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THIS IS A REVIEW REPRINTED FROM MovieCrypt by Kevin Ranson " Hardboiled detectives, femme fatales, and a mandatory MacGuffin are all part of the tradition we call film noir. “Guns, dames, and hats” are the order of the day in these brooding period pieces, a bygone era of Hollywood like westerns and musicals. There have been the occasional callbacks with films like L.A. Confidential, Sin City, and even the original Blade Runner repurposing it as a vision of the future — a detail mostly missing from the recent sequel. All of these undertakings require extensive budgets, finding or recreating the trappings and props of the time period, and to develop the visuals required to invoke the all-important atmosphere that defines the film style. Rarely are the words “independent” and “noir” uttered in reference to a feature-length film intended to celebrate and champion a new entry into this staple of the movie industry, but with the right combination of players, passion, and just long enough of a shoestring to fish spare change out of the sewer, can a compelling dark thriller become the end result? As evidenced by Trouble Is My Business, the answer is a resounding “yes.” Less a passion project than a labor of love, writer-director-actor Thomas Konkle gathered the necessary ingredients and managed to draw forth a film by sheer force of will. With years involved in the writing, planning, independent and personal financing, and using every movie-making trick imaginable, Trouble is to film noir what Once Upon a Time in the West was to the western: the final word. With classic elements, a fresh cast, and painstaking detail, Konkle has created a world both familiar and new. Twists, betrayal, and mystery are finely intertwined with the wit, violence, and eventuality of the genre. Locations are important to a production like this, but what couldn’t be found and rented had to be created — often digitally. While Sky Captain and the World of Tomorrow buckled under the weight of “look what we can do,” Konkle puts his players in the foreground and allowed the story to dictate the effects, not the other way around. With talents like Jordana Capra as matriarch Evelyn Montemar and Vernon Wells as Detective Barry Tate, the production is nearly seemless and perhaps too-real in its detail, from meticulous editing to a sweeping soundtrack. It’s clear what the filmmakers wanted this to become, and the time put into the post production shows what can be done with today’s off-the-shelf filmmaking tools and the ingenuity of modern creators. Over the last five years, this reviewer has seen several independent productions shaped from concept to completion. From an old-time rocket ship carrying space rangers into the great beyond to a backwoods werewolf reneging on his deal with the devil, there’s no shortage of imagination out there while Hollywood continues to reboot television and movie franchises they never understood to begin with. Trouble sets itself apart in both ambition and execution, and the risk yielded a great reward: a film deserving to be seen and appreciated."
A clever king of Joseon and his brilliant chronicler hunt for the truth behind a crime that threatens the throne and the stability of the country.
During the World War II, the prisoners of a German camp in a Greek island are trying to escape. They not only want their freedom, but also seek an ineffable treasure hidden in a monastery at the summit of the island's mountain.
A burned-out New York police detective teams up with a college psychoanalyst to track down a vicious serial killer randomly stalking and killing various young women around the city.
After spending two years in prison, framed for accepting a bribe, former newspaper reporter Harry Barber is released, bitter and disillusioned. Feeling like he were owed something for his loss of time, he proceeds to get himself involved in a simple kidnapping plot which turns out to be more complex than he imagined.
Jae-ho, who aims to become the number one in a crime organization, gets to build up trust with Hyun-su, an ambitious newbie in the prison. While they try to take over the organization after the prison release, their ulterior motives starts to emerge.
A wealthy, eccentric chemical company owner sends his woman to get an American writer to take a mind control drug, Kemek, to verify its potential. She accomplishes her mission, but falls totally in love with the writer. The chemical magnate, satisfied with the results of the test, rewards her with murder, just as she is about to flee to Naples with her new lover. Her ex-husband and a private detective track the killer behind it all to a remote hideaway to unravel the solution.
The ambitious Betsy is happy: she gets promoted to a leading management position. Her happiness is spoiled only a little by problems with a boyfriend who feels neglected and an harassing boss. She realizes much too late that her secretary Norma is after her job and step by step tries to ruin her career and private life.
A switchman at a seaside railway witnesses a murder but does not report it after he finds a suitcase full of money at the scene of the crime.
After Faye and her psychotic boyfriend, Vince, successfully rob a mob courier, Faye decides to abscond with the loot. She heads to Reno, where she hires feckless private investigator Jack Andrews to help fake her death. He pulls the scheme off and sets up Faye with a new identity, only to have her skip out on him without paying. Jack follows her to Vegas and learns he's not the only one after her. Vince has discovered that she's still alive.