Don't Explain

After the sunset, a man wonders between the edges of the highways gathering edible roadkill animals.

One day in the life of a 50-year-old couple. Blind Krzysztof goes skiing with Wiola, who is his wife and guide. They prepare for skiing in the early morning. Krzysztof mounts bluetooth kits on the helmets that will connect them to each other. They go to the top of the mountain in a chair lift, and the higher they go, the more we learn about their life. At the same time, weather conditions are changing, thickening mist falls on the mountain slopes. When Wiola and Krzysztof finally reach the summit, they must find each other and connect in the surrounding fog. A short documentary about love and passion.

The creative processes of avant-garde composer Philip Glass and progressive director/designer Robert Wilson are examined in this film. It documents their collaboration on this tradition breaking opera.

In ancient Russian mythology Sirin is a bird with the head of a woman, a Slavic image of the Greek sirens. The ensemble of ancient Russian sacred music "Sirin" was created to revive ancient Orthodox singing traditions. It is an outstanding musical project performing folk sacred songs. The film tells about the unique work of musicians collecting half-forgotten melodies in the most remote corners of Russia.

A poetic journey from the darkness of dawn into the brightness of the midday sun in the American South. Filmed over the course of six months on one bus route in Durham, North Carolina, this film is a celebration of light and a meditation on leaving.

An overview of the art collection of Richard Winther.

A short documentary covering the conclave and election of Pope Pius XII.

Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.

In 1978, just after Le fond de l'Air Est Rouge, which mercilessly analyzed the previous ten years of the revolutionary left's momentum until its collapse, Chris Marker made this complementary piece entitled Quand le Siècle a Pris Forme (Guerre et Révolution).

Over the course of more than fifteen years, Clémenti films a series of intimate diaries, starting from daily encounters. In La deuxième femme, we see Bulle Ogier and Viva, Nico and Tina Aumont, Philippe Garrel and Udo Kier, a performance by Béjart, a piece by Marc’O, concerts by Bob Marley and Patti Smith (not always recognisable)... It’s like a maelstrom of psychedelic images that are passed through a particle accelerator.

An open invitation to look at the sky.