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‘Happy as Lazzaro’ comes and goes like an airy fable but doesn’t make as much of an impact as it wants to. Through a lack of convincing and earned pivot, its first half in realism drags down the escapism it yearns for in its second half. Its ambition is to be commended and is definitely a film that deserves to be seen, but as a whole is just verging on greatness. - Ashley Teresa Read Ashley's full article... https://www.maketheswitch.com.au/article/review-happy-as-lazzaro-more-than-meets-the-eye
A tale (or fable?) of social commentary by directress and writer Alice Rohrwacher (that I first knew in the short "Le Pupille") in rural Italy with touches of anti capitalism and class division, where sharecroppers live, without knowing their semi-slavery state because of lack of knowledge. Lazzaro the protagonist, is an innocent character that is happy to make others happy, in the pureness of his heart. He doesn't know who is his father of mother just who is maybe his grandmother. There are very few signs of when this passes you can guess the 60 or 70's till later you see a cellphone of the 90's. So this is the condition that those people lives. They live under Marchesa Alfonsina De Luna state till one day Lazzaro meets the rebellious son of her, Tancredi, that wants to live away from the rot of his bankrupt family, so he devise a plan. A plan that unwillingly ends ends with and event that throws Lazzaro in the future 20 to 30 years ahead. By chance or destiny he meet robbers in the now decadent rural mansion (not knowing that they are people of his past "family") and in the city where he is recognized by an old female friend (the role is played by the older sister of Rohrwacher, Alba) - the only one that sees the miracle of him not ageing anything at all (and not all broken and bloody by the event that happened so many years ago, not seen by anyone). In this urban future he ends up living within the same ignorant and individualist clan (with some exceptions) and ends up meeting by chance the Baroness son again, decadent as ever in his dreams of richness that broke his spirit. Not telling the end after all this spoilers, but it is sad to see Lazzaro so pure treated as nothing, unhappy by his friend status, and trying to correct things in a wrong way in his innocency (no, it doesn't have an happy ending). A movie that may not be for everyone but that shines to see such saintness and pureness of heart among our society. Good cinematography and choice of colors, with Kodak Super 16mm film by cinematographer DP Hélène Louvart AFC and good acting by the protagonist, the newcomer Adriano Tardiolo. I would score this one a 8.0 out of 10.0 / A-.
Fleeing the June 1940 arrival of Hitler's army in Paris, a young war widow and her two children are rescued from dive-bombing German fighters by a cocky, reckless teenager. He finds them refuge in an abandoned house, but despite the fact that the family quickly comes to be depending much on his cunning and survival abilities, their cohabitation proves uneasy.
In rural Japan, the survivors of a tragedy converge and attempt to overcome their damaged selves, all while a serial killer is on the loose.
When her husband is kicked in the groin by the village head, Qiu Ju, a peasant woman, despite her pregnancy, travels to a nearby town, and later a big city to deal with its bureaucrats and find justice.
In the wake of their parent's separation, three siblings spend the summer in the south of France with their estranged Grandfather. In less than 24 hours, a clash of generations has occurred between the teenagers and the old man. During this turbulent summer, both generations will be transformed by one another.
Okoma, a witty young woman working as a conductor in an old, rickety bus in Kōfu, Yamanashi (rural Japan), has a creative idea that could avert the dwindling number of passengers when her job and the bus company itself are at stake.
A scientific researcher, sent on a government study: The Lupus Project, must investigate the possible "menace" of wolves in the north. To do so, he must survive in the wilderness for six months on his own. In the course of these events, he learns about the true beneficial and positive nature of the wolf species.
Raised by his science teacher father, Joseph Pagnol, and seamstress mother Augustine, young Marcel grows up during the turn of the century in awe of his rationalist dad. When the family takes a summer vacation in the countryside, Marcel becomes friends with Lili, who teaches him about rural life.
After his father death, Ana travels to Arenillas. There she finds herself alone, but everything changes when she meets a child. With him she embarks on an adventure, which will make her begin to accept that her father is no longer there.
Otto and Ana are kids when they meet each other. Their names are palindromes. They meet by chance, people are related by chance. A story of circular lives, with circular names, and a circular place where the day never ends in the midnight sun. There are things that never end, and Love is one of them.
Living with her tyrannical stepfather in a new home with her pregnant mother, 10-year-old Ofelia feels alone until she explores a decaying labyrinth guarded by a mysterious faun who claims to know her destiny. If she wishes to return to her real father, Ofelia must complete three terrifying tasks.
A man is struggling to keep his beloved bull from being used as sacrifice for his dead wife's funeral rites.