War of the Worlds Extinction 2024 - Movies (Mar 28th)
Sex-Positive 2024 - Movies (Mar 28th)
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Dangerous Lies Unmasking Belle Gibson 2025 - Movies (Mar 28th)
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Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
The Life List 2025 - Movies (Mar 28th)
Renner 2025 - Movies (Mar 28th)
The Rule of Jenny Pen 2024 - Movies (Mar 28th)
Bring Them Down 2024 - Movies (Mar 27th)
Love Hurts 2025 - Movies (Mar 27th)
Holland 2025 - Movies (Mar 27th)
The House Was Not Hungry Then 2025 - Movies (Mar 27th)
One Million Babes BC 2024 - Movies (Mar 27th)
Through the Door 2024 - Movies (Mar 27th)
Snow White 2025 - Movies (Mar 27th)
England’s Lions The New Generation 2025 - Movies (Mar 26th)
The Last Keeper 2024 - Movies (Mar 26th)
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The One Show - (Mar 29th)
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Christof Wackernagel, best known in Germany as an actor and former member of the Red Army Faction ("RAF") lives in Mali. In his compelling portrait, Jonas Grosch shows a man who simply cannot stand still if he senses injustice. The courage to stand up for one’s beliefs coupled with vanity? However one chooses to look at it, it is easy to imagine what made him connect with the "RAF". With his irrepressible will for freedom, Christof Wackernagel gets entangled in the horrors of day-to-day life in Africa.
In World War II. African-American GIs liberate Germany from Nazi rule while racism prevailed in their own army and home country. Returning home they continue fighting for their own rights in the civil rights movement.
Black Box BRD steps back into German history, showing the Federal Republic of Germany of the 70s and 80s. The country is polarized due to the power struggle of the German state and the "Red Army Faction". Society is torn, the fronts are irreconcilable. The life stories of both Wolfgang Grams and Alfred Herrhausen are tragically linked to this era. Grams is the one who takes up arms for moral rigor; Herrhausen however seizes power and dies when powerful.
A documentary of the German national soccer team’s 2006 World Cup experience that changed the face of modern Germany.
A film essay investigating the question of what “the West” means beyond the cardinal direction: a model of society inscribed itself in the Federal Republic of Germany’s postwar history and architecture. The narrator shifts among reflections on modern architecture and property relations, detailed scenes from childhood, and a passed-down memory of a “hemmed-in West Germany,” recalling the years of her parents’ membership in a 1970s communist splinter group.
Charles Louis Schulmeister (1770-1853) was a smuggler and a revolutionary, but also a chief of police and Napoleon Bonaparte's favorite spy. A look back on his adventurous life with the purpose of unraveling the many mysteries of his unique path.
On June 1st, 2019, around 11:30pm, the shoot which represents a turning point in the federal republic falls. In the hessian small town Wolfhagen-Istha, the district president of Kassel, Walter Lübcke, is murdered during this night, while, just a few meters away, the annual carnival is putting the locals into a festive mood. It is DNA-evidence on the clothes of Walter Lübcke which leads the investigators on June 15th, 2019, to his presumptive murderer: Stephan Ernst. The previously convicted right-wing extremist Ernst gets arrested by a SEK unit in Kassel. A first background check reveals: Stephan Ernst was known to the security authorities, but they did not have him on their radar for six years. Now he is back. And a person is dead. The docu-drama “Schuss in der Nacht” („Shoot in the dark“) tells emotionally, and simultaneously factually, how the deadly attack on Lübcke came to be. It tells about the first far-right motivated murder of a politician since the era of national socialism.
How did Nazi Germany, from limited natural resources, mass unemployment, little money and a damaged industry, manage to unfurl the cataclysm of World War Two and come to occupy a large part of the European continent? Based on recent historical works of and interviews with Adam Tooze, Richard Overy, Frank Bajohr and Marie-Bénédicte Vincent, and drawing on rare archival material.