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Seoul Busters - (Oct 2nd)
American Sports Story - (Oct 2nd)
The Bay - (Oct 2nd)
The Last American Vagabond - (Nov 15th)
Cobra Kai - (Nov 15th)
The Creep Tapes - (Nov 15th)
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The Real Housewives of Orange County - (Nov 15th)
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Totally forgettable and full of stereotypes
Edgar Rice Burroughs wrote his series of John Carter novels before space flight was more than a fancy. This movie is more adventure and romance and very little (if any) actual science. This movie is the best production of A Princess of Mars, the first story in the series, that I've seen. If you're a fan of the John Carter novels then you will probably get some enjoyment from John Carter. While there are some differences you'll meet some familiar characters and recognize quite a few relevant plot points. Not a great film, but not a bad one, either.
We sat down and watched this movie on Blu-ray yesterday evening to nicely end our little excursion day. This is a good film but it could have been (much) better. The film itself and its special effects are quite good. I would say that the special effects are very good. The airships are very cool looking. The design nicely captures the retro atmosphere of the book without looking silly. I think they made the green men too slim though. I have always pictured them as way more bulky and monstrous. I like Woola’s appearance although him moving around at “supersonic” speeds is a bit over the top. However, why is it that every film-company/producer/director/whatever now thinks that he can take an old classic, slam on the name in the title, and then do what the hell he likes with the material? This film has borrowed the basic idea and the names from Edgar Rice Burroughs John Carter book but almost nothing else. At most 10% of the story of the books is in the movie. The rest is pure invention and it does not improve the story. As a matter of fact it turns what was a good story into a standard unintelligent Hollywood faire. Been there, seen that, done that. The examples are plentiful, the white apes the size of dinosaurs, the city of Zodanga moves around (what the f…), most of the plot as I said before is invented, the Therns have a completely different role etc. etc. I especially dislike how they have made John Carter, the honorable gentleman from Virginia, into a fairly plain American guy who at first refuses to do the “right” thing. And what about these bloody wife and child flashbacks? That’s just disturbing. None of this improves the movie. It got 6 stars, it could have gotten 9 or 10 if it had followed the books properly. It is Disney’s own fault that this movie was a disappointment at the box office, they screwed with classical material…again.
Unfulfilled potential, still narrowly liked it. 'John Carter' can feel underdeveloped and underwhelming, you could even argue it aimed to replicate 'Avatar', but there's enough there that allowed me to find a fair amount of enjoyment. Taylor Kitsch is alright, I rate him, but a more convincing lead performance was necessary in my opinion. The rest of the cast, despite some well known names, fail to deliver anything noteworthy. Willem Dafoe works as Tars Tarkas, though only due to his distinctive voice; none of his dialogue etc. stand outs. The likes Samantha Morton, Mark Strong and Bryan Cranston give forgettable performances; arguably not their fault. The premise has all the possibilities to be great, sadly the film fails to make their mark with it. The ending is extremely rushed, even for a 132 minute production. Visually it's good, but that's one of very few plus points - I haven't got many truth be told, but anything less than a 7* feels harsh.
Dad raised us on what he lovingly called "Pulp Trash Novels" and that carried over to adult life where they are proudly displayed along side academic books. Actually they take the top shelf. So, walking into this I was scared and unfortunately I had every right to be. Now I am fine with artistic licenses, I wasn't expecting it to be exactly like any of the books. But I was expecting it to at least follow the source material a little, something more than just the names. In short, I was expecting a John Carter movie in more than just name only. And, frankly, this didn't even feel like a movie based on pulp adventure novels, which for me was a key point, it could take all the liberties it wanted so long as it still played out like a pulp adventure novel. Unfortunately, it fell short on this. And, to make it even worse, it was boring. If you like the source material, if you like adventure for really the sake of adventure and escapism, then stay away, stay far, far away.
In the summer of 1941, the Karelian youths Wist and Anttala decide to seek family silver hidden under Wist's home behind the border line of the truce.
A troubled psychologist is sent to investigate the crew of an isolated research station orbiting a bizarre planet.
With friends like these, who needs enemies? That's the question bad guy Porter is left asking after his wife and partner steal his heist money and leave him for dead - or so they think. Five months and an endless reservoir of bitterness later, Porter's partners and the crooked cops on his tail learn how bad payback can be.
Led by a strange dream, scientist Aki Ross struggles to collect the eight spirits in the hope of creating a force powerful enough to protect the planet. With the aid of the Deep Eyes Squadron and her mentor, Dr. Sid, Aki must save the Earth from its darkest hate and unleash the spirits within.
A male prison escapee heads for his hidden loot, electronically attached to a female prisoner.
In October 1991, a confluence of weather conditions combined to form a killer storm in the North Atlantic. Caught in the storm was the sword-fishing boat Andrea Gail.
A Victorian Englishman travels to the far future and finds that humanity has divided into two hostile species.
Hoping to alter the events of the past, a 19th century inventor instead travels 800,000 years into the future, where he finds mankind divided into two warring races.
An interstellar teleportation device, found in Egypt, leads to a planet with humans resembling ancient Egyptians who worship the god Ra.
One year after his heroics in Los Angeles, John McClane is an off-duty cop who is the wrong guy in the wrong place at the wrong time. On a snowy Christmas Eve, as he waits for his wife's plane to land at Washington Dulles International Airport, terrorists take over the air traffic control system in a plot to free a South American army general and drug smuggler being flown into the US to face drug charges. It's now up to McClane to take on the terrorists, while coping with an inept airport police chief, an uncooperative anti-terrorist squad, and the life of his wife and everyone else trapped in planes circling overhead.