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**While the story is predictable and inconsistent, the final product is enjoyable, focusing on family over stereotypical rom-com romance.** Second Act was billed as sort of a rom-com, but that isn't very accurate. While a comedy, Second Act focuses on the story of a sharp woman without traditional credentials that learns to find success by being true to herself. The story is inconsistent, but there are plenty of funny moments throughout, particularly when the Monday Moms are on screen. The film's best part is Jennifer Lopez's character finding and reuniting with her long-lost daughter, whom she had to give up for adoption as a young teen. The supporting cast of quirky characters is entertaining too. But the lead character makes some dishonest decisions and lies to her loved ones repeatedly, making the viewer feel conflicted about rooting for her. Ultimately, Second Act gets distracted from its own story making the ending feel haphazard, stitched together, and uninspired. Still, a comedy not wrapped up in romance but a mother/daughter relationship is a nice change of pace.
Rival reporters Sam Craig and Tess Harding fall in love and get married, only to find their relationship strained when Sam comes to resent Tess' hectic lifestyle.
Two planes almost collide after a blinding flash of light paralyzes air traffic controller Dylan Branson for a few seconds. Suspended from his job, Dylan starts to notice an ominous pattern of sounds and events that repeats itself in exactly the same manner every day, ending precisely at 2:22 p.m. Also drawn into a complex relationship with a woman, Dylan must figure out a way to break the power of the past and take control of time itself.
A girl. A boy. A love story. But also about dreams, fears, life, true love, friendship and how we deal with it. And a secret between them...
Manhattan explores how the life of a middle-aged television writer dating a teenage girl is further complicated when he falls in love with his best friend's mistress.
In this riot of frantic disguises and mistaken identities, Victor Pivert, a blustering, bigoted French factory owner, finds himself taken hostage by Slimane, an Arab rebel leader. The two dress up as rabbis as they try to elude not only assasins from Slimane's country, but also the police, who think Pivert is a murderer. Pivert ends up posing as Rabbi Jacob, a beloved figure who's returned to France for his first visit after 30 years in the United States. Adding to the confusion are Pivert's dentist-wife, who thinks her husband is leaving her for another woman, their daughter, who's about to get married, and a Parisian neighborhood filled with people eager to celebrate the return of Rabbi Jacob.
Instead of flying to Florida with his folks, Kevin ends up alone in New York, where he gets a hotel room with his dad's credit card—despite problems from a clerk and meddling bellboy. But when Kevin runs into his old nemeses, the Wet Bandits, he's determined to foil their plans to rob a toy store on Christmas Eve.
Artist Charles Ryder runs into aristocrat Julia Flyte and recalls his friendship with her eccentric family prior to the outbreak of the Second World War. Based on the classic British novel by Evelyn Waugh.
New York, I Love You delves into the intimate lives of New Yorkers as they grapple with, delight in and search for love. Journey from the Diamond District in the heart of Manhattan, through Chinatown and the Upper East Side, towards the Village, into Tribeca, and Brooklyn as lovers of all ages try to find romance in the Big Apple.
A swinging, hypocritical college student cat raises hell in a satirical vision of the 1960s.
An egotistical saxophone player and a young singer meet on V-J Day and embark upon a strained and rocky romance, even as their careers begin a long uphill climb.