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Black Diamond 2025 - Movies (Feb 7th)
Daytime Revolution 2024 - Movies (Feb 7th)
Night of the Dead Sorority Babes 2025 - Movies (Feb 7th)
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The Coddling of the American Mind 2024 - Movies (Feb 6th)
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Diners, Drive-Ins and Dives - (Feb 8th)
My Lottery Dream Home - (Feb 8th)
Lets Make a Deal - (Feb 8th)
Fire Country - (Feb 8th)
Jen and Chris - (Feb 8th)
Gold Rush - (Feb 8th)
The Beat with Ari Melber - (Feb 8th)
The ReidOut with Joy Reid - (Feb 8th)
S.W.A.T. - (Feb 8th)
Lopez vs Lopez - (Feb 8th)
The Last Leg - (Feb 7th)
Love Island- All Stars - (Feb 7th)
Ice Road Rescue - (Feb 7th)
Deadline- White House - (Feb 7th)
The Last American Vagabond - (Feb 7th)
8 Out of 10 Cats Does Countdown - (Feb 7th)
Death in Paradise - (Feb 7th)
Katy Tur Reports - (Feb 7th)
The Repair Shop - (Feb 7th)
Richard Osmans House of Games - (Feb 7th)
A video documentary/road trip that celebrates the drive-in movie theater's impact on the United States, and pays homage to the people who keep the few remaining ones fully operational. Features interviews with horror movie maker John Carpenter, movie critic John I. Bloom (aka "Joe Bob Briggs"), Michael Wallis, author of "Route 66: The Mother Road," and others.
In Thorold, Ontario in the summer of 1996, a movie legend was made when a real-life tornado hit a drive-in theatre during a screening of Twister. But how much truth really lies inside this tale of life (or weather) imitating art?
Kim Taylor inherits her grandfather's drive-in theatre. She must raise $25,000 over one weekend or the bank will take the property from her. She also has to deal with pesky capitalist J.B. Winston.
[19:30 | 35mm (1.85) | Stereo Sound | 2013] The Broken Altar is a portrait of open-air theaters documented under the strange light of day, emptied of the once present hum of human voices, radioed-in soundtracks and tires on gravel. Scripting the landscape and exploring the residue of a cinematic history, The Broken Altar forms a sculptural treatment of the architectural artifacts of these abandoned and barren spaces: speaker boxes rise from tall grass like grave markers and the screens themselves are monumental, sepulchral in their peeling whiteness.
Dexter and Royce, two stoner friends in Weedsville, scramble to cover up the apparent overdose of Royce's girlfriend, Mattie, by trying to bury her at a closed drive-in theater. Their plan goes sideways when they stumble into a Satanic cult mid-ritual, and Mattie unexpectedly comes back to life. Now pursued by the cult, they also face threats from local drug dealer Omar, demanding payment for a botched drug deal. In a desperate bid to settle their debt, Dexter and Royce steal a safe from a wealthy coma patient while evading the cult and Omar’s enforcers. The chaos culminates at a New Age center, where Mattie is nearly sacrificed, but the trio manages to escape after an explosive showdown that leaves both the cult and Omar neutralized. With their debt cleared and Mattie alive, Dexter and Royce flee the scene, barely escaping the insanity.
A feature-length documentary that goes behind the scenes to get to know the families who own and operate drive-in theaters.
Libbie is assigned to her paper's sexual advice column, "Dear Collete". She is taking over the job of Harry a crusty old journalist who shows her the pro's and cons of the job while running on a tight deadline to get the column finished for the morning's paper. During the course of the evening they reply to a wide variety of sexual experiences submitted by the readers, some these include, sex in a threesome at a drive-in theatre, sex in a gymnasium, and sex in a library where the "Silence Please" sign gives the male librarian an advantage over the female readers.
Two lifelong buddies must unravel the circumstances that led to a corpse in their bathtub in the wake of a Halloween party.
A pink meteor controlled by aliens lands near a small town and turns the local women into nymphos. A deputy sheriff and a local private eye investigate.
Unable to purchase a $50,000 digital projector, a group of film fanatics in rural Pennsylvania fight to keep a dying drive-in theater alive by screening only vintage 35mm film prints and working entirely for free.