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By Saint George – Or Andrew… King Richard and the Crusaders is directed by David Butler and adapted to screenplay by John Twist from the novel “The Talisman” written by Sir Walter Scott. It stars Rex Harrison, Viginia Mayo, George Sanders, Laurence Harvey, Robert Douglas, Michael Pate and Paula Raymond. A WarnerColor/CinemaScope production, music is by Max Steiner and cinematography by J. Peverell Marley. Unfairly maligned as one of the 50 worst movies of all time, David Butler’s picture has enough spectacle about it to ensure it can be enjoyed by fans of such fluffy fare. The script is often awful, the historical accuracy equally so, while Rex Harrison – who is otherwise excellent – singing like a love sick minstrel, is a touch bizarre! But on the other side of the fence is the lush colour, the costuming, Harrison and Sanders’ playful jostling, Steiner’s rumbling score and the lively action scenes (mucho jousting high in calibre). It for sure isn’t approaching the top end of the swords and shields list of movies, but is it really worse than the likes of Androcles and the Lion, Helen of Troy, Sword of Lancelot etc? No say I! There’s fun to be had, both intentional and otherwise. 6/10
Laurence Harvey portrays a fictional Scottish knight on crusade with Richard the Lionheart in this brightly coloured but laboured adaptation of Sir Walter Scott's "The Talisman". The history is all over the place and the casting - particularly Rex Harrison as Saladin, but George Sanders as King Richard is pretty lame too. Robert Douglas reprises his oft-seen role as the baddie to some effect, and Virginia Mayo adds a touch of glamour but the dialogue is very dry, the acting overly theatrical and though well enough put together, this comes across as a lot-made film made to fulfil outstanding contractual obligations by the actors rather than to engage an adult audience.
After years of fighting the Crusades, a soldier returns home and loses the love of his life. In hopes of rebuilding his relationship with God, he retreats into the woods to live a life of isolation. That is until he is met one day by a mysterious traveler.
Robin Hood, aging none too gracefully, returns exhausted from the Crusades to woo and win Maid Marian one last time.
Robin Hood fights nobly for justice against the evil Sir Guy of Gisbourne while striving to win the hand of the beautiful Maid Marian.
When soldier Robin happens upon the dying Robert of Loxley, he promises to return the man's sword to his family in Nottingham. There, he assumes Robert's identity; romances his widow, Marion; and draws the ire of the town's sheriff and King John's henchman, Godfrey.
Mongol chief Temujin battles against Tartar armies and for the love of the Tartar princess Bortai. Temujin becomes the emperor Genghis Khan.
Sir Walter Scott's classic story of the chivalrous Ivanhoe who joins with Robin of Locksley in the fight against Prince John and for the return of King Richard the Lionheart.
When disillusioned Swedish knight Antonius Block returns home from the Crusades to find his country in the grips of the Black Death, he challenges Death to a chess match for his life. Tormented by the belief that God does not exist, Block sets off on a journey, meeting up with traveling players Jof and his wife, Mia, and becoming determined to evade Death long enough to commit one redemptive act while he still lives.
Also known as The Scalawag Bunch - This bunch is none other than the Merry Men of Sherwood Forest and their feisty leader, Robin Hood. This is a '70s Italian-Spanish-French version of the often-played Robin Hood story, sometimes known as Archer of Fire.
Arn, the son of a high-ranking Swedish nobleman is educated in a monastery and sent to the Holy Land as a knight templar to do penance for a forbidden love.
Thomas Becket, Henry II's longtime advisor, finds his friendship with the debauched king corroding when he is unwillingly appointed as Archbishop of Canterbury in an attempt to gain absolute loyalty from the Church.
