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This starts and finishes with the same shot - a freezing cold snowscape peppered with a few telegraph poles amidst a wilderness that the Soviet population were prepared to to die to protect from the invading Nazis. Two Red Army partisans are doing their best to frustrate their enemy whilst combating the brutality of the terrain and the climate. "Sotnikov" (Boris Plotnikov) and "Rybak" (Vladimir Gostyukhin) are out foraging for food when they encounter some sheep and then themselves become the hunted as a patrol chases them to a remote farmhouse and thence conveys them to a prison. It's here that these two men must face the truly evil police investigator "Portnov" (a spine-shivering contribution from Anatoly Solonitsyn) who tries to convince each man to tell what they know of their colleagues. The now injured "Sotnikov" has a proud and determined stoicism that he's prepared to take to the grave; his friend is a touch more pragmatic than him but both have consciences to wrestle with about not just their own lives, but those of others caught up in their fight for freedom. There's something very striking about Plotnikov here - it reminded me in many ways of Jeffrey Hunter in "King of Kings" (1961) - those piercing eyes and an almost celestial bearing as the photography focussed on a face that seemed to be able to project itself as a vision of something holy, better, virtuous. Indeed, the last twenty minutes or so have something of the Calgary to them that resonate really quite poignantly. The supporting cast, and a really quite provocative effort from Gostyukhin, also add a layer of characterful richness to a tale that questions just what people might be prepared to do to preserve their own, and/or other, lives. Is it braver to die for the cause or to compromise, maybe even collaborate, survive and fight another day? It's a cold film from start to finish and well worth a watch.
The story of an old Jewish widow named Daisy Werthan and her relationship with her black chauffeur, Hoke. From an initial mere work relationship grew in 25 years a strong friendship between the two very different characters, in a time when those types of relationships were shunned.
In the 1930s, Count Almásy is a Hungarian map maker employed by the Royal Geographical Society to chart the vast expanses of the Sahara Desert along with several other prominent explorers. As World War II unfolds, Almásy enters into a world of love, betrayal, and politics.
The true story of pianist Władysław Szpilman's experiences in Warsaw during the Nazi occupation. When the Jews of the city find themselves forced into a ghetto, Szpilman finds work playing in a café; and when his family is deported in 1942, he stays behind, works for a while as a laborer, and eventually goes into hiding in the ruins of the war-torn city.
The true story of how businessman Oskar Schindler saved over a thousand Jewish lives from the Nazis while they worked as slaves in his factory during World War II.
Jess Bhamra, the daughter of a strict Indian couple in London, is not permitted to play organized soccer, even though she is 18. When Jess is playing for fun one day, her impressive skills are seen by Jules Paxton, who then convinces Jess to play for her semi-pro team. Jess uses elaborate excuses to hide her matches from her family while also dealing with her romantic feelings for her coach, Joe.
Lili, a pouty and voluptuous 14-year-old, is caravan camping with her family in Biarritz. She's self-aware and holds her own in a café conversation with a concert pianist she meets, but she has a wild streak and she's testing her powers over men, finding that she doesn't always control her moods or actions, and she's impatient with being a virgin. She sets off with her brother to a disco, latching onto an aging playboy who is himself hot and cold to her. She is ambivalent about losing her virginity that night, willing the next, and determined by the third.
As the romantic monsoon rains loom, the extended Verma family reunites from around the globe for a last-minute arranged marriage in New Delhi. This film traces five intersecting stories, each navigating different aspects of love as they cross boundaries of class, continent and morality.
Agnès Varda eloquently captures Paris in the sixties with this real-time portrait of a singer set adrift in the city as she awaits test results of a biopsy. A chronicle of the minutes of one woman’s life, Cléo from 5 to 7 is a spirited mix of vivid vérité and melodrama, featuring a score by Michel Legrand and cameos by Jean-Luc Godard and Anna Karina.
An emotionally scarred highway drifter shoots a sadistic trick who rapes her, and ultimately becomes America's first female serial killer.
In a barren, arranged marriage to an amateur swami who seeks enlightenment through celibacy, Radha's life takes an irresistible turn when her beautiful young sister-in-law seeks to free herself from the confines of her own loveless marriage.
A love-themed anthology adapted from the music album of the same title by Dewi "Dee" Lestari.
