War of the Servers

With mixed techniques, the short film "I don't know what nostalgia is anymore" brings a gameplay recording of the game "project zomboid" as the basis for a film that seeks to represent what loneliness means to human beings and how much we can find ourselves even without any help.

Ryo Hazuki finds himself seeing his father Iwao die at the hands of a mysterious Chinese man named Lan Di, who also steals an item Iwao had called the "Dragon Mirror". Ryo makes it his mission to get revenge on Lan Di, but first he has to find out how to find him, with the warhouse docks & the Mad Angels gang being his best leads.

In 1987, teenage martial artist Ryo Hazuki arrives in Wan Chai, Hong Kong from Japan on the trail of his father's killer, Lan Di, of the criminal Chi You Men organization. He searches for Master Lishao Tao, the only link to the whereabouts of Yuanda Zhu, a martial arts expert who sent Ryo's father a letter warning him of Lan Di's intentions. When Ryo finds Tao, whose real name is Xiuying Hong, she refuses to help, considering his quest for vengeance reckless. The two part ways, but Xiuying continues to monitor Ryo's progress.

The virtual landscapes of a video game are transformed into an existential tale of solemn beauty.

A master of espionage is hot on the trail of a new kind of computer criminal in this made-for-TV sci-fi action opus. Lindsay (Brooke Harman) is a scientist whose latest discovery in energy transformation has the potential to revolutionize the world; it also attracts the attention of Zachary (Christopher Morris), the leader of a cyber-savvy gang, and Zachary kidnaps Lindsay in order to learn her secrets. Lindsay's sister Ricki (Rachel Blakely) soons becomes concerned about her sister's disappearance, and contacts super sleuth Max Knight (Michael Landes) to find her. As Max searches for Lindsay, he discovers Zachary and his cohorts have strange plans for Lindsay's innovation, which could make it possible for them to leave their bodies and travel wherever they wish through the Internet. (Max Knight: Ultra Spy was released direct-to-video)

Clear Skies follows a trio of down-and-out misfits who've seen no end of bad luck. John Rourke is the obstinate captain of the Clear Skies, a Tempest class battleship manufactured by the downtrodden Minmatar race of New Eden. Rourke's attitude toward his hazardous chosen lifestyle is cavalier, although this does not sit well with his friends among the crew.

These likeable dropouts from the entrenched corporate lifestyle of New Eden eke out a meager living on trade runs and the odd courier job here and there. Still, they manage to find humor in their grim lot as they narrowly avoid being blown out of the stars by pirates, hired thugs, or whatever threat awaits them on the other side of the next jump gate. This is life aboard the Clear Skies.

If you have everything, you have everything to lose. John Rourke and his crew run the shiny new Maelstrom. But when Mr. Smith has a new job offer, everything changes and pushes New Eden again to the edge of chaos. JR, Charlie, and Sol are back for one more adventure, that takes them from a dull daily grind to trying to save an entire star system that's been taken hostage. Time to trust in rust for one last time.

CGI collage short film originally premiered as part of the 'Extinction Renaissance' exhibition at the Loyal Gallery in Stockholm.

The French Democracy is a short film by French filmmaker Alex Chan. The film was made in the 2005 PC game "The Movies," a business simulation game that allowed users to create their own films using pre-rendered scenes and tells the story of three Moroccan immigrants in France who turn to rioting after facing different forms of discrimination. The film was made as a response to the 2005 French riots which resulted from the deaths of two young boys who were electrocuted while hiding from police in a power substation. The civil unrest called attention to racism in France and abusive policing tactics. On its release, The French Democracy sparked controversy in mainstream media both as a political statement and as an example of the then-emerging Machinima genre tackling mature, political themes.