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There are so many great things about how this movie is made - the directing, the shots, the tonal quality, and the pacing. Probably most brilliant of all is how the total makes the viewer feel claustophobic. I admit, though, it's a tad dated.
There are so many great things about how this movie is made - the directing, the shots, the tonal quality, and the pacing. Probably most brilliant of all is how the total makes the viewer feel claustrophobic. I admit, though, it's a tad dated.
You might have thought that on May 8th, 1945 the population of Poland would have been united in celebrating the defeat of their Nazi invaders. Instead, though, this film quite deftly illustrates a mixture of joy and trepidation as those who had fought together to free their country now found themselves on opposite sides of a new societal order that was going to pit the freedom-loving Poles on one side with those more Soviet-minded Communists on the other. This polarity is epitomised by "Maciek" (Zbigniew Cybulski) and "Andrzej" (Adam Pawlikowski) who are charged with getting shot - literally - of the communist leader and new minister "Szczuka" (Waclaw Zastrzezynski). They manage to screw their assassination attempt up, though, and innocent people are killed - not the first who die as the infighting between the hitherto allies becomes more violent and potent, with even the strongest of family loyalties severely tested. There's still time for a little romance as "Maciek" takes a shine to "Krystyna" (Ewa Krzyzewska) and as that burgeons, he yearns for a peaceable life in which to live, work and bring up a family. Thing is, can he just stop caring about the politics and settle, or is it too ingrained in him and by staying, might he actually be endangering that which he has come to love? This is one of the more poignant “winning the peace" kind of post WWII stories, with the characterisations ripe with contradictions and challenges, and the director (Andrzej Wajda) also taking a broader look at the remnants of Polish society as a whole from which rebuilding is not going to be easy. This previously devout nation is much less though. The people are weary, depressed and all too ready to sink their sorrows and ambitions in a large glass of vodka. On that last point, there's space for a little bitter humour and that largely comes thanks to an on-form Stanislaw Milski and his professorial-looking "Pieniazek" and we have some devious jostling for position and privilege in the new order to engage us too. The grimness of their situation is well captured by the stylish, almost eerie at times, photography that prevails throughout this authentic looking drama. History tells us what did happen, indeed what was already happening when this was made in 1958 - and that makes this junction box of political and personal choices all the more compelling to watch. It's essentially about people and ideals, and is well worth a look at.
My first Wajda and I really enjoyed it. I thought that Cybulski's performance was great and I loved the scene in the pub where he's lighting vodka shots, which he plays perfectly. The shots of him through the patterned staircase looked amazing in black and white, and especially because of his sunglasses. I did get a bit lost in the politics side of the plot but despite that I didn't get bored and I really liked the romance plot line and the sequence with the drunk secretary. I thought the blood coming through the sheet at the end was a really strong image and the final shot of him running through that kind of wasteland area was a great ending 3.5/5
"Sleep Sweet, My Darling" shows a bittersweet coming of age of Tomica Skrinjar, starting at the tail end of World War II in 1945.
What would your family reminiscences about dad sound like if he had been an early supporter of Hitler’s, a leader of the notorious SA and the Third Reich’s minister in charge of Slovakia, including its Final Solution? Executed as a war criminal in 1947, Hanns Ludin left behind a grieving widow and six young children, the youngest of whom became a filmmaker. It's a fascinating, maddening, sometimes even humorous look at what the director calls "a typical German story." (Film Forum)
Former P.O.W. Jack Calgrove moves Heaven and Earth to be reunited with his children following the Civil War. After returning home, Jack discovers that his wife has tragically died and his children, presumed to be orphans, are heading deep into the West on a train crossing enemy lines, with the intent of being placed into new homes. Calgrove and another soldier team up with a troop of Native American sharpshooters and a freed slave as they try to stop the train.
In 1944 Poland, a Jewish shop keeper named Jakob is summoned to ghetto headquarters after being caught out after curfew. While waiting for the German Kommondant, Jakob overhears a German radio broadcast about Russian troop movements. Returned to the ghetto, the shopkeeper shares his information with a friend and then rumors fly that there is a secret radio within the ghetto.
An American journalist arrives in Berlin just after the end of World War Two. He becomes involved in a murder mystery surrounding a dead GI who washes up at a lakeside mansion during the Potsdam negotiations between the Allied powers. Soon his investigation connects with his search for his married pre-war German lover.
Thief Gaston Monescu and pickpocket Lily are partners in crime and love. Working for perfume company executive Mariette Colet, the two crooks decide to combine their criminal talents to rob their employer. Under the alias of Monsieur Laval, Gaston uses his position as Mariette's personal secretary to become closer to her. However, he takes things too far when he actually falls in love with Mariette, and has to choose between her and Lily.
During the Nazi occupation of Poland, an acting troupe becomes embroiled in a Polish soldier's efforts to track down a German spy.
Prim professor Immanuel Rath finds some of his students ogling racy photos of cabaret performer Lola Lola and visits a local club, The Blue Angel, in an attempt to catch them there. Seeing Lola perform, the teacher is filled with lust, eventually resigning his position at the school to marry the young woman. However, his marriage to a coquette - whose job is to entice men - proves to be more difficult than Rath imagined.
Francis, a young man, recalls in his memory the horrible experiences he and his fiancée Jane recently went through. Francis and his friend Alan visit The Cabinet of Dr. Caligari, an exhibit where the mysterious doctor shows the somnambulist Cesare, and awakens him for some moments from his death-like sleep.
Two musicians witness a mob hit and struggle to find a way out of the city before they are found by the gangsters. Their only opportunity is to join an all-girl band as they leave on a tour. To make their getaway they must first disguise themselves as women, then keep their identities secret and deal with the problems this brings - such as an attractive bandmate and a very determined suitor.
Newspaper magnate Charles Foster Kane is taken from his mother as a boy and made the ward of a rich industrialist. As a result, every well-meaning, tyrannical or self-destructive move he makes for the rest of his life appears in some way to be a reaction to that deeply wounding event.