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Director Allan Dwan’s excellent use of New York locations enlivens a rags-to-riches tale that fully exploits star George O’Brien’s championship boxing prowess.
A young doctor gets stuck on a ship after treating an injured first mate. Later, he rescues a woman from plane wreckage, and with the help of the cook, he hides her away from the rowdy and dangerous crew.
A white child is adopted and raised by a Chinese citizen and brought to San Francisco, where no one surmises that she is actually not Chinese.
Menelaus is the king of Sparta and temporarily departs from his residence, leaving Helen, the queen of Sparta, without him. When Paris of Troy, ambassador and son of the king, arrives in Sparta, he kidnaps Helen and brings her to Troy where the two fall in love. The Greeks attempt to siege the city walls of Troy, but fail. The Greeks then place a huge wooden Trojan horse with Greek warriors hidden inside under the walls of Troy, pretending to be dedicated to the gods and ending the war. Falling for the trap, the Trojans break down the city walls to bring the wooden horse inside.
A young woman's peaceful existence is shattered when she is abducted by the crew of a boat of smugglers, who then also turn against their captain.
A destitute man ready to drown himself is rescued by a caring passing woman. Soon thereafter forgiven by his dying father, he inherits great wealth and becomes engaged to a society woman. When she only laughs at the poor on a slumming trip, he remembers his own past and the woman who saved him.
Since childhood, Luisa and Miguel have always been good friends; but several years later, as adults, when Spain faces the abyss of the Civil War (1936-1939), they support ideologically opposed camps.
In the Land of the Head Hunters is a 1914 silent film fictionalizing the world of the Kwakwaka'wakw (Kwakiutl) peoples of the Queen Charlotte Strait region of the Central Coast of British Columbia, Canada, written and directed by Edward S. Curtis and acted entirely by Kwakwaka'wakw natives. It was the first feature-length film whose cast was composed entirely of Native North Americans; the second, eight years later, was Robert Flaherty's Nanook of the North.
The Curse of Quon Gwon is the oldest known Chinese-American film and one of the earliest American silent features made by a woman. Only two reels of the film survive, and no intertitles are known to exist, making it difficult to parse out the exact plot. An article in the July 17, 1917 issue of The Moving Picture World states that the film "deals with the curse of a Chinese god that follows his people because of the influence of western civilization." The film also touches on themes of Chinese assimilation into American society. Formally premiering in 1917, no distributor was willing to purchase a Chinese-American film without racial stereotypes. Considered a devastating financial failure, the film was only screened two more times until its rediscovery in 2004. Preserved by the Academy Film Archive in 2005.
1956. Algeria is a French colony. Fernand and Helene are madly in love. Fernand is an activist, fighting for independence alongside the Algerians. Helene is fighting for Fernand’s life. History will irrevocably change the course of their destiny.