Penn and Teller- Fool Us - (Mar 22nd)
Masters of Illusion - (Mar 22nd)
Dimension 20 - (Mar 22nd)
Buried Hearts - (Mar 22nd)
The Last American Vagabond - (Mar 22nd)
Unreported World - (Mar 22nd)
Around the World in First Class - (Mar 22nd)
Ancient Aliens - (Mar 22nd)
Gardeners World - (Mar 22nd)
The First 48 - (Mar 22nd)
WWE SmackDown - (Mar 22nd)
iHeartRadio Music Awards - (Mar 22nd)
On Patrol- Live - (Mar 22nd)
Shark Tank India - (Mar 22nd)
The Patrick Star Show - (Mar 22nd)
Marketplace - (Mar 22nd)
The Fifth Estate - (Mar 22nd)
GRAND SUMO Highlights - (Mar 22nd)
Harpoon Hunters - (Mar 22nd)
All In with Chris Hayes - (Mar 22nd)
Jackie Coogan was barely eight ears old when he turned his hand to one of Charles Dickens' more engaging characters. Born in the workhouse and quickly orphaned, he spends much of his young life picking oakum whilst constantly hungry. Scared that one of his friends might be reduced to having to eat him, he pulls the short straw and asks for extra gruel! Next thing, he's for sale - only his guardians pay "Sowerberry" (Nelson McDowell) to take the boy off their books. That experience doesn't go well and he flees to London where he encounters "Dodger" (Eduaord Trebaol) then "Fagin" (Lon Chaney) and "Sikes" (George Siegmann) and the story of child exploitation, crime and brutality takes it's familiar shape. Frank Lloyd has created a film, here, that imbues the audience with some of the grim realities of the filthy and poverty-stricken existence of many of Londoners who lived quite literally cheek by jowl with their wealthy and well-fed gentry. Coogan is every inch the star - indeed his might be the best effort of any to play this part. His face is expressive and his characterful presentation coupled with some fine support from the likes of Aggie Hering ("Mrs Corney") and Carl Stockdale ("Monks") - two of the boy's avaricious antagonists, helps create a grubby and dangerous environment in which survival of the even the fittest is a daily endurance test. I saw this recently as part of a silent film festival and aided by a lively piano accompaniment was well worth the big screen experience.
A dramatized account of a great Russian naval mutiny and a resultant public demonstration, showing support, which brought on a police massacre. The film had an incredible impact on the development of cinema and is a masterful example of montage editing.
This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.
Sergei M. Eisenstein's docu-drama about the 1917 October Revolution in Russia. Made ten years after the events and edited in Eisenstein's 'Soviet Montage' style, it re-enacts in celebratory terms several key scenes from the revolution.
Two families, abolitionist Northerners the Stonemans and Southern landowners the Camerons, intertwine. When Confederate colonel Ben Cameron is captured in battle, nurse Elsie Stoneman petitions for his pardon. In Reconstruction-era South Carolina, Cameron founds the Ku Klux Klan, battling Elsie's congressman father and his African-American protégé, Silas Lynch.
A married farmer falls under the spell of a slatternly woman from the city, who tries to convince him to drown his wife.
The film is based on a story by Guy de Maupausant. The story details several years in the life of convent-bred Angela (Mona Mårtenson) who leaves her convent in Italy to go live with her aunt Peppina (K. Swanstrom), whose husband Giambastista wants to take advantage of her. She flees and takes refuge with the painter Frank Wood ( handsome Louis Lerch) and winds up in a romance with Wood. Alas, Wood is already married, and when Martenson finds out, she returns to the convent in disgrace. On the verge of shutting herself off from the world and taking her vows as a nun, the heroine once again crosses the path of Wood, who is now free to marry her. Sandra Milowanoff has a big scene where she commits suicide on discovering that her husband no longer loves her.
Vantyne Carter is a playboy living in luxury off his father. Vantyne's cousin Teddy, meanwhile, leads a fine upstanding life - or at least he appears to, so he can curry favor with his wealthy uncle, Vantyne's father. One day, the senior Carter, fed up with his son's antics, decides to play a trick on both Vantyne and Teddy. The old man and his lawyer go off on a hunting trip, and then the lawyer returns with news that Carter was killed in an accident.
A classic of the silent age, this film tells the story of the doomed but ultimately canonized 15th-century teenage warrior. On trial for claiming she'd spoken to God, Jeanne d'Arc is subjected to inhumane treatment and scare tactics at the hands of church court officials. Initially bullied into changing her story, Jeanne eventually opts for what she sees as the truth. Her punishment, a famously brutal execution, earns her perpetual martyrdom.
Produced under the supervision of the U.S. Navy. James Randall, an upperclassman at the Naval Academy, falls in love with Patricia Lawrence, the sister of a plebe. She is engaged to Basil Courtney, a wealthy reprobate who arranges with Rita to discredit James.
The most important family in Hickoryville is (not surprisingly) the Hickorys, with sheriff Jim and his tough manly sons Leo and Olin. The timid youngest son, Harold, doesn't have the muscles to match up to them, so he has to use his wits to win the respect of his strong father and also the love of beautiful Mary.