Boys

The end of a love story between a young boy and a man with too many regrets which, for the latter, becomes an obsession.

Two teen track stars discover first love as they train for the biggest relay race of their young lives.

An artist is so consumed with painting a portrait of the women he loves that he doesn't notice she is dying until it's too late. Shot as a silent film.

Foster siblings Vincent and Krystal have been estranged for many years. When they are forced to reunite, their polar opposite paths in life lead to an explosive outcome where each is made to come to terms with their own faults. Vincent is a pastor of a small church struggling with religious doubts and a burgeoning desire for another male pastor. Krystal, on the other hand, has devoted her life to full on exploration and hedonism through the arts yet struggles with the labels placed on her as a result. As each other's closest confidant as well as biggest critic, Vincent and Krystal attract and repel like magnets. When the siblings reunite, everything comes to a head, both within their relationship and within each of their individual lives.

The heterosexual man Axel is thrown out of his girlfriends home for cheating and ends up moving in with a gay man. Axel learns the advantages of living with gay men even though they are attracted to him and when his girlfriend wants him back he must make a tough decision.

After learning that a boy their age has been accidentally killed near their rural homes, four Oregon boys decide to go see the body. On the way, Gordie, Vern, Chris and Teddy encounter a mean junk man and a marsh full of leeches, as they also learn more about one another and their very different home lives. Just a lark at first, the boys' adventure evolves into a defining event in their lives.

Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).

When fourteen- year- old Chris is sent across the city to deliver a tonic to his sick grandfather, his journey becomes a chilling trip of self-discovery as he strays from the path into domain of the Black Dog.

An experimental docu-fiction short from hours of collected material shot by the director. Different scenes, from drunk parties with friends to shots of the Dutch landscape during a train ride, are cut together to see if a narrative story can be constructed from nothing but randomly shot footage.

Instead of giving herself time to come to terms with the loss of her relationship, Natalie has a first date with Sascha that triggers exactly what she wanted to suppress: her lovesickness. She needs one night and some more or less self-destructive and bizarre encounters until she can find peace again.

On a Summer afternoon, Pedro packs the last few boxes before having to leave his apartment in New York. 12 years ago, Pedro and Ana had arrived in America from Portugal, in search of a dream. Now, Ana's voice describes, from the other side of the ocean, that same country to which they are returning. As the rooms are emptied, Pedro bids farewell to one life, welcoming another. But the dream that brought him will remain forever in the city that never sleeps, awaiting his return.