Mary Lou

Join drummer Martin Atkins and his industrial rock band Pigface for this document of their epic 2005 tour of the United States. Visits backstage and interviews with the band meld with the concert footage to create the ultimate Pigface experience. Witness rehearsals, life on the road, collaboration with Nocturne and Sheep on Drugs and the challenges of setting up and tearing down the stage as the band hits venues from New York to San Diego.

In order to make money for the aerial review, a group of students organize the fashion program for the "Yugochic" company, doing some small frauds as well.

An egotistical saxophone player and a young singer meet on V-J Day and embark upon a strained and rocky romance, even as their careers begin a long uphill climb.

Pinkpop 1993 was held on May 31, 1993 in Landgraaf. It was the 24th edition of the Dutch music festival Pinkpop and the 6th in Landgraaf. There were around 64,300 spectators. During the performance of Thelonious Monster, singer Bob Forrest climbed through one of the songs through the loudspeaker towers to sit on the roof of the main stage as an inanimate person. He was then talked down and continued the performance. During the closing act of the festival, the performance of The Black Crowes , the power went out making it almost dark on the site for about ten minutes. The audience reacted laconically to this pause by loudly singing Monty Python's 'Always Look On The Bright Side Of Life'. The Black Crowes were forced to stop their performance but when the power failure was over they came back on stage to complete the performances.

A gambler in need of cash plots a romance between his daughter and a wealthy Englishman. The daughter, however, has plans of her own.

A newspaper reporter and the daughter of an immigrant maintenance man help expose political corruption in New York City.

In this musical comedy, Valerie is dealing with her philandering fiancé, Ted, when she finds that a trio of aliens have crashed their spaceship into her swimming pool. Once the furry beings are shaved at her girlfriend's salon, the women discover three handsome men underneath. After absorbing the native culture via television, the spacemen are ready to hit the dating scene in 1980s Los Angeles.

In the garden of a Baroque villa, a chamber orchestra is playing Mozart’s wonderful quartets and quintets, and everywhere is pervaded with echoes and references to the composer’s world. As if by magic or conjured by the imagination, figures emerge from the shadows of the labyrinthine garden: they are Mozart’s characters, and they play with – or perhaps make fun of – the guests at the party, embroiling them in their well-known amorous dalliances. This piece, in which the spectator encounters among the dreamlike medley many well-known protagonists from Mozart’s operas (including Figaro, Don Giovanni, and the Queen of the Night), is a full-length choreographic work by Massimiliano Volpini, who himself performed on stage for many years as a dancer with the Scala ensemble.

This musical reworking of Too Many Husbands (1940), features Grable as a top singer and dancer who's been widowed by WW II. She marries her late husband's songwriting partner, Gower Champion, but the new marriage is thrown for a loop when Lemmon, her first husband, turns up very much alive and eager to see Grable.

Featuring musical compositions of the late King Bhumibol Adulyadej, three love stories tackle unique challenges on romantic, soul-searching journeys.

Singing teenagers rally to keep open their local nightclub.