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It’s hard not to be swept up by ‘Matthias and Maxime’. This is a film made with such love and care, sincerity and grace, showcasing everything that makes Xavier Dolan such an arresting filmmaker and distilled into their purest form. What made my heart soar was in how it laid bare how complex human relationships are, how pointless such binaries as gender and sexuality are, how love between two people is greater than simply defined as friendship or romance. ‘Matthias and Maxime’ refuses to play into such simplistic categories, instead celebrating the wonder of love and human connection without the need for them. Maybe some viewers will try and pigeonhole the protagonists as “gay“ rather than just two people in love to make themselves feel more comfortable, much like the bi-erasure in many responses to ‘Call Me By Your Name’, so pointlessly obsessed are we with useless outdated labels, but that would be such a loss to their experience of the richness of this film. ‘Matthias and Maxime’ is a quiet triumph, a tender love story beautifully told, a reminder of how deep the rivers of love can go, how violent travelling them can be and how so very worth the journey is. - Daniel Lammin Read Daniel's full article... https://www.maketheswitch.com.au/article/review-matthias-and-maxime-a-magical-film-on-the-complexity-of-friendship-and-love
I was rather disappointed by this effort from Xavier Dolan. Perhaps writing/editting and starring in the film robbed him too much of objectivity when it came to actually watching this bit of a non-story. He portrays "Max", a young French-Canadian man who is about to emigrate to Australia. At a party with his childhood friends, he and handsome best pal Matt (Gabriel D'Almeida Freitas) get lumbered with starring in a video being made by one of their number's pesky younger sister. The scene involved the two of them kissing - something neither had done (as an adult) with a man before. What ensues is a slow, deliberately so, depiction of the complications that this kiss has on their relationship. "Matt" has a long term girlfriend, so his reconciliation with his "new" feelings for his friend take on a different guise from those of the single "Max" who has issues with his recovering addict mother. Sadly, though, too much of those repercussions are presumed on us by the director and not demonstrated to the audience. It doesn't need to be a cheesy traditional romance, nor a sex fest, but we are left to imagine or envisage that they want each other only because we know that's what the film is about - not because we are presented with much tangible, or even implied, sense of desire. Indeed the others in their group more readily flirt and banter than the two in the title. It doesn't have a beginning, middle and end - it just has a middle. A rather interestingly filmed and quite well put together middle, but a middle nonetheless. Certainly worth watching - I think Dolan has something about him - but I wanted more from the characters and the story - as it is I just felt like a rather unsatisfied observer.
Feast your eyes on a second volume of short stories set in South America that explore growing pains, first loves, political upheaval, gay parenting and coming out. The 6 short films are: Seat Belt [Cinturón de seguridad] (2018); Before It's Too Late [Antes Que Seja Tarde] (2019); Ajar [Entreabierto] (2018); Guacho (2018); The Grey Zones [Las zonas grises] (2019); Orizaba's Peak [Pico de Orizaba] (2017).
Marc, after receiving several racist and plumophobic comments on a gay dating app, receives a message from his friend Cacao inviting him to a Ballroom. Marc decides to go, there he is surprised by the freedom and diversity of the environment. Arriving at the bar, he exchanges glances with Leo, an attractive guy. After watching her friend walk, the two have an intimate conversation where Cacao encourages Marc to walk that night. Once the Catboy Sex Siren category arrives, Leo goes for a walk while Marc observes the situation with a mixture of desire and doubt.
A romantic comedy that brings together three interrelated tales of gay men seeking family, love and sex during the holiday season.
Pennsylvania, 1993. After getting caught with another girl, teenager Cameron Post is sent to a conversion therapy center run by the strict Dr. Lydia Marsh and her brother, Reverend Rick, whose treatment consists in repenting for feeling “same sex attraction.” Cameron befriends fellow sinners Jane and Adam, thus creating a new family to deal with the surrounding intolerance.
In his last months alive a young man calls upon his four closest friends to make his existence infinite through the assembly of five key elements from his life.
Yariv is a shy photographer charged to take photos at a family birthday. The photographs he takes highlight his problematic relationship with his brother, and increasingly intertwine to his extreme sexual experiences at the gay sauna.
Xuan is a young man working in the film industry in Beijing. To make a documentary film that he wants to present at international festivals, he decides to take advantage of the holidays of the Day of the Dead to return to Chengdu, his hometown located at the other end of the country. The documentary he is about to make is about his relationship with his own lover. He leaves for Chengdu, accompanied by another man, Bo, the cameraman of the film. The two men take the train to Chengdu where Hong, Xuan's lover, is waiting for them. From the first moment of their arrival at the station, Xuan and Bo begin to turn with their camera, Xuan having already explained to Bo what he wanted to film and that Hong would always be "playing", Bo then trusting in Xuan. But Hong is more and more opposed to this camera and the presence of Bo.
Two young man in love, Barney and Dimi, are on a trip to visit Dan, Barney's dying father. Dan is planning his suicide and wants Barney there.
Blurred lines of friendship and an easy intimacy make Sasha think best friend Charlie is the one.
School's out and 13-year-old Walter has lost his father. In his seemingly aimless wanderings around the Roman coast, a fascinating and mysterious place catches his eye: an abandoned villa with a huge, murky swimming pool. But the villa is not unguarded...
In 1994, a closeted teen struggles to part ways with his four high school drama friends at their final murder mystery party before they leave for college.