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Lidias Kitchen - (Mar 22nd)
The 11th Hour with Stephanie Ruhle - (Mar 22nd)
Landscape Artist of the Year - (Mar 22nd)
Penn and Teller- Fool Us - (Mar 22nd)
Masters of Illusion - (Mar 22nd)
Dimension 20 - (Mar 22nd)
Buried Hearts - (Mar 22nd)
The Last American Vagabond - (Mar 22nd)
Unreported World - (Mar 22nd)
Around the World in First Class - (Mar 22nd)
Ancient Aliens - (Mar 22nd)
Gardeners World - (Mar 22nd)
The First 48 - (Mar 22nd)
WWE SmackDown - (Mar 22nd)
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On Patrol- Live - (Mar 22nd)
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Marketplace - (Mar 22nd)
The Fifth Estate - (Mar 22nd)
**Very meticulously done and fun to watch** "Mirada de Cristal" perfectly captures the essence of Italian horror productions from the late 70s and 80s and this is something that I personally loved to see. It features all the elements that made those movies from that particular era so fun to watch: an uncomplicated plot with the right amount of mystery, fun characters, creative death scenes, a killer wearing a very distinctive mask, a bright color palette and great music. While watching "Mirada de Cristal", I couldn't help but thinking of one of my favorite Italian horror flicks from the 80s, like Michele Soavi's "Deliria" (aka "Stage Fright"), especially with all those colorful lights, the flamboyant characters with diva attitudes and the creative death scenes. The characters are one of the many things I love about this flick: they are clearly supposed to be over the top and somewhat campy, so I also give credit to the actors for delivering their lines in a way that was very evocative of those flicks from the 80s. I especially enjoyed seeing the late Silvia Montanari and veteran actress Claudia Lapacó in a small role towards the very end. To be fair, though, most of the cast members were up to the task, not only the most famous ones. Though the budget was modest (and it shows from time to time), directors Ezequiel Endelman and Leandro Montejano used it wisely enough for the most part. They tried to recreate the aesthetics of the dance academy from "Suspiria" (1977), which is not exactly easy to do with moderate budget, but somehow, they managed to get the job done (hell, we even get a brief glimpse of ornamental glass peacock!). I regret to say that, at times, the scenery looked perhaps a little bit too stiff and cartoonish. I don't know if this was intentional or not, but I personally didn't care for it that much. That being said, I'll take artificial scenery over lousy CGI any day! For the most part, the scenery was great. The photography and the strident color scheme was very well done and it reminded me of Dario Argento's "Inferno" (1980), for the most part. Throughout the entire film, the killer wears a patent leather trench coat, high heels and a creepy mask of a woman with heavy makeup and dead eyes. When chasing his/her victims, the killer walks as if he/she were on a catwalk, even going so far as to strike glamorous poses (how can anyone not enjoy the deliberate campiness of this?). The chase scenes are very well done, providing just the right amount of tension and without being unnecessarily prolonged. As for the kills, they are really creative and intentionally over the top (the one with the crystal bird was just perfect). As for the killer's identity reveal, well, it really wasn't very surprising, but, who cares? Most "old-school" slashers were predictable to a certain extent too, so I don't consider this a flaw. I really enjoyed this movie and I think those who have watched more than a couple of Italian/American horror productions from the 80s will be able to acknowledge that both directors really have a tremendous passion for horror flicks and they put a lot of effort into this. They evidently cared about their film, nothing felt rushed, they took a lot of time and dedication to take care of even the tiniest details and it shows. When something is done with such devotion, it most likely ends up getting the recognition it deserves.
Four young women and three young men, totally strangers to each other, are sent to an isolated house with the crew members of a reality show to stay living together for three months without any means of communication with the exterior, and in the end, the winner will get a prize of US$ 100,000.00. When the cameraman is found dead in a barn, the group becomes hysterical, since nobody knows who is trustful.
Teenagers in a small town are dropping like flies, apparently in the grip of mass hysteria causing their suicides. A cop's daughter, Nancy Thompson, traces the cause to child molester Fred Krueger, who was burned alive by angry parents many years before. Krueger has now come back in the dreams of his killers' children, claiming their lives as his revenge. Nancy and her boyfriend, Glen, must devise a plan to lure the monster out of the realm of nightmares and into the real world...
Those involved in the making of an amateur porn video end up getting slashed to death with a cane sword. It's up to the brave policewoman Eugenia aka The Scorpion (Maribel Guardia) to stop him.
A century after two convicts are swallowed by a cursed forest, a group of ex-reform school survivalists reunite at their decaying Hell camp. Their trip spirals into terror as the convicts rise as mutated twisted childhood icons.
A group of young women teamed together in their youth to run a babysitting business, when one of their friends died suddenly the group fell apart. Now years later they are all going their separate ways as college approaches, but on Halloween night someone is torturing and killing every member of the babysitter club...
In 1979, a group of young filmmakers set out to make an adult film in rural Texas, but when their reclusive, elderly hosts catch them in the act, the cast find themselves fighting for their lives.
A woman has to rescue her friend, a prisoner of a psychopath who lives in a mechanical workshop.
Roommates Nick and Dave are attacked by a masked, hulking figure that has broken into their house. You'd think that'd be the worst of their problems, right? Yeah. You'd think.
Chrissie and her friends set out on a road trip for a final fling before one is shipped off to Vietnam. Along the way, bikers harass the foursome and cause an accident that throws Chrissie from the vehicle. The lawman who arrives on the scene kills one of the bikers and brings Chrissie's friends to the Hewitt homestead, where young Leatherface is learning the tools of terror.
Annie, a young schoolteacher struggling to solve the brutal murder of her father, unwittingly summons the "Candyman" to New Orleans, where she learns the secret of his power, and discovers the link that connects them.
Four friends start to receive morbid Valentine cards and realise they are being stalked by someone they had spurned 13 years ago. A masked killer is on the loose and Valentine's day is soon approaching.