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So much of this adaptation of James Cain's "Postman Always Rings Twice" novel depends on it's stunningly intimate, almost adulatory, photography and on that score this really does not disappoint. "Giovanna" (Clara Calamai) is trapped in a loveless marriage with the older, drunken and thuggish "Giuseppe" (Juan de Landa) when the drifter "Gino" (Massimo Girotti) happens by. He's a jack of all trades and they can use him to help around the place in return for his bed and board. Quite quickly, though, she makes it clear she'd prefer it were her bed, and the pair are soon scheming an end to her loathsome predicament. It turns out that that's not so difficult to achieve, but what of events thereafter? The police, the insurance, the struggling business, oh - and the guilt. It's that latter element that gradually gnaws away at their relationship and it's this last hour or so that sees Visconti at his creative best. The highly structured but entirely natural look of the scenarios, the score and the increasingly frenetic dialogue raise the tension appreciably and though there is a tangible chemistry throughout from Calamai and Girotti, it's one that intensifies as an uncertain denouement beckons. You can just imagine the response it would have received in wartime Italy as it questions issues of faith and fidelity, crime and lust - indeed I'm quite surprised all the prints weren't burnt at the stake. Did this postman actually ring twice? I'm not sure he did, but I'm not sure that mattered to me in the end.
A chef and his restaurant-hostess wife resort to murder to take ownership of a high-class Glaswegian restaurant.
Wealthy Jervis Pendleton acts as benefactor for orphan Judy Abbott, anonymously sponsoring her in her boarding school. But as she grows up, he finds himself falling in love with her, and she with him, though she does not know that the man she has fallen for is her benefactor.
Years after his teen romance with Milea, a now-adult Dilan tells his version of their love story when a high school reunion brings them back together.
Jess works at a struggling inn and is obsessed with popular lifestyle influencer Amanda Jane. Jess pitches to the owner that she should comp Amanda a stay at the inn for a weekend.
Twenty-year-old Joachim is unexpectedly accepted at drama school in Munich and moves into his grandparents' upper-class villa. From then on, he tries to find his identity as a young man between the world of theater and the everyday life of his eccentric grandparents.
A cursed dancer and a blind musician — both ostracized by society — become business partners and inseparable friends as their larger-than-life concerts propel them to stardom in 14th century Japan.
Young talented Elizabeth leaves a successful career in ballet for love. The man who has stolen her heart, however, has a dark side, and in a single moment Elizabeth loses everything dear to her in life.
Kaburagi was arrested as a suspect in a brutal murder case, but he escapes. He continues to hide and move all around Japan. During this time, he meets Sayaka, Kazuya and Mai. Detective Matanuki is on the trail to capture Kaburagi. He interrogates the people who met Kaburagi, but they all describe Kaburagi differently from each other. Kaburagi has been missing for 488 days. Who really is Kaburagi? What is his plan?
William Tell just wants to play cards. His spartan existence on the casino trail is shattered when he is approached by Cirk, a vulnerable and angry young man seeking help to execute his plan for revenge on a military colonel. Tell sees a chance at redemption through his relationship with Cirk. But keeping Cirk on the straight-and-narrow proves impossible, dragging Tell back into the darkness of his past.
A musical re-imagining of Charles Dickens' A Christmas Carol, told from the perspective of Ebenezer Scrooge'a business partner Jacob Marley.
