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Threre are few sequels that are better than the original. This is one of them. Smarter, with good plot and an amazing animation. Perfect for a movie session with the family.
Admittedly, I wasn’t the biggest fan of the first “Kung Fu Panda.” Don’t get me wrong, it’s alright, but that’s all. Just alright. The jokes about him being big and clumsy get old after an hour and a half, to the point where it almost seems like a movie that’s trying to (ironically) fat shame kids. “Kung Fu Panda 2” is really more of the same. Same characters, same plot, same jokes. It’s extremely predictable with literally no surprises, giving the characters little depth. What we are presented with here is essentially a paint-by-numbers family film. If you’re okay with that, then more power to you. It’s pretty harmless brain candy, but if you’re looking for more substance or any way to challenge your kids a little, look elsewhere. Again, it’s just kind of...there. Ironically zen, in a way.
Kung Fu Panda 2 excitedly kicks, punches and belly flops its way through overused visual humour. “Everybody was kung fu fighting!” much more so in this sequel when compared to its predecessor. The Furious Five were slapping Shen’s army of diabolical wolves left, right and centre. Master Shifu prodding his stick conveniently during the climactic battle. And a plethora of other anthropomorphic beasts harnessing the power of said martial art. This very much felt like an animated martial arts feature, one aspect the original was sorely missing. However, despite DreamWorks’ best efforts in continuing Po’s search in becoming the Dragon Warrior, its quality offers no improvements. Unable to surpass the boundaries of family-friendly humour that reduces the visual splendour and narrative heft to progress the story onto the next level. Po, having realised who his parents truly are (not a goose...), must save China with the Furious Five from the malicious peacock Shen and his fascination with metallic weapons. DreamWorks constantly pump out family orientated animations with powerful morals every year. This sequel illustrating the ability to manipulate our past childhoods to shape the person we want to be. For Po, this meant ignoring the familial scars that Shen caused, producing his prepubescent abandonment. A notable moral that many should abide by, but unfortunately is weighed down by excessive comedy that diminished a vast amount of beautiful moments. Aside from the tantalising scene when Po finally discovered what happened to his parents, conveyed through mesmerising hand-drawn animated flashbacks, all other heartfelt examples were brutalised by Po’s apparent requirement to exercise his bumbling personality. Black’s prolific voice doesn’t help matters, with a lack of sincerity to his vocal performance, but the frantic pacing and rushed sequences made for a frustrating central narrative. That’s not to say this sequel is poor, in fact it’s just as consistent as its predecessor. Rather infuriating is all given the tender bamboo seeds that were lovingly planted, unable to grow into ferocious stalks. The humour, as overwhelming as it is, does provide characterisation to these animals. Po in particular. Making it hugely accessible for all members of all families to watch and enjoy. The action sequences were splendid and vibrantly colourful, with some ingenious editing that made one chase scene resemble ‘Pac-Man’. The oriental aesthetics and environments built a beautifully inclusive world for the characters to roam in. The antagonist, Shen, was far more memorable and sinister in comparison to...ummm...I forgot his name. The snow leopard? We’ll go with that. Mostly due to Oldman’s vocal work that has a larger range than the entirety of his filmography (and that’s saying something!). The red and black lighting was, at times, excessive in depicting “evil” and surprisingly dark. No, not thematically. It was literally difficult to see anything! Aside from that, Kung Fu Panda 2 slaps. And punches. And kicks. But also tumbles repetitively due to Po’s constant buffoonery. It does however set the third film up nicely, so guess I’ll have to give that a go...
After his surprising success as the "Dragon Warrior", the cheery "Po" is hoping to take it easy. History, though, has no intention of letting him sit on his laurels as it emerges that the slighted peacock villain "Shen" has designs on taking over the globe. We learn from a brief retrospective a bit about the cause of his bitterness and it seems that he and "Po" have an overlapping provenance that might just explain a few things for both of them. Thing is, "Shen" has developed an all-conquering secret weapon that can cause even the most formidable of fortifications to tumble, so it's going to take all that "Po" and his five best friends can muster if they are to thwart the dastardly plan and save the nation from the peacock with feathers as razor sharp as his wit! This is becoming my favourite animated franchise. It successfully mixes some pithy dialogue with loads of characterful and colourful action and it's message of teamwork and inter-reliance is subtly delivered amidst a sea of entertaining mythology and adventure. It's quickly paced from start to finish and though I could have been doing with a little more of the sceptically sagely "Shifu" it's still just about as good as the first film from 2008. Great fun.
Lovable Sulley and his wisecracking sidekick Mike Wazowski are the top scare team at Monsters, Inc., the scream-processing factory in Monstropolis. When a little girl named Boo wanders into their world, it's the monsters who are scared silly, and it's up to Sulley and Mike to keep her out of sight and get her back home.
Young Dorothy finds herself in a magical world where she makes friends with a lion, a scarecrow and a tin man as they make their way along the yellow brick road to talk with the Wizard and ask for the things they miss most in their lives. The Wicked Witch of the West is the only thing that could stop them.
Bridget Jones is an average woman struggling against her age, her weight, her job, her lack of a man, and her various imperfections. As a New Year's resolution, Bridget decides to take control of her life, starting by keeping a diary in which she will always tell the complete truth. The fireworks begin when her charming though disreputable boss takes an interest in the quirky Miss Jones. Thrown into the mix are Bridget's band of slightly eccentric friends and a rather disagreeable acquaintance into whom Bridget cannot seem to stop running or help finding quietly attractive.
The strange comedy film of two close brothers; one, Wilbur, who wants to kill himself, and the other, Harbour, who tries to prevent this. When their father dies leaving them his bookstore they meet a woman who makes their lives a bit better yet with a bit more trouble as well.
Marty and Doc are at it again as the time-traveling duo head to 2015 to nip some McFly family woes in the bud. But things go awry thanks to bully Biff Tannen and a pesky sports almanac. In a last-ditch attempt to set things straight, Marty finds himself bound for 1955 and face to face with his teenage parents - again.
A manic-depressive mess of a father tries to win back his wife by attempting to take full responsibility of their two young, spirited daughters, who don't make the overwhelming task any easier.
The final installment finds Marty digging the trusty DeLorean out of a mineshaft and looking for Doc in the Wild West of 1885. But when their time machine breaks down, the travelers are stranded in a land of spurs. More problems arise when Doc falls for pretty schoolteacher Clara Clayton, and Marty tangles with Buford Tannen.
A beautiful girl, Snow White, takes refuge in the forest in the house of seven dwarfs to hide from her stepmother, the wicked Queen. The Queen is jealous because she wants to be known as "the fairest in the land," and Snow White's beauty surpasses her own.
With the impending ice age almost upon them, a mismatched trio of prehistoric critters – Manny the woolly mammoth, Diego the saber-toothed tiger and Sid the giant sloth – find an orphaned infant and decide to return it to its human parents. Along the way, the unlikely allies become friends but, when enemies attack, their quest takes on far nobler aims.
Jess Bhamra, the daughter of a strict Indian couple in London, is not permitted to play organized soccer, even though she is 18. When Jess is playing for fun one day, her impressive skills are seen by Jules Paxton, who then convinces Jess to play for her semi-pro team. Jess uses elaborate excuses to hide her matches from her family while also dealing with her romantic feelings for her coach, Joe.
As the romantic monsoon rains loom, the extended Verma family reunites from around the globe for a last-minute arranged marriage in New Delhi. This film traces five intersecting stories, each navigating different aspects of love as they cross boundaries of class, continent and morality.