Bad Actors

A mix of home-video and documentary styles about a group of young people who have decided to get to know their “inner-idiots” and thus not only facing and breaking their outer appearance but also their inner.

Cecilie and Joachim are about to get married when a freak car accident leaves Joachim disabled, throwing their lives into a spin. The driver of the other car, Marie, and her family don’t get off lightly, either. Her husband Niels works in the hospital where he meets Cecilie and falls madly in love with her.

Several lonely hearts in a semi-provincial suburb of a town in Denmark use a beginner's course in Italian as the platform to meet the romance of their lives. The film, which unspools the connections and family drama shared between the students, complies with several aesthetic principles of Dogme 95 movement.

Kresten, newly wed, is on the threshold of a great career success in his father-in-law´s company. But when the death of his own father takes him back to his poverty-stricken childhood home, far out in the country, his career plans fall apart. For one thing he has to deal with his loveable, backward brother, who is now all alone; for another, he meets a stunning woman who comes to the farm as a housekeeper, in disguise of her real profession as a call-girl.

Danish film has never felt stronger on the international stage than it did with the Dogme films, which at the world premiere of 'The Party' and 'The Idiots' during the Cannes Film Festival in 1998 put Denmark on the film world map. Another eight films under the strict Dogme rules followed and created great international careers for several of the talents in front of and behind the handheld camera. Thomas Vinterberg, Søren Kragh-Jacobsen, Paprika Steen, Ulrich Thomsen, Trine Dyrholm, Iben Hjejle, Anders W. Berthelsen, Lone Scherfig, Sonja Richter and many more of the country's greatest filmmakers look back on when Denmark became Dogme.

Fabián, a magician from Buenos Aires, saves his money from weddings, birthdays, and bar mitzvahs, and uses a hidden camera to document a week-long trip to the Falkland Islands where he has a patriotic plan: to impregnate a British woman. If 500 Argies do this annually, the islands will soon be overrun with children belonging to both cultures.

Two stories run on parallel lines in a nocturnal Rome. Marcello is an easygoing sixty-five-year-old film producer trying to convince a beautiful actress to accept a part in a film. The other protagonist is a group of petty criminals and illegal immigrants who pass the night stealing, taking drugs, having sex and drinking. Marcello talks about his experience working with Fellini and Mastroianni during the wonderful years of DOLCE VITA; this strongly contrasts the city experienced by the immigrants.

Gypo is the story of a working class family in Margate, Kent, a town where immigrants have become the focus of most of the public's discontent. The film tells the story of the a couple of weeks in this family's life, beginning when a young Czech girl, Tash, comes to visit. The film is made in the Dogme95 tradition, so no costumes, no lighting, no props or sets, which gives the film a gritty texture appropriate to the story.

Stranded in the heat of a barren African desert, eleven bus-passengers shelter in the remnants of an abandoned town. As rescue grows more remote by the day and anxiety deepens, an idea emerges: why not stage a play. However the choice of King Lear only manages to plunge this disparate group of travelers into turmoil as they struggle to overcome both nature's wrath and their own morality.

A French woman falls in love with a Yugoslavian man, not realizing that he is an illegal immigrant.

Peter and Chris, two young American friends in their late 20s, go from South Dakota to California on a scooter, and as they travel across the American landscape they see their country through different eyes, ranging from Peter's cynically nihilistic point of view, to Chris' high expectations and romantic notions of the United States.