O Órfão

Quadruplet siblings (two boys and two girls) played by Vice Ganda were separated after birth when their grandmother steals two of the siblings (a boy and a girl) away from their mother. The stolen siblings lived a comfortable life in the US, not knowing that their mother and siblings, a gay and a lesbian, struggled to make ends meet in the Philippines. When the boy develops hepatitis that requires him to have a liver transplant from a compatible donor, their father tells them about their siblings in the Philippines, who may be possible candidates as donors. But once the siblings finally meet, pent up resentment and animosity between the girl and the gay siblings, has threatened the chances of the boy sibling's survival.

Praxis peels away the layers of narrative even as Brian, the film's axis, struggles to create his true self. Brian, a writer on the verge of a breakdown, is aided by Joe and an Elusive Woman as he sifts through the fragments of his persona to discover his true core. Fighting against fear and the indifference of society - aptly symbolized by the medical establishment - his quest reflects the classical mythos of Proteus and the human search for meaning in the universe.

An ex-seminarian slash communist runs a hotel in Baguio. He then meets a handsome upcoming lawyer. A once-a-year trip to Baguio by the lawyer and conversations with the hotel owner develop into an affair which encompasses decades of socio-political changes in the country.

When a desolate and vulnerable girl is forced to enter an orphanage with her younger siblings, she must overcome harsh adversity and hardship to propel herself to a hopeful, academic future.

A group of women, including Skipper, the wealthy young Jennifer and the domineering Nan, journey from the United States to South America in hopes of easily adopting children. Unfortunately, their plans are complicated by local laws that require the women to live in the foreign nation for an extended period before they can take in orphaned kids. While stuck in another country, the women bond as they share their aspirations and anxieties.

After a disastrous first date for caterer Holly and network sports director Messer, all they have in common is a dislike for each other and their love for their goddaughter Sophie. But when they suddenly become all Sophie has in this world, Holly and Messer must set their differences aside. Juggling careers and social calendars, they'll have to find common ground while living under the same roof.

Heidi is an orphaned girl initially raised by her aunt Dete in Maienfeld, Switzerland. In order to get a job in Frankfurt, Dete brings 5-year-old Heidi to her grandfather, who has been at odds with the villagers for years and lives in seclusion on the alm. He at first resents Heidi's arrival, but the girl manages to penetrate his harsh exterior and subsequently has a delightful stay with him and her best friend, young Peter the goat-herd.

Tobacco heiress Doris Duke develops an unlikely friendship with her butler, Bernard Lafferty.

An emotional journey of a former school teacher, who writes letters for illiterate people, and a young boy, whose mother has just died, as they search for the father he never knew.

Alessandro and Arturo have been together for over 15 years and, despite the feeling they still have for each other, their relationship is now at crisis. When Alessandro’s best friend, out of the blue, asks them to take care of her two kids for a few days, something changes in their daily routine and love will drive them to a crazy and unexpected turn in their life.

The first part is pathetic and shows Eleanor Hamlin (Edith Roberts) severing home ties with her grandparents to be "adopted" by a party of idle rich on the cooperative plan. The parties adopting her are single, and one of them, Beulah Page (Winifred Greenwood), has her own ideas on the subject of raising the young - these ideas absolutely precluding the main requisite, love.