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If you enjoy reading my Spoiler-Free reviews, please follow my blog @ https://www.msbreviews.com So, a little bit about me first: I was always a man of science. I have a Masters degree in Electronics and Telecommunications Engineering, and I was always fascinated by how things truly work. On the other hand, I'm not the biggest fan of biographical movies due to the genre's boundaries. These films often follow a generic script, filled with formulaic plot points and lacking imaginative storytelling. Therefore, I usually analyze these movies based on a single question: "do I know more about the character and/or the story that made him/her famous now that I've watched this flick?" Another aspect that's important in any film, but even more in this genre: the actor who interprets the protagonist. Radioactive possesses Rosamund Pike as the magnificent Marie Curie. If there's one undeniably incredible element in this feature, it's Pike's brilliant performance as the famous scientist. Now, I have no idea how Marie was as a person, so I can't really evaluate Pike's display regarding how accurate she is on a personal level. Nevertheless, her impressive emotional range can easily get her a few nominations when the awards season comes around. When it comes to which expressions to use or how strong her emotions need to be, Pike manages to always choose the most coherent option having in mind the character she portrays. Sam Riley shares great chemistry with Pike, delivering a couple of genuinely passionate moments and witty conversations. Anya Taylor-Joy (Irène Curie), who I forgot was also in the movie, is always a delight to see on screen and, in this case, a very welcome surprise. However, this film is so focused on its protagonist (as it should be), that every character and actor other than the main one ends up being utterly forgettable (nothing wrong with this). Technically, I need to praise the makeup artists, who did a terrific job getting Pike older throughout the runtime, as time flows accordingly. Evgueni and Sacha Galperine's score is simple yet sweet enough to slightly elevate a few sequences. Unfortunately, Radioactive holds more than just a few minor issues. My biggest gripe is related to how everything is put together. I doubt most people will watch this movie with the hope of seeing more of Marie Curie's personal relationships. This isn't exactly a romantic drama. Having in mind the discoveries that she made, I was extremely interested in watching how, in fact, she discovered radioactivity. Of course, I'm not expecting the film to turn into a highly detailed chemistry lesson and all of its specifics. But Marjane Satrapi rushes through most of the relevant moments or skips them entirely. Marie's first groundbreaking result is so casually presented to the viewer that it makes the whole thing far from being a big deal (which it is). There are a couple of visually captivating animated sequences that sort of explain the process that the characters are going to perform, but it's still quite underwhelming and disappointing. I still have dozens of questions now, which I hoped the movie would answer but didn't. It's also edited (Stéphane Roche) in such an uneasy manner that it feels like I'm watching two completely different films. I don't know if this was Satrapi or Jack Thorne's (screenwriter) idea, but showing (mostly adverse) future events directly related to Marie's discoveries didn't work for me at all. You know how these movies tend to have some sort of information shown before credits explaining how things worked out in real-life? It's like they picked them up and randomly spread them across the film. The focus went full-on to the protagonist's personal life instead of balancing it with her world-changing experiments. Answering my question above, I did learn more about Marie Curie, but not about what I wished to know about her. Ultimately, it feels like this biographical work doesn't honor her legacy. Just as an example, the story brushes over her discoveries so fast that it doesn't even explain the reasons behind the nomenclature of the new elements. Overall, it's not worthy of being the biography of the scientist's life. Radioactive boasts an absolutely outstanding Rosamund Pike as the great Marie Curie, but Marjane Satrapi (director), Jack Thorne (screenwriter), and Stéphane Roche (film editor) fail to deliver a well-structured narrative, rushing through the scientist's groundbreaking discoveries and experiments or ignoring them altogether. Randomly mixing up future catastrophes with the actual story not only breaks both the tone and pacing of the movie, but it also makes the whole viewing a bit uneasy. Despite her personal life always being a point of interest, her work and how she performed it are why most people want to watch this film. To learn more about her contributions to the world of today. Unfortunately, Curie's legacy is remitted to a by-the-numbers biographical work, restricted by the genre's formulaic tropes. A neat score by the Galperine brothers and a couple of visually captivating animated sequences still elevate an overall disappointing feature... Rating: C+
'Radioactive' doesn't know what it wants to be - a biopic, a period drama, or a feminist meditation on the role of women in male-dominated fields - and while it is possible for a film to be all three, sadly this fragile script cannot juggle all of these successfully. What audiences are left with is yet another half-assed biopic that will be buried deep in Amazon Prime's streaming library, and rightfully so. The memory of one of the greatest women in science - and Rosamund Pike, for that matter - deserve far better than that. - Ashley Teresa Read Ashley's full article... https://www.maketheswitch.com.au/article/review-radioactive-middling-biopic-fails-to-light-up
Marie Curie was the first person to ever win a Nobel prize twice, and her legacy - alongside that of her husband and of their daughter - is no doubt what appealed to Rosamund Pike when offered this part. Sadly, though, the end product does very little justice to this trailblazing woman. It tries to reconcile her challenges as a scientist with those she faced as a women in man's world; of her immensely competitive instincts with her deep love for her husband (Sam Riley) and her family but in the end fails to impress. Riley is far too lightweight to provide an adequate foil for this strong and determined character and though Pike is efficient, she has way too much dialogue that just doesn't cut through. The lighting and pace are battling each other to see which can be the more soporific and somehow the film just never gets going. I rather liked the concept that it tried to input some of the ultimate effects of their theories into the storyline (i.e. the Hiroshima bomb) but that execution was weak and lacked potency, too. Technically it looks fine, costume and sets all well researched and delivered but that isn't enough to ignite this ponderous and wordy drama. A story told more effectively in 1943 by Greer Garson, if you are looking for something more engaging. This is just standard made for television fodder that will soon be forgotten.
A portrait of Frank Lloyd Wright (1867-1959), a genius of modern architecture, whose life passed between glory, scandal and tragedy.
Such a soul torments young composer Georg von Wergenthin, around whom the author creates a precise picture of the fin de siècle, its neuroses and its politics. Georg starts a relationship with a young singer, but does not confess to her in front of his friends, even when she becomes pregnant by him.
Out of love, young Corinna follows the plantation owner Mannsfeld to the Far East - where she has to realize that he is already married. A small consolation for her is the fact that Mannsfeld is not about a womanizer, but that he is serious about his love for Corinna. The only thing standing in the way of this love is his wife, who, despite the broken marriage, does not want to let Mannsfeld go. When the wife is murdered, this crime seems to bring dubious happiness to the two of them - but it doesn't last long.
Television adaptation of the novel by the Italian writer Italo Svevo. His hero is Zeno Cosini, the son of a merchant in Trieste. He is a type of useless person, defeated by life and incapable of action. The ironic insight with which the author draws a picture of the townspeople of Trieste at the turn of the century sounds like an accurate diagnosis of a social class that is doomed with its entire lifestyle and morality.
Because they were considered disobedient to the Japanese Government, four Japanese officers came to the Sukamanah Islamic Boarding School to force KH Zainal Mustafa to be taken to Tasikmalaya. Hundreds of students stood in front of the Sukamanah Islamic Boarding School armed with bamboo swords. All four Japanese officers were killed. In response the Japanese Government sent troops in greater numbers. Many Santri died as martyrs in the battle known as the bloody Sukamanah incident. The incident occurred on February 25, 1944.
Lovestruck conservatory student Ariane pretends to be just as much a cosmopolitan lover as the worldly mature Frank Flannagan hoping that l’amour will take hold.
In a time of political and social unrest in 19th century Korea, uncouth, self-taught painter Jang Seung-up explores his natural talent amidst the repressive world around him.
As the only legitimate heir of England's King William, teenage Victoria gets caught up in the political machinations of her own family. Victoria's mother wants her to sign a regency order, while her Belgian uncle schemes to arrange a marriage between the future monarch and Prince Albert, the man who will become the love of her life.
When Joshua moves to the outskirts of Auburn, he awakens the curiosity of the sleepy town. They don’t know who he is or where he came from, but no one can shake the feeling they’ve known him for years. Despite his benevolence and selfless work in the community, some remain suspicious. Just what exactly is Joshua up to?
