Dislocation Blues

Scientist Mark Plotkin races against time to save the ancient healing knowledge of Indian tribes from extinction.

Linguist Indrek Park has been working with Native American languages for over ten years. The film sees him recording the language of the Mandan tribe, who live in the prairies of North Dakota, on the banks of the Missouri River. The job involves a lot of responsibility, and he is running out of time – his language guide, the 84-year-old Edwin Benson, is the last native speaker of Mandan.

On Wednesday, July 17th 2019, a heavily armed police force arrested 36 Native Hawaiian kūpuna peacefully protecting Maunakea from desecration. The actions from that day sparked an international outcry and brought new life to the ongoing movement for Native Hawaiians’ rights for self-determination.

INAATE/SE/ re-imagines an ancient Ojibway story, the Seven Fires Prophecy, which both predates and predicts first contact with Europeans. A kaleidoscopic experience blending documentary, narrative, and experimental forms, INAATE/SE/ transcends linear colonized history to explore how the prophecy resonates through the generations in their indigenous community within Michigan’s Upper Peninsula. With acute geographic specificity, and grand historical scope, the film fixes its lens between the sacred and the profane to pry open the construction of contemporary indigenous identity.

On 19 March 1966, a photo exhibition about the police intervention during the wedding of Beatrix and Claus opened in Amsterdam. After the opening, filmmaker Louis van Gasteren filmed how, in the distance, policemen began beating up a young man, seemingly without any provocation. This footage was shown that same evening on television. Van Gasteren interviewed the victim, a 22-year-old student, who declared that he was walking in that direction because his ‘bicycle was there’. That became the title of this short film, in which Van Gasteren used slow motion to analyse the objectionable actions taken by the police.

Believing he was sacked unjustly from his job as an engineer in a big Japanese corporation, Tanaka Tetsuro has protested outside the company gate every morning for 25 years. Is he an obsessive? Why does he do this? After meeting him on the Internet the filmmakers travel to Japan in time for the 25th anniversary of his protest. They discover that in a world that places a premium on conformity, Tanaka-san has found a way to become himself.

What does blood have to do with identity? Kendra Mylnechuk, an adult Native adoptee, born in 1980 at the cusp of the enactment of the Indian Child Welfare Act, is on a journey to reconnect with her birth family and discover her Lummi heritage.

Resisterhood is a film about the power of women, hope and resistance in modern American politics. After the 2016 elections, we follows six diverse Americans as they fight for social justice on the streets and in the halls of power.

The true story of the students of Brigham Young University's queer underground, as they lit the school's iconic "Y" in rainbow colors. But, A Long Way From Heaven does a lot more than tell the story of the Rainbow Y. It outlines the history of queer treatment at BYU - the good (where it exists), the bad, and the very, very ugly. The film combines new, original footage with a huge variety of historical images, videos, newspaper articles, and other mixed media from every conceivable source to tell the story of BYU's queer students, and the bravery and risks they constantly take to make their voices heard.

Fred Martinez was a Navajo youth slain at the age of 16 by a man who bragged to his friends that he 'bug-smashed a fag'. But Fred was part of an honored Navajo tradition - the 'nadleeh', or 'two-spirit', who possesses a balance of masculine and feminine traits.

This short documentary serves as a portrait of Lawrence Paul Yuxweluptun, one of Canada's most important painters. We meet him at the Bisley Rifle Range in Surrey, England, where he's literally shooting the Indian Act in a performance piece called "An Indian Shooting the Indian Act." It's in protest of the ongoing effects of the Act's legislation on Indigenous people. We then follow him back to Canada, for interviews with the artist and a closer look at his work.