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It’s hard not to be swept up by ‘Matthias and Maxime’. This is a film made with such love and care, sincerity and grace, showcasing everything that makes Xavier Dolan such an arresting filmmaker and distilled into their purest form. What made my heart soar was in how it laid bare how complex human relationships are, how pointless such binaries as gender and sexuality are, how love between two people is greater than simply defined as friendship or romance. ‘Matthias and Maxime’ refuses to play into such simplistic categories, instead celebrating the wonder of love and human connection without the need for them. Maybe some viewers will try and pigeonhole the protagonists as “gay“ rather than just two people in love to make themselves feel more comfortable, much like the bi-erasure in many responses to ‘Call Me By Your Name’, so pointlessly obsessed are we with useless outdated labels, but that would be such a loss to their experience of the richness of this film. ‘Matthias and Maxime’ is a quiet triumph, a tender love story beautifully told, a reminder of how deep the rivers of love can go, how violent travelling them can be and how so very worth the journey is. - Daniel Lammin Read Daniel's full article... https://www.maketheswitch.com.au/article/review-matthias-and-maxime-a-magical-film-on-the-complexity-of-friendship-and-love
I was rather disappointed by this effort from Xavier Dolan. Perhaps writing/editting and starring in the film robbed him too much of objectivity when it came to actually watching this bit of a non-story. He portrays "Max", a young French-Canadian man who is about to emigrate to Australia. At a party with his childhood friends, he and handsome best pal Matt (Gabriel D'Almeida Freitas) get lumbered with starring in a video being made by one of their number's pesky younger sister. The scene involved the two of them kissing - something neither had done (as an adult) with a man before. What ensues is a slow, deliberately so, depiction of the complications that this kiss has on their relationship. "Matt" has a long term girlfriend, so his reconciliation with his "new" feelings for his friend take on a different guise from those of the single "Max" who has issues with his recovering addict mother. Sadly, though, too much of those repercussions are presumed on us by the director and not demonstrated to the audience. It doesn't need to be a cheesy traditional romance, nor a sex fest, but we are left to imagine or envisage that they want each other only because we know that's what the film is about - not because we are presented with much tangible, or even implied, sense of desire. Indeed the others in their group more readily flirt and banter than the two in the title. It doesn't have a beginning, middle and end - it just has a middle. A rather interestingly filmed and quite well put together middle, but a middle nonetheless. Certainly worth watching - I think Dolan has something about him - but I wanted more from the characters and the story - as it is I just felt like a rather unsatisfied observer.
YeJoo and EunMin spent two years as a couple so far. One day, YeJoo wants to finish the relationship that she had with EunMin. EunMin gets angry and asks if there's another girl. Yejoo says she got a boyfriend.
Marco Valois wants to direct a serious movie inspired by the life of a soldier living with post-traumatic stress disorder. He soon realizes that the young soldier home from Afghanistan won't open up that easily. Marco, willing to do just about anything to get his story, follows Éric Lebel to his hometown.
Former Danish servicemen Lars and Jimmy are thrown together while training in a neo-Nazi group. Moving from hostility through grudging admiration to friendship and finally passion, events take a darker turn when their illicit relationship is uncovered.
Amy, the young, friendless daughter of Oliver and Alice Reed, befriends her father's late first wife and an aging, reclusive actress.
Due to many reasons, ranging from insecurity to trauma, a group of people have gained a lot of weight in recent times.
Old college chums get together for a weekend reunion that is bound to open old wounds and perhaps heal them. New romances find a spark while old ones rekindle.
Le Marais is a singular short film, taken from the collection of films set in Paris, used for Gus Van Sant's "Paris: Je t'aime". Two customers walk into a paint business, asking for help, one character has the compulsion to speak to another - and while language barriers restrict the growth of their relationship, the desire for one another is there.
Naoya and Katsuhiro are boyfriends, new in their relationship. Things are uneven at first—Naoya is open and free while Katsuhiro is cautious and closeted—but nothing compares to the chaos that arrives when Asako, a troubled woman with a history of psychiatric problems, abortions, and casual sex, asks Katsuhiro to conceive a child with her.
A coming-of-age story. Shuji, a Japanese teen, is falling in love with his friend Hiroyuki, however, Hiroyuki is attracted to Kasane, the new girl in their class.
Chronicling the troubled existence of Duncan Mudge, a 14-year-old misfit who—while vying for the attention of his vacant father—struggles to fill the void brought on by his mother's sudden death.