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Family Feud Canada - (Feb 5th)
Piers Morgan Uncensored - (Feb 5th)
Wild Cards - (Feb 5th)
Hamster and Gretel - (Feb 5th)
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The Three-Body Problem - (Feb 5th)
The Five - (Feb 5th)
Gutfeld - (Feb 5th)
Jesse Watters Primetime - (Feb 5th)
The Ingraham Angle - (Feb 5th)
Ishura - (Feb 5th)
Hard Quiz - (Feb 5th)
The Chase Australia - (Feb 5th)
Tipping Point Australia - (Feb 5th)
Someday at a Place in the Sun - (Feb 5th)
PopMaster TV - (Feb 5th)
The Chase - (Feb 5th)
Tonight - (Feb 5th)
The One Show - (Feb 5th)
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A young woman falls in love and marries, but withholds from her husband information about her family.
A Hollywood biographical film about a survivor's experience of the Armenian Genocide. Arshaluys (Aurora) Mardiganian plays herself in the film which is based on her published memoirs. It is thought to be the first film about made about genocide. All known complete copies of the film have been lost. A restored and edited 24-minute segment of the historic motion picture was released in 2009 by the Armenian Genocide Resource Center of Northern California. It is based on a rare surviving reel of film edited in Soviet Armenia.
A man searching for his missing ex-girlfriend uncovers the dark secret behind an organization selling romantic virtual reality experiences. A film director looking for artistic inspiration runs into a strange woman who may or may not be a ghost. An assassin and a target for in love with each other but the assassin must complete the assignment.
Marking a stylistically and philosophically turn away from the earlier features, The Sand Rose is Reis and Cordeiro’s most abstract, conceptual and literary work. The film’s collage structure gathers texts from multiple sources – including Kafka and Montaigne – and crafts a world of theatrical artifice far from the documentary inspired naturalism of Ana and Trás-os-Montes. Reis and Cordeiro’s least known film has lingered in obscurity and never recovered from the unfairly negative reviews that resulted in its severely limited release. Reis died less than two years later, just as he and Cordeiro were about to begin an ambitious adaptation of Juan Rulfo’s Pedro Parámo. - Harvard Film Archive
Mary Hagen lives in a small town in Ohio and goes to Jordon Junior College. For years, there has been whispers, rumors and gossip about who are her real parents. When Tom Bates returns to town, he takes over the house and practice that Judge Merrivale left him when he died. As Tom has been away a number of years, this leads to more gossip and Mary believes that he is her father. The popular and rich Ken loves Mary, but his family and friends constantly remind him that she is 'not one of us'. Julia, a teacher at school encourages Mary but Mary cannot get a break in anything she does, or is accused of doing. Tom knows the answer to her true identity, and he is silent.
Inspector for a major insurance company, Clint de La Roche, known as "le vicomte", is enjoying a pleasant vacation on the Spanish coast with a few pretty girls and his assistant, Billette, when he is urgently called back to Paris to investigate a bank robbery. The bank manager has had the key to the security system stolen by a certain Tania. But Tania is killed in a car bomb attack. However, Clint soon discovers that behind this case lies a rivalry between the gangs of Rico Barone and Marco Demoygne, who are fighting for control of the drug market.
Successful advertising executive decides to get out of the rat race but the family rebels at the new lifestyle he outlines. He and his youngest daughter leave the suburbs for a Manhattan loft apartment while the rest of the brood - wife and three kids - re-evaluate the situation. For his engaging score, Peter Matz won an Emmy Award nomination.
Biographer Margaret Lea travels to the isolated rural mansion of the famous writer Vida Winter, who asks her to write her biography. Although initially she is reluctant, as Vida is known for constantly distorting the facts of her life, Margaret soon becomes fascinated with the story of a dark childhood, a disturbing tale that leads her to finally confront the traumas of her own past.