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Conrad Veidt has two parts to play in this enjoyable wartime espionage thriller. On one hand, he is the "Baron"- the Nazi consul leading a sophisticated network of spies and saboteurs; on the other he is "Otto", the twin of that gent and a loyal citizen of the USA. When the former tries to co-opt the latter into his web of intrigue, a kerfuffle ensues and soon we have a new "Baron" - intent on dismantling the fifth column thoroughly. His plan is working well, but the Nazi's are aware that they have a spy in their midst and he must stay one step ahead of his shrewd assistant "Richten" (Martin Kosleck) and try to keep his love "Kaaren" (Ann Ayars) out of harm's way too. There are a couple of scenes where Veidt plays both characters, and the effects really work quite well; as does the story - a fairly typical plot but one that is well written, paced and performed.
The attractive Oberleutnant Paul Wendlandt is stationed in North Africa as a fighter pilot. While in Berlin to deliver a report he is given a day's leave, and on the stage of the cabaret theatre "Skala" sees the popular Danish singer Hanna Holberg. For Paul it is love at first sight. When Hanna visits friends after the end of the performance, he follows her, and speaks to her in the U-Bahn. After the party in her friends' flat, he accompanies her home and chance throws them further together when an air raid warning forces them to take cover in the air raid shelter. Hanna reciprocates Paul's feelings, but after a night spent together Paul has to return immediately to the front. There now follows a whole series of misunderstandings, and one missed opportunity after another. While Hanna waits in vain for some sign of life from Paul, he is flying on missions in North Africa. When he tries to visit her in her Berlin flat, she is giving a Christmas concert in Paris.
After returning from a concentration camp, Susanne finds an ex-soldier living in her apartment. Together the two try to move past their experiences during WWII.
Oskar Matzerath is a very unusual boy. Refusing to leave the womb until promised a tin drum by his mother, Agnes, Oskar is reluctant to enter a world he sees as filled with hypocrisy and injustice, and vows on his third birthday to never grow up. Miraculously, he gets his wish. As the Nazis rise to power in Danzig, Oskar wills himself to remain a child, beating his tin drum incessantly and screaming in protest at the chaos surrounding him.
Jeff Bailey seems to be a mundane gas station owner in remote Bridgeport, California. He is dating local girl Ann Miller and lives a quiet life. But Jeff has a secret past, and when a mysterious stranger arrives in town, Jeff is forced to return to the dark world he had tried to escape.
A radio astronomer receives the first extraterrestrial radio signal ever picked up on Earth. As the world powers scramble to decipher the message and decide upon a course of action, she must make some difficult decisions between her beliefs, the truth, and reality.
This expansive Greek drama follows a troupe of theater actors as they perform around their country during World War II. While the production that they put on is entitled "Golfo the Shepherdess," the thespians end up echoing scenes from classic Greek tales in their own lives, as Elektra plots revenge on her mother for the death of her father, and seeks help from her brother, Orestes, a young anti-fascist rebel.
A group of German boys are ordered to protect a small bridge in their home village during the waning months of the second world war. Truckloads of defeated, cynical Wehrmacht soldiers flee the approaching American troops, but the boys, full of enthusiasm for the "blood and honor" Nazi ideology, stay to defend the useless bridge. The film is based on a West German anti-war novel of the same name, written by Gregor Dorfmeister.
What would your family reminiscences about dad sound like if he had been an early supporter of Hitler’s, a leader of the notorious SA and the Third Reich’s minister in charge of Slovakia, including its Final Solution? Executed as a war criminal in 1947, Hanns Ludin left behind a grieving widow and six young children, the youngest of whom became a filmmaker. It's a fascinating, maddening, sometimes even humorous look at what the director calls "a typical German story." (Film Forum)
1941, Ukraine. A group of German soldiers occupy a small town populated exclusively by women and children of German descent, way behind enemy lines. There's tension from the beginning, that always threatens to erupt in violence from both sides.
Musician Stefan meets a young attractive woman Lidia. Stefan is going on tour to Austria, and Lydia, "accidentally" remembering her Viennese acquaintance, asks to give her a souvenir from Moldova. In Vienna, Stefan is met by people who are well aware of his private life and even familiar with his diary. The musician begins to suspect something is wrong, but when his daughter's well-being is threatened, Stefan becomes truly worried...