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“Vidocq” (Vincent Cassel) is thriving amidst the underworld of Napoleonic France but having been wrongly convicted of murder and escaped from captivity, is keen to go straight and earn an amnesty from the government. That might be possible, but for that to happen he is going to have to co-operate with the embryonic Sûreté and help track down some insurgents. Needless to say, when rumours start to flow that he has turned his coat, the fraternity that was once his safe source of his anonymity now starts to make his life even more dangerous than his new task. Historically, this has it’s roots in an actual man who was instrumental in setting up a French national police force, but as this goes, we are presented with a great looking drama that’s really lacking in depth or characterisation. Save for a few potent appearances from Fabrice Luchini as the cynically duplicitous minister Fouché, the underused but still useful August Diehl’s duplicitous Nathanaël and an enthusiastic effort from James Thiérrée as the dashing, cavalier-like Duc de Neufchâteau it’s all a rather pedestrian affair that seems to imbue Vidocq with a certain degree of implausible immortality. Perhaps it is just simply trying to condense too much history into two hours but we never seem to get to know any of these folk; to get even the most basic understanding of what drove them nor of how precarious the whole French empire was at the time. It also tries too hard to involve us in half-cooked internecine plots that aren’t properly explained or put into context, and so might as well be a few stand alone (and sometimes quite repetitive) episodes of “The Three Musketeers” meets “The Count of Monte Cristo”. Cassel does own the part and the production designers and the armourers have done a great job creating a dark and gritty environment for this history to unfold, but believe it or not it can almost verge on the dull at times. There’s a solid ensemble cast backing things up, but it’s ultimately a bit of a meringue of a story - lots of topping but not much underneath.
While he's receiving an enigmatic phone call from his girlfriend Francine, Thomas remembers the milestones of their relationship, from the very moment they met in a really strange way. A segment of “Paris, je t'aime” (2006).
The true story of Joe Simpson and Simon Yates' disastrous and nearly-fatal mountain climb of 6,344m Siula Grande in the Cordillera Huayhuash in the Peruvian Andes in 1985.
"Patton" tells the tale of General George S. Patton, famous tank commander of World War II. The film begins with Patton's career in North Africa and progresses through the invasion of Germany and the fall of the Third Reich. Side plots also speak of Patton's numerous faults such his temper and habit towards insubordination.
An assassin goes through obstacles as he attempts to escape his violent lifestyle despite the opposition of his partner, who is secretly attracted to him.
Tom Ripley, an American who deals in forged art, is slighted at an auction in Hamburg by picture framer Jonathan Zimmerman. When Ripley is asked by gangster Raoul Minot to kill a rival, he suggests Zimmerman, and the two, exploiting Zimmerman's terminal illness, coerce him into being a hitman.
The true story of Whitey Bulger, the brother of a state senator and the most infamous violent criminal in the history of South Boston, who became an FBI informant to take down a Mafia family invading his turf.
A woman discovers that the accidental death of her daughter was tied to an insurance scam in this fact-based movie.
Mike Todd is a Broadway producer struggling to produce the film. Around the World in 80 Days. In Mexico, Mario Moreno, a young entertainer is struggling to get some respect, and he manages to become a star. A twist of faith makes them partners. Together they won the Oscar for Best Picture.
A beautiful and mysterious woman helps an inept scam artist get his game together... but is their meeting purely coincidence?
A struggling young writer finds his life and work dominated by his unfaithful wife and his radical feminist mother, whose best-selling manifesto turns her into a cultural icon.
Precocious teenager Juliet moves to New Zealand with her family and soon befriends the quiet, brooding Pauline through their shared love of fantasy and literature. This friendship gradually develops into an intense and obsessive bond.
