pasts are questionable, riddled with violence and controversy. Neither the police nor the court can decide how to solve that puzzle.
Embark on a magical journey through time with Boys On Film 15: Time & Tied — featuring a brand new selection of sensational gay British short films that showcase some of the UK's best emerging talent. This compilation features nine complete films: Lloyd Eyre-Morgan's "Closets" starring Tommy Knight and Ceallach Spellman; Brian Fairbairn & Karl Eccleston's "Putting On The Dish" starring Steve Wickenden and Neil Chinneck; Mitchell Marion's "G O'Clock" starring Marc Rovira Cenar and Phillip Weddell; Charlie Parham's "Nightstand" starring Nicholas Gleaves and Amrou Al-Kadhi; Simon Anderson's "Morning Is Broken" starring Matthew Tennyson, Nigel Allen and Jack Hawkins; Tom Frederic's "Sauna The Dead: A Fairy Tale" starring himself and Kumar Muniandy; Leon Lopez's "CrossRoad" starring Marc Rovira Cenar, Ashley Campbell, and Calum Ewan Cameron; Jake Graf's "Dawn" starring Nicole Gibson and Harry Rundle; and Kristen Bjorn's "Trouser Bar" starring Denholm Spurr, Scott Hunter, and Zac Renfree.
Mervi is a gay girl living in the hipster quarters of Helsinki. She has been together with Kata for a year, and now they are encouraged by the circumstances to come out from closet. When they do, Mervi realises that she is not the only one in her family with secrets – her parents have been living in an open-bisexual-swinger-relationship for 20 years. On the other hand Kata is pretty surprised that she might be living with a hetero girl that once was dating a neo-nazi. And the ex-boy friend cannot swallow that Mervi is now with a person both of wrong color, and sex. The real threat appears when Kata’s parents arrive from Berlin and the local skinhead chief finds out that a black muslim celebrity politician has arrived to town.