Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Captain America Brave New World 2025 - Movies (Feb 14th)
The Lord of the Rings The War of the Rohirrim 2024 - Movies (Feb 14th)
The Peanut Man 2024 - Movies (Feb 14th)
The Most Beautiful Girl in The World 2025 - Movies (Feb 14th)
The Dead Thing 2024 - Movies (Feb 14th)
Paddington in Peru 2024 - Movies (Feb 13th)
My Fault London 2025 - Movies (Feb 13th)
Trust in Love 2024 - Movies (Feb 13th)
La Dolce Villa 2025 - Movies (Feb 13th)
Christmas Cowboy 2024 - Movies (Feb 13th)
Emmanuelle 2024 - Movies (Feb 12th)
The Simpsons The Past and the Furious 2025 - Movies (Feb 12th)
Goodbye Hello 2024 - Movies (Feb 12th)
Unnatural 2024 - Movies (Feb 12th)
Nosferatu 2024 - Movies (Feb 11th)
The Influencer 2024 - Movies (Feb 11th)
Kelsey Cook Mark Your Territory 2025 - Movies (Feb 11th)
The Witcher Sirens of the Deep 2025 - Movies (Feb 11th)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Bad Monkey - (Oct 2nd)
Wheres Wanda - (Oct 2nd)
Tell Me Lies - (Oct 2nd)
Seoul Busters - (Oct 2nd)
The Bay - (Oct 2nd)
The Kelly Clarkson Show - (Oct 2nd)
Americas Newsroom - (Feb 16th)
Gutfeld - (Feb 16th)
Hannity - (Feb 16th)
The Five - (Feb 16th)
The Ingraham Angle - (Feb 16th)
On Patrol- Live - (Feb 16th)
Solo Leveling - (Feb 16th)
All Elite Wrestling- Collision - (Feb 16th)
New York Homicide - (Feb 16th)
Michael McIntyres Big Show - (Feb 16th)
Prosecuting Evil with Kelly Siegler - (Feb 16th)
"Sog" describes a power that draws something to another body. It is a physical force which is difficult to escape.
Danaji, a farmer from the state of Maharashtra in rural India, is accompanied by his eight-year old son Ganya to the city to sell his onions at the Mandi (market). While the child is enamoured by the sights and sounds of the place, the farmer has to fight a Kafkaesque battle to find the right price for his produce.
A young boy has a terrible encounter with a strange man while fishing in the woods. From the award winning story by Stephen King.
Anna and Marie are two women who could possibly love each other. Marie wants to be open to this new overwhelming feeling, even if she has to throw away all that she has ever held to be right. Anna on the other hand, enjoys the attention from this gentle soft girl Marie, who seems to love her, not in spite of but also because of her sharp edges. It could all be so easy if it weren't for Zoe, the woman who has been at Anna's side for years.
Mateo and his boyfriend, Marc, arrive home after a night out with Luke, a guy they've just met. After an argument, Mateo leaves the flat and bumps into Jon, a drug dealer they have called. Mateo convinces Jon to take him to his house where he discovers he can't feel anything if it's not through pain.
Vincent has a secret that forces him to stay away from the people he loves. But when he meets Gustav, love strikes Vincent. As their love grows, so does his fear of letting his secret destroy his new lover.
Jasper, a 20 something playboy with little empathy, has a date in a rather obscure motel Petit Ami with Vincent, a mysterious older man. For Jasper just another day on the job, until he discovers Vincent's secret.
18-year-old Rodrigo is arrested by the police in a televised raid on the club where he works as a drag queen.
When the swimming competition is coming, Wen is under lots of pressure, so it's gloomy this summer. Ann, who is inseparable beside her, found out something different. To confront Wen’s closure and trauma, Ann decides to be closer to Wen. But, when she gets closer to Wen once, it pushes them further.
A portrayal of artist/poet William Blake's effort to capture "an eternal world of the permanent realities of everything we see reflected in the vegetable glass of nature." Winner of the Columbus Film Festival "Chris" and the Cine Golden Eagle.
"Normal Porn for Normal People" is an appropriated media piece that explores our societal need to consume violence for entertainment. The film offers a satirical commentary on the romanticizing and normalization of violent imagery, while observing the link to commercial consumerism that exploits human sexuality, while simultaneously demonizing it. Interview segments echo our endless need to devour salacious content by venerating both real and fictional violence. Sexuality and sexual images remain a convenient scapegoat that facilitate a continued avoidance regarding the impact that the glorification of violence has within American culture.