Hitler contro Picasso e gli altri

In 1946, just after the end of World War II, a secret organization of Holocaust survivors plans a terrible revenge: since the Nazis have killed millions of Jews, they will kill millions of Germans.

A short film that transforms the chat-room of a porn-forum into a techno-feudal court.

An indie documentary exploring the art form of hand-drawn animation through a contemporary lens in the digital era. Featuring insights and anecdotes by hand-drawn animation artists from around the world.

Florida, 1994. Artist Mike Diana is convicted on an obscenity charge in the wake of an undercover police officer purchasing his limited edition zine Boiled Angel. Here is the very unusual story of what led to this First Amendment debacle happening for the first time in the United States.

The story that was silenced for 91 years was revealed for the first time: in August 1933 the leaders of the Zionist Organization signed "transfer agreements" with Nazi Germany. As part of the agreement, about 60 thousand Jews with a lot of property will arrive in the Land of Israel. Is it permissible to make a "contract with the devil" to save people?

Acquired in July 1909 by art collector Wilhelm von Bode (1845-1929), director general of the Prussian Art Collections and founding director of the Kaiser-Friedrich-Museum, now the Bode-Museum, the Bust of Flora, Roman goddess of flowers, has been the subject of controversy for more than a century.

An unconventional portrait of painter Frida Kahlo and photographer Tina Modotti. Simple in style but complex in its analysis, it explores the divergent themes and styles of two contemporary and radical women artists working in the upheaval of the aftermath of the Mexican Revolution.

The Mona Lisa Curse is a Grierson award-winning polemic documentary by art critic Robert Hughes that examines how the world's most famous painting came to influence the art world. With his trademark style, Hughes explores how museums, the production of art and the way we experience it have radically changed in the last 50 years, telling the story of the rise of contemporary art and looking back over a life spent talking and writing about the art he loves, and loathes. In these postmodern days it has been said that there is no more passé a vocation than that of the professional art critic. Perceived as the gate keeper for opinions regarding art and culture, the art critic has supposedly been rendered obsolete by an ever expanding pluralism in the art world, where all practices and disciplines are purported to be equal and valid. Robert Hughes, however, is one art critic who has delivered a message that must not be ignored.