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Though it's a poor-boy's amalgam of several top-tier satanic horror films from the genre's heyday of the 1970's, I quite enjoyed this TV-movie, which was a failed pilot, for a proposed series that never came (the type of thing that Mia Wallace bragged that she had previously starred in to Vincent Vega in 'Pulp Fiction'). Philadelphian-born director Wendkos made only a handful of feature films from 1957-99, and 'Good Against Evil' has the workmanlike, low-budget yet professional, sheen that comes with the territory. The first half is a cross between 'Rosemary's Baby' and 'The Omen' series, with the difference that a female ('Jessica Gordon') is born, and it cuts from her 1955 birth in New York City to young adulthood in 1977 San Francisco. Another neat difference is that until now, she has been kept completely in the dark of her evil origins, and simply thinks that she has been 'lucky' and has had a 'guardian angel', though she notices that any man that gets close to her perishes in strange fashion, and comes to the distinct conclusion that it's no mere coincidence. Finally, she falls in love (with 'Andy Stuart'), and her birth father, Mr. Rimmin's plans of becoming immortalized through offering his daughter to the demon Astaroth are thus jeopardized. He has to interfere, and just before the two young lovebirds are to be married, he hypnotizes Jessica to forget everything and move to New Orleans, where she can be 'protected' once more. Not wanting to draw more attention by killing yet again, the 'tribe' decides that rather than murder Andy, to simply have him fall in love again with his ex-flame, Linday, staging an accident that puts her daughter into a coma, and possessing her in the process. Thus, the second half, which becomes a poor-man's version of 'The Exorcist'. Though the special effects are minor and laughable with the budgetary constraints, Wendkos does a decent job and the performances are fine. The ending is a bit over-the-top, though I enjoy those ambiguous yet doom-laden endings, by which you don't know what's about to happen, but you just know there's going to be trouble (like the finish in William Friedkin's 'Sorcerer', for example). Personally, I would have been more understated in my approach, simply showing the black cat was on the park bench, and not doing a close-up of its eyes. Plus, I did feel a bit cheated--Wendkos had done a good job of character development and making us care for what happened to the good people in the film, who were all in way over their heads--I wanted to know what happened to these people. So on the one hand, I can see why the pilot was unsuccessful, but I wish that at least a Part Two had been made. All things considered, if you enjoy satanic horror movies from the 70's as much as I do, it's well worth a look.
An impulsive middle schooler playing a game of hide-and-seek soon realizes something sinister is hunting him and his friends.
Every country deserved their own Exorcist rip-off... and here's one from Indonesia! Imbalanced old spinster Laskmi is fed up with being mocked by her niece Dewi and one day dies after a drug overdose. Laskmi then decides to turn Dewi's world upside down from beyond by possessing and torturing her, plus turning her into a murderess. In a surprising development, an exorcist is eventually called in to help.
Believing their deceased son isn't at peace, Molly and Tom ask a medium to make contact. But after they invite a vengeful demon to cross over, the couple must enlist the help of a disgraced priest to attempt a dangerous exorcism.
A satanic cult led by Baron Corofax kidnaps three young people and Father Roche & Milo must save them from the hands of this evil.
After years of performing “exorcisms” and taking believers’ money, Reverend Marcus travels to rural Louisiana with a film crew so he can dispel what he believes is the myth of demonic possession. The dynamic reverend is certain that this will be another routine “exorcism” on a disturbed religious fanatic but instead comes upon the blood-soaked farm of the Sweetzer family and a true evil he would have never thought imaginable.
The mysterious Count Orlok summons Thomas Hutter to his remote Transylvanian castle in the mountains. The eerie Orlok seeks to buy a house near Hutter and his wife, Ellen. After Orlok reveals his vampire nature, Hutter struggles to escape the castle, knowing that Ellen is in grave danger. Meanwhile Orlok's servant, Knock, prepares for his master to arrive at his new home.
After kidnapping a father and his two kids, the Gecko brothers head south to a seedy Mexican bar to hide out in safety, unaware of its notorious vampire clientele.
The encounters recorded by Chris Chambers have been studied by industry professionals and proven to be accurate recorded paranormal accounts. Currently documented as one of the most supernatural recorded events to date.
High school student Kayu (Makoto Okunaka) joins the Ghost Photo Club. The club investigates and researches ghost photographs. She tries to find the truth behind ghost pictures with members Kaname (Yosuke Ito) and Riri (Yuuka Ueno). They are not aware of a murderous ghost approaching. (Description taken from AsianWiki)
Two college students share a ride home for the holidays. When they break down on a deserted stretch of road, they're preyed upon by the ghosts of people who have died there.