War of the Worlds Extinction 2024 - Movies (Mar 28th)
Sex-Positive 2024 - Movies (Mar 28th)
The Farmers Daughter 2025 - Movies (Mar 28th)
Dangerous Lies Unmasking Belle Gibson 2025 - Movies (Mar 28th)
Flight Risk 2025 - Movies (Mar 28th)
Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
The Life List 2025 - Movies (Mar 28th)
Renner 2025 - Movies (Mar 28th)
The Rule of Jenny Pen 2024 - Movies (Mar 28th)
Bring Them Down 2024 - Movies (Mar 27th)
Love Hurts 2025 - Movies (Mar 27th)
Holland 2025 - Movies (Mar 27th)
The House Was Not Hungry Then 2025 - Movies (Mar 27th)
One Million Babes BC 2024 - Movies (Mar 27th)
Through the Door 2024 - Movies (Mar 27th)
Snow White 2025 - Movies (Mar 27th)
England’s Lions The New Generation 2025 - Movies (Mar 26th)
The Last Keeper 2024 - Movies (Mar 26th)
The Brutalist 2024 - Movies (Mar 25th)
Mufasa The Lion King 2024 - Movies (Mar 25th)
The Monkey 2025 - Movies (Mar 25th)
The One Show - (Mar 29th)
On Patrol- Live - (Mar 29th)
The Last Word with Lawrence ODonnell - (Mar 29th)
The Rachel Maddow Show - (Mar 29th)
The Patrick Star Show - (Mar 29th)
Helsinki Crimes - (Mar 29th)
One Killer Question - (Mar 29th)
The Bold and the Beautiful - (Mar 29th)
Cops - (Mar 29th)
The Price Is Right - (Mar 29th)
The Young and the Restless - (Mar 29th)
Lets Make a Deal - (Mar 29th)
The Kelly Clarkson Show - (Mar 29th)
All In with Chris Hayes - (Mar 29th)
Diners, Drive-Ins and Dives - (Mar 29th)
Gold Rush - (Mar 29th)
Horrible Histories - (Mar 29th)
WWE SmackDown - (Mar 29th)
The Beat with Ari Melber - (Mar 28th)
Gogglebox - (Mar 28th)
For the literary fans of JRR Tolkien, this film will serve as a very exciting chapter of your fandom; when you get to see a character called Sam you'll be sure to gasp with glee - and let me assure you they really emphasise his name, along with a myriad of other moments just like it. You can’t miss them. They know who this movie is for, because it sure as hell won't be appealing to anyone else. - Jess Fenton Read Jess' full article... https://www.maketheswitch.com.au/article/review-tolkien-lord-of-the-rings-and-hobbit-fans-this-ones-for-you
I'll admit I had some interest when I heard that a Tolkien biopic was in the works, but now that I've actually seen it, I'm very unsure about who was supposed to want this movie? It's just an unbearably clichéd biopic that makes sure it ticks all the boxes a biopic for some reason must. I don't understand how this formula gets forced in to the real-life story of every person who has ever lived a time that was put to screenplay. It's so boring, and it's so **done**. Who was crying out for a movie that examined famed author J. R. R. Tolkien when he... went from mildly unpopular at fancy pants school, to mildly popular at fancy pants school? Not when he was writing the most famous fantasy series of all time. Not when he was at war (or at least not more than about a cumulative 6 minutes of flashforwards at war). Not his relationship with C. S. Lewis. Not even about going to codebreaking school. Nope, a young Tolkien whose not very likeable and rather lofty for someone who supposedly comes from such a poor background. It does touch on some references to his future writing, adding a little bit of a fantastical element, but it's **so** afraid of this, its best element, that really only seems to imply that old mate Jirt wouldn't have come up with a single idea for Lord of the Rings unless some sort of external stimulus for it fell in his lap. Another biopic cliché. _Final rating:★★ - Had some things that appeal to me, but a poor finished product._
This is a well-written, gentle telling of the early life of JRR Tolkien; his relationships, studies and terrifying experiences in the First World War. Nicholas Hoult plays the role sensitively and convincingly. Colm Meaney, Sir Derek Jacobi and Lily Collins all support ably. The subtle detailing of the scenes from the war are told using light and sound rather than blood and gore - and prove surprisingly effective. Insofar as there are any attempts to draw comparisons between his life and any of the Middle Earth concepts; this doesn't really address any of that and that can leave the narrative a little lacking but it's a good looking piece of cinema.
Rosa is a young rebel girl who lives with her grandmother and her uncle in a remote part of Calabria, in Southernmost Italy. Her mother's untimely death when Rosa was a child casts a gloomy shadow on her present life.
Father and mother are thrilled: So now their teenager son has a girlfriend. And what a fabulous young woman she is! In contrast to his older sister Milli, 17-year-old Franz was previously an introverted, quiet, shy loner. His parents are all the more impressed when he brings home the pretty, self-confident Zoe one night. Zoe quickly finds her way into the heart of Franz’s family. Or is this young woman just telling people what they want to hear because she sees their hidden desires? After an ecstatic night in the clubs of the city of Munich with a little too much drugs, Zoe has disappeared and Franz's heart is broken. He absolutely has to see her again and goes looking for his first great love.
Hwi-young and Kyung-jun are the closest of friends, always at each other's side. However, just before their planned trip to celebrate Hwi-young's birthday, a misunderstanding causes Kyung-jun to start giving Hwi-young the cold shoulder on purpose. Will Hwi-young's long-awaited trip be smooth sailing despite his friend's sudden distance?
Like tears in the rain, water is the metaphor for growing pains and so much more in these four tales about young boys coming to terms with a host of emotions for the very first time. These polished productions and festival favourites are brought to you by a host of talented directors from across Germany, Denmark, France and the Netherlands. The short films are: Ocean [Océan] (2013); Go Daan Go! [Daan Durft] (2014); The Boy in the Ocean (2016); Beach Boy (2011).
On the eve of his Bar Mitzvah, young Elliot finds that all the grown men in his life are somewhat wanting.
The inspiring true story of Eleanor Riese, a mental illness patient herself, who brings a class action suit to give competent mental patients the right to have a say in their medication while they’re in a hospital, and Colette Hughes, the lawyer appointed to her case.
As the fear of her impending adulthood becomes louder, a sedentary girl is asked to go to a party.
In this tale of second chances, two ex-lovers run into each other in a restaurant. Both are with new partners. Both are unhappy. Both are still in love with the other. Dormant feelings rush to the surface and the opportunity to rekindle the past presents itself. Will the outcome be different?
In Sara's class, the popular kids, also known as the kings and queens, are subjected to daily humiliations, which include having their pants pulled down or water thrown on them, but this is only a sign of their elevated status. Sara is the only blond and blue-eyed girl in her class, and she is completely overlooked by the kings and queens who do not have blond hair and blue eyes. She has a secret crush on one of the kings, who is way out of her league, and she doesn't have any friends either, but would like to become friends with Karen, also an outsider who aspires to a better status. One day, Sara eyes an opportunity to boost her popularity by humiliating herself and thereby become queen. Karen instantly becomes her friend, she seems to catch the eye of her kingly crush and popularity appears within her reach. However, her happiness is short-lived, and in the end she learns a far more valuable lesson than how to be queen for a day.
The real-life case based on the horrific crimes of Sante and Kenny Kimes, the mother and son duo who specialized in theft, fraud and murder.