Aliens, Dragons, Monsters & Me

Documentary giving an extensive look into the design and development of the creatures created for artist Takashi Murakami's first feature film, Jellyfish Eyes.

Steve ‘Spaz’ Williams is a pioneer in computer animation. His digital dinosaurs of Jurassic Park transformed Hollywood in 1993, but an appetite for anarchy and reckless disregard for authority may have cost him the recognition he deserved.

"Diablo Viejo" was going to be a family road trip movie, but the production stops when the co-directors' 9 year relationship comes to an end. After the separation both put together their own version of the story with the pieces of a broken relationship and a frustrated documentary.

A retrospective documentary about the groundbreaking horror series, Friday the 13th, featuring interviews with cast and crew from the twelve films spanning 3 decades.

A tribute to stopmotion supremo and special effects genius extraordinaire Ray Harryhausen, the man behind some of cinema's greatest fantasy films - The Beast From 20,000 Fathoms, The Seventh Voyage of Sinbad, Jason & The Argonauts and One Million Years BC. Featuring exclusive footage of Harryhausen at work on his first stopmotion for over 20 years, and contributions from many of Hollywood's top special effects directors and creators.

Special Effects Supervisor Jeff Okun gives an overview of his responsibilities on Sphere, and takes us through some of the techniques used to create the illusions that sell the film, from storyboards and concept drawings through scaled miniatures and CGI. The segment ends with Elkins giving some advice for those who might want a career in the special effects industry.

The very first full-length documentary on Scorsese offers an invaluable look at how he was perceived by his colleagues, and himself, in 1977. Catching Scorsese while he was in post-production on New York, New York and editing The Last Waltz, British filmmaker Peter Hayden gets the manically hyper Scorsese to comment on his youth, his relation to his lead characters, and most importantly, his approach to direction. The doc doesn’t quite move at the pace of Scorsese’s revved-up speed-talking, but it does offer some real insight into his productivity in the 1970s, thanks to an impressive array of talking heads. Included are Scorsese’s collaborators Jay Cocks, Mardik Martin, Brian De Palma, Steven Prince (who co-produced this doc), and his mentor John Cassavetes. Also the performers, who discuss his working methods in detail — Jodie Foster, Liza Minnelli, and, of course, Robert De Niro.

Academy Award winning make-up artist Rick Baker reflects on An American Werewolf In London and The Wolfman.

Follows Roy Andersson around different film festivals as he tries to launch his new film "Songs from the Second Floor" mixed with interviews with family members and colleagues.

When World War II broke out, John Ford, in his forties, commissioned in the Naval Reserve, was put in charge of the Field Photographic Unit by Bill Donavan, director of the soon-to-be-OSS. During the war, Field Photo made at least 87 documentaries, many with Ford's signature attention to heroism and loss, and many from the point of view of the fighting soldier and sailor. Talking heads discuss Ford's life and personality, the ways that the war gave him fulfillment, and the ways that his war films embodied the same values and conflicts that his Hollywood films did. Among the films profiled are "Battle of Midway," "Torpedo Squadron," "Sexual Hygiene," and "December 7."

An in-depth look at the creative process behind "Society of the Snow," featuring cast, crew, director J.A. Bayona and even real-life survivors.