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ODessa 2025 - ()
Hamlet 2024 - ()
The Twister Caught in the Storm 2025 - ()
DSLR 2025 - ()
One Night in Tokyo 2025 - ()
Midwinter 2024 - ()
Flight Photographers 2025 - ()
American Terror Tales 3 2024 - ()
Bert Kreischer Lucky 2025 - ()
Dead Teenagers 2024 - ()
Wolves Against the World 2024 - ()
Bill Squire Were Getting Famous 2024 - ()
Andrew Orvedahl Doom Math 2024 - ()
Final Heist 2024 - ()
National Anthem 2024 - ()
Finding Me 2025 - ()
Rich Flu 2024 - ()
Across the Line 2025 - ()
Jersey Bred 2024 - ()
I Love You Forever 2024 - ()
Whilst I appreciate the film's navigation of holding females accountable for the way we act towards each other, I can see how a male watching this film would feel targeted and/or annoyed for its aggressive generalisation of men and the way they view women. This then becomes more destructive to the qualities and message of feminism. Films with a feminist undertow should seek to portray inequality in a reasonable and educational format - not make men run away. As for me? I'm still waiting on a film that explores the positives of female relationships, no talk of men or catty behaviour; just real, empowering and relatable content. - Lily Meek Read Lily's full article... https://www.maketheswitch.com.au/article/feature-ladyworld-experimental-thriller-not-so-thrilling Head to https://www.maketheswitch.com.au/sff for more Sydney Film Festival reviews.
This is something I've spoken about before, I believe it was seeing _The Killing of a Sacred Deer_ that sparked the conversation. Now I know it's not actually this straight forward, but essentially my point was thus: There are two primary forms of "Weird movie". One is grounded, real-world characters trying to navigate a nonsense, unrealistic environment. The other is populated by bizarre, unrealistic characters forced to exist in a plausible, terrestrial environment. I'm only really a fan of the former. _Ladyworld_ is the latter. And boy did that score fuckin' irritate me. _Final rating:★½: - Boring/disappointing. Avoid where possible._