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The Whaler and the Western. Joseph H. Lewis was something of a B movie king, with his best directorial efforts coming via Westerns and film noir. After this Sterling Hayden starrer he signed off from Hollywood for good, as a legacy it's difficult to say if it's a fitting point of reference to Lewis and his talents, or entirely apt for his career? It's an often quirky, even bizarre, picture that manages through its surreal like tendencies to detract from its formulaic Western plot. Set in Prairie City, Texas, the tale revolves around George Hanson (Hayden), a Swedish whaler who after 19 years away, returns to Prairie to find his father has been murdered. As he delves deeper with a staunch undaunted determination, he finds that the law is corrupt and a horrible land baron called McNeil (Sebastian Cabot), aided by gunslinger for hire Johnny Crale (Ned Young), is behind his fathers death. It appears there is oil in the land and McNeil is using force to buy up the land at ridiculously cheap prices. But if he thought George was going to be forgiving? Or going to be easily frightened? Well he and Crale are in for some big shocks. Shot in stark black and white, Lewis' film throws up the always interesting conflict between homespun virtue and greedy evil. There's compelling villains and some nicely drawn characterisations for the decent citizens of the town, such as those who are on the periphery of the protagonists struggle (note Victor Millan's poor Mexican farmer and Carol Kelly's downbeat girlfriend of Crale). What of Hayden, though? It's a fascinating performance, where saddled with the task of trying to do a Swedish accent, and wearing a suit a size too short for him, it's difficult to know if he is in tune with the off-kilter nature of the film, or he's just on robotic auto-pilot while Lewis chuckles to himself off camera. Either way Hayden gives us a character to root for with our every breath. Hanson is a bastion of good and well meaning, we ache for him to outdo the lobster eating land baron and the metal clawed outlaw. There's some controversy in the tid-bids here. The script was credited to Ben Perry, but actually was written by Dalton Trumbo who was blacklisted. Hayden, although not blacklisted, appeared before the House of Un-American Activities Committee and simultaneously admitted past communist affiliations and named names. Lewis was not involved in the unsavoury chapter but was a close friend of Ned Young, who was blacklisted for taking the fifth, but whose impact on the film was to not only be in it, but to also be instrumental in getting Lewis to direct it. Boy was that an interesting time in American history. Stylish, odd and certainly different, Terror In A Texas Town has enough about it to make it worthy of a night in. And it gets better on repeat viewings once you buy into the kookiness. 7.5/10
Cheyenne has been ordered to take a vacation so Fuzzy has him go to a ranch of a friend. When they arrive at the El Lobo ranch, they find that his friend is dead and they want no visitors.
James Kincaid controls the local water supply and plans to do away with the other ranchers. Government agent Sandy Saunders arrives undercover to investigate Kincaid's land swindle scheme, and win the heart of one of his victims, Fay Denton.
Unable to find open range near Hollywood, western actor Tom Baxter and his troop head to Judy Blake's ranch to shoot their film.
Kirk Allenby is hired by the Cattleman's Association to track down and arrest a rancher who they believe is stealing cattle. Allenby finds his quarry but is astounded to discover that that man, Bob Enright, looks enough like him to be his twin. He is forced to shoot Enright, but as the man lay dying he gets Allenby to promise that he will help Enright's sister, who is being forced to marry the real boss of the cattle rustling operation, who has framed Enright in order to take over his ranch.
The hero, cowpuncher Buddy Royle is not only handy around the cattle but a golfing enthusiast to boot. Buddy teaches the upscale sport to Pansy Price and her father, Colonel Price but is interrupted in the middle of teeing off by the nefarious schemes of crooked bank cashier Roger Farnley.
Former buffalo hunter and entrepreneur Wyatt Earp arrives in the lawless cattle town of Wichita Kansas. His skill as a gun-fighter makes him a perfect candidate for Marshal, but he refuses the job until he feels morally obligated to bring law and order to this wild town.
Wounded, Billy the Kid staggers into the remote and mostly deserted Western town of Hell's Heart to recuperate - but soon realizes that he's pinned down in a trap. The townspeople have been systematically stalked by a tribe of fearful supernatural entities, the Manitou, who now want Billy as their special trophy kill.
A meddlesome reporter sporting a young bride takes on a gang of modern day cattle rustlers. Donald "Red" Barry plays Dan Reilly, a newspaper reporter just returned to LA with his wife, photographer Margie (Marjorie Steele). Margie insists on taking pictures of everywhere they go, and so as she's walking into a butcher shop she poses for Dan - while at the same time three thugs make their way quickly out after beating up the proprietors. Soon Margie and Dan are involved in investigating an illegal meat operation that rustles cattle and forces butchers to buy it - or else. Dan gets beaten up a couple of times, but is undaunted in pursuing the great story - and hey, he's only got 64 minutes to do so, he'd best get cracking!
Jim Steele spots Pete Dawson taking horses over the Mexico-Texas border, but Dawson has an alibi. A new group of recruits arrives at the Ranger station, among them Tex Wyatt, the son of Ranger Captain John Wyatt, whom he hasn't seen for many years. Captain Wyatt tells Tex that he is in the Rangers strictly on his own merit and there will be no favors played. He assigns Tex to pick up Dawson's trail, but orders that no arrest be made without proof.
In the last of his four western programmers for Allied Artists, Wayne Morris plays frontiersman Jim Bisby. Mistaken for a notorious gunslinger, Jim is appointed deputy sheriff of a wide-open cattle town. Playing along, our hero gets down to business - and by the time his true identity is revealed, it hardly matters, since most of the bad guys are pushing up daisies on boot hill.