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Someday at a Place in the Sun - (Jan 31st)
Bargain-Loving Brits in the Sun - (Jan 31st)
Animal Control - (Jan 31st)
Matlock - (Jan 31st)
Law and Order- Special Victims Unit - (Jan 31st)
Going Dutch - (Jan 31st)
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The Bold and the Beautiful - (Jan 31st)
Lets Make a Deal - (Jan 31st)
The Beat with Ari Melber - (Jan 31st)
The Price Is Right - (Jan 31st)
The Kelly Clarkson Show - (Jan 31st)
The Young and the Restless - (Jan 31st)
Love Island- All Stars - (Jan 30th)
Deadline- White House - (Jan 30th)
Hannity - (Jan 30th)
Jesse Watters Primetime - (Jan 30th)
Beat the Chasers - (Jan 30th)
First Dates Ireland - (Jan 30th)
It's almost like someone forgot to finish writing this film... It starts off well enough, even if the basic premise is a little well worn. Son with a bright future loses his father suddenly, so mother and son have to shift to the middle of nowhere to make ends meet and cope with their grief. The house they shift into belongs to a family member who is trying to sell it, so on weekends it is staged as an open house. Of course as soon as the open house viewings start, strange things start happening. This is where the film starts falling apart. The film-makers can't seem to decide between implying that the occurrences maybe supernatural or someone who came to the viewing but never left. Which is fine to add a little mystery, but the mystery isn't engaging, there is no hook to it. Slightly odd things happen for no real rhyme or reason. You keep expecting there to be a nugget of information as to why they are being targeted, but you get nothing. When the film finally decides to settle on the menacing slasher route and stick to it, the wheels completely fall off, and this film starts crashing hard. The film spends 3/4 of its running time raising questions and answers none of them, but not in an ambiguous way, just in a sloppy writing way. There's no explanation, no reason why, no back-story, and the killer is constantly blurred, out of focus or in shadow so you never see what he looks like. Those elements can work, classic films like Duel you never see the psycho truck driver, but at least he has motivation. In Halloween you never know why Michael Myers goes on a rampage but you get a physical sense of what he looks like, even if you don't really get a good look at his face. But combining no back-story stalking, with a complete lack of motivation and no decent look at the killer just doesn't work. You don't care what is happening because there is no reason for it, and not much to look at while it happens. The protagonists might as well be getting attacked by a shadow. There is nothing scary or interesting about the killer, because the killer really is nothing apart from a pair of boots. There is absolutely nothing under the surface with this film. There is no metaphor, there is nothing to learn, no twist, no insight to grief, no character revelations. Just retreaded clichés poorly packaged to give you a boring and pointless final product. Avoid this film, it is a waste of your time
Avoid this movie at all costs! This movie had potential. It started off interesting and I thought it was going somewhere, but in the end it just angered me like no movie in recent memory has. I think the they had no idea where they were going with the story so it just seems like lots of unnecessary bits of plot were added in an attempt to make something "stick". You get nothing in the end aside some a feeling of "I just wasted almost 2 hours of my life!".
Sometimes a mystery can be what makes a movie. Sometimes, it feels like flagrant laziness. _The Open House_ is the latter. The acting is fine, and the characters constantly and blatantly saying things like "Isn't it crazy how there could be a person hiding in your house right now?" might get in your head some, but _The Open House_ is a far cry from any sort of actual success. _Final rating:★★ - Had some things that appeal to me, but a poor finished product._
Dexter Cornell, an English Professor becomes embroiled in a series of murders involving people around him. Dexter has good reason to want to find the murderer but hasn't much time. He finds help and comfort from one of his student, Sydney Fuller.
After her widowed father dies, deaf teenager Dot moves in with her godparents, Olivia and Paul Deer. The Deers' daughter, Nina, is openly hostile to Dot, but that does not prevent her from telling her secrets to her silent stepsister, including the fact that she wants to kill her lecherous father.
An FBI agent tracks a serial killer with the help of three of his would-be victims - all of whom have wildly different stories to tell.
The "sematary" is up to its old zombie-raising tricks again. This time, the protagonists are Jeff Matthews, whose mother died in a Hollywood stage accident, and Drew Gilbert, a boy coping with an abusive stepfather.
Following the gruesome murder of a young woman in her neighborhood, an English teacher living in New York City — as if to test the limits of her own safety —propels herself into an impossibly risky sexual liaison with a police detective.
Terry works for a bank, and uses computers to communicate with clients all over the world. One day, she gets a strange coded message from an unknown source. After decoding the message, Terry becomes embroiled in an espionage ring. People are killed, and Terry is chased. Throughout, she remains in contact with this mysterious person, who needs Terry's help save his life.
Tom Ripley - cool, urbane, wealthy, and murderous - lives in a villa in the Veneto with Luisa, his harpsichord-playing girlfriend. A former business associate from Berlin's underworld pays a call asking Ripley's help in killing a rival. Ripley - ever a student of human nature - initiates a game to turn a mild and innocent local picture framer into a hit man. The artisan, Jonathan Trevanny, who's dying of cancer, has a wife, young son, and little to leave them. If Ripley draws Jonathan into the game, can Ripley maintain control? Does it stop at one killing? What if Ripley develops a conscience?
Milton, a college dropout, was only supposed to cook meth for one day. Broken out of rehab by a brash young woman and her trigger-happy ("ex") boyfriend and driven to a remote cabin the woods, Milton finds himself drawn into a dangerous love triangle gone haywire. The couple's deadpan half-truths spin around Milton like a song on repeat. They seem to read him like an open book, until a mysterious message opens his eyes to his cursed existence. With unlimited ammunition, any hunting tool they could desire, and an ever-growing body count, for what did Milton really sign up?
A man receives a mysterious e-mail appearing to be from his wife, who was murdered years earlier. As he frantically tries to find out whether she's alive, he finds himself being implicated in her death.
It took Anna 10 years to recover from the death of her husband, Sean, but now she's on the verge of marrying her boyfriend, Joseph, and finally moving on. However, on the night of her engagement party, a young boy named Sean turns up, saying he is her dead husband reincarnated. At first she ignores the child, but his knowledge of her former husband's life is uncanny, leading her to believe that he might be telling the truth.
One year after their father's death, Charlie and Betty continue to ignore their grief, each other, and the mysterious creature following them. Their estranged Uncle Pete, believed to be dead, claims to know how to end the suffering.