Die Legende vom hässlichen König

Wali, an ex-sniper, leaves Canada to fight the Islamic state. He meets two Americans: Rebaz and Zyrian. One is a veteran of the war in Iraq. The other is a homosexual idealist. They meet the Kurds, a welcoming people. Together, they will confront the fanatical Islamic terrorists. Beside Heroes, an uncensored documentary that tells the tale of three volunteer fighters who realized that to change the world, you have to act.

Through a series of vignettes from the ancient and war-torn Levant, WILD IS THE SPRING captures moments in the lives of diverse ethnic communities who struggle to survive when life descends into chaos.

American Herro is the remarkable story of a young Kurdish girl who comes to America as a refugee from Iraq and lives out the American dream. 30-years later, traveling the globe working for Condoleeza Rice, U.S. Diplomat Herro Mustafa invites her first American friend, filmmaker Kirk Roos, to visit Iraq and retrace her steps to freedom.

Casimê Celîl was born into a Yezidi Kurdish family in 1908, in a village called Kızılkule, located in Digor, Kars. The village and family life, which he longed to remember throughout his life, ends with the massacre they endured in 1918. During his long road to Erivan, Armenia, he lost all his family members. Left all alone, Casim was placed into an orphanage and was forced to change his name. To remember who he was and where he came from, every morning he repeated the mantra “Navê min Casim e, Ez kurê Celîlim, Ez ji gundê Qizilquleyê Dîgorê me, Ez Kurdim, Kurdê Êzîdî me”, which translates to: “My name is Casim, I am the son of Celîl, I come from the village of Kızılkule in Digor, I am a Kurd, and I am Yezidi”. He clings to every piece of his culture he can find, reads, and saves whatever Kurdish literature or art he comes across. As the year’s pass, Casim finds himself with an impressive collection of Kurdish culture and history.

Darên bitenê is a fascinating documentary exploring the “dengbej” musical heritage of the singers, poets and storytellers from Northern Syria’s region. Featuring a stunning scenery of poetic landscapes, the film is interlaced with stories of Kurdish and Assyrian songs that narrate the long history of love and suffering of this semi-autonomous region.

In the panorama of Kurdish music, Koma Berxwedan (Group Resistance) is one of the most interesting, innovative, experimental groups. To a deep love for music research the group has always associated a strong political commitment. Some of its members have joined the PKK guerrillas in the mountains of Kurdistan. Three of them died in combat. Some have been forced to live in exile and others continued to challenge the Turkish authorities by carrying out their work in Kurdistan.

An underdog basketball team under the helm of an idealist school teacher from hard scrabble Diyarbakir in Southeastern Turkey goes beyond winning games in their mission to rise above prejudice, poverty and political turmoil created by the decades long conflict between the Turkish state and Kurdish rebels who are fighting for local autonomy and cultural rights.

Filmmaker Binevsa Bêrîvan travels to Armenia to capture the daily life, customs, and history of the country's Yazidi Kurdish community.

Leyla Zana, the first woman Kurdish MP to be elected to the Turkish Parliament in 1992, was impisoned in 1994 for 15 years for speaking in Kurdish in the Parliament. Kudret Gunes' personal look at the life of Zana takes her to her birth-place, friends and exiled husband.

Aslı Erdoğan, world-renowned author and activist, has fallen into silence after she fled to Germany. Incomplete Sentences is a feature documentary on her literature and life, leading to exile in Frankfurt, after the Turkish regime’s oppression results in her unlawful imprisonment. Now, she struggles in exile while everybody is waiting for her to write again. Right after getting out of prison Aslı starts telling her story to the director, wandering in the streets of Istanbul she recites parts from her books and explains the stories behind. When Aslı goes to Germany to receive the Erich Maria Remarque Award she cannot return; thus her exile, which she likens to a semi-open prison, begins. As her health deteriorates and keeps her from writing, the tragedy in her books becomes her own reality.