Drive In Movie Intermission Ads - Volume One

Unable to purchase a $50,000 digital projector, a group of film fanatics in rural Pennsylvania fight to keep a dying drive-in theater alive by screening only vintage 35mm film prints and working entirely for free.

Two lifelong buddies must unravel the circumstances that led to a corpse in their bathtub in the wake of a Halloween party.

Hollywood is a town of tinsel and glamour; but there is another Hollywood, a place where maverick independent exploitation filmmakers went toe to toe with the big guys and came out on top.

The adventures of a group of teenagers at a drive-in theatre in Texas one weekend night.

It's the closing night at the last drive-in theater in America and Cecil B. Kaufman has planned the ultimate marathon of lost film prints to unleash upon his faithful cinephile patrons. Four films so rare that they have never been exhibited publicly on American soil until this very night! With titles like Wadzilla, I Was a Teenage Werebear, The Diary of Anne Frankenstein, and Zom-B-Movie, Chillerama not only celebrates the golden age of drive-in B horror shlock but also spans over four decades of cinema with something for every bad taste.

A pink meteor controlled by aliens lands near a small town and turns the local women into nymphos. A deputy sheriff and a local private eye investigate.

Paying tribute to some of America's only surviving drive-ins – and those who keep them running – this heartfelt documentary captures efforts to preserve these nostalgic theaters in small-towns across the country.

The goings-on at a typical drive-in on a summer night.

A video documentary/road trip that celebrates the drive-in movie theater's impact on the United States, and pays homage to the people who keep the few remaining ones fully operational. Features interviews with horror movie maker John Carpenter, movie critic John I. Bloom (aka "Joe Bob Briggs"), Michael Wallis, author of "Route 66: The Mother Road," and others.

Dexter and Royce, two stoner friends in Weedsville, scramble to cover up the apparent overdose of Royce's girlfriend, Mattie, by trying to bury her at a closed drive-in theater. Their plan goes sideways when they stumble into a Satanic cult mid-ritual, and Mattie unexpectedly comes back to life. Now pursued by the cult, they also face threats from local drug dealer Omar, demanding payment for a botched drug deal. In a desperate bid to settle their debt, Dexter and Royce steal a safe from a wealthy coma patient while evading the cult and Omar’s enforcers. The chaos culminates at a New Age center, where Mattie is nearly sacrificed, but the trio manages to escape after an explosive showdown that leaves both the cult and Omar neutralized. With their debt cleared and Mattie alive, Dexter and Royce flee the scene, barely escaping the insanity.

Kim Taylor inherits her grandfather's drive-in theatre. She must raise $25,000 over one weekend or the bank will take the property from her. She also has to deal with pesky capitalist J.B. Winston.