Transsexual Babysitters 21

'For the Love of God' is the wickedly irreverent tale of Graham (Coogan); an over-grown man-child still living at home under the suffocating glare of his elderly Mother, in her dusty and forgotten Christian bookshop. Graham has a terrible secret - an unholy fantasy - which only he and his Mother's pet Jackdaw (McKellen) know about. Spurred on by the sinister bird and the possibility of consummating his perverse desire, will Graham do the deed before his Mother uncovers the awful truth?

Deuce Bigalow goes to Amsterdam after a little accident including two irritating kids and a bunch of aggressive dolphins. There he meets up with his old friend T.J. Hicks. But a mysterious killer starts killing some of Amsterdam's finest gigolos and T.J. is mistaken for the extremely gay murderer. Deuce must enter the gigolo industry again to find the real murderer and clear T.J.'s name.

Procida, a little Island in the gulf of Naples. Last days of summer. The adolescence of Domenico is coming to an end, just like his tormented relationship with Marcello. Domenico looks for hospitality at Antonio's house, his best friend, but soon he finds himself alone with the thirteen-years-old Antonio's brother, Lallo. A journey of discovery starts, between adolescence and maturity. The meeting with Sara, a transsexual woman, will bring to light the desires of the two young boys.

In 1997, the Belgian public was in shock when judge Koen A. was convicted for the S&M relationship with his wife. Although their life was destroyed by the verdict, Koen and his wife Magda remain together today. The film is a story about dark sexuality and true love, told from the lover's unique point of view

A computer wizard infiltrates a London sex club to get evidence for a shutdown, but falls for the proprietress.

At a very camp party in Paris, guests are told about a strange tom-tom played by an Andalusian gipsy, himself a character in a book by a young novelist present at the party. A frantic quest begins for a mysterious love-filter. Tam Tam shows desire and repression through the subversion of archetypes both social (ambassadors, stars, artists) and sexual (homophiles, transvestites, transsexuals), and converting these into a most accurate account of a certain kind of unease: an identity crisis.

Eduarda (Eddi) wants to become a woman, but what makes a woman? Maybe breasts help? She goes on holiday with her family and meets Lukas. Unfortunately, she is not the only family member who wants to feel attractive. Are we really defined by what others see?

Kristian, who is a transvestite, still lives at home with his mother Emma, because she loves him just the way he is. Life as a transvestite offers many humiliations from the outside world, but with his mom, Kristian feels that he can be himself. Until one day when Emma meets the alcoholic Søren, who does not have the same tolerance...

Marnie is a thief, a liar, and a cheat. When her new boss, Mark Rutland, catches on to her routine kleptomania, she finds herself being blackmailed.

What is it about Speedos? Well here Australian director Tim Hunter is on a mission to find the answer to the question of why so many gay men can't seem to get enough of hunks in tight fitting trunks? Although somehow I think the answer can be found in the question! Anyway in a bid to discover the truth, Hunter has carried out a series of interviews with men who have more than a passing interest in this briefest of garment, including that of Speedo designer Peter Travis, who here relates his part in the history of 'the male equivalent of the Wonder Bra.'

Two drag queens and a transgender woman contract to perform a drag show at a resort in Alice Springs, a town in the remote Australian desert. As they head west from Sydney aboard their lavender bus, Priscilla, the three friends come to the forefront of a comedy of errors, encountering a number of strange characters, as well as incidents of homophobia, whilst widening comfort zones and exploring new horizons.