ഗോഡ്സേ

Swapaanam (Malayalam: സ്വപാനം) (English translation: The Voiding Soul) is a Malayalam film directed by Shaji N. Karun and produced by M. Rajan for Horizon Entertainments. The film features Jayaram and Kadambari in the lead roles,[1] alongside Siddique, Vineeth, Lakshmi Gopalaswamy in supporting roles. The cinematography was held by Saji Nair and music was composed by Sreevalsan J Menon, while the script was written by Harikrishnan and Sajeev Pazhoor, based on Shaji’s own story.[2] The film was screened in the Dubai International Film Festival.[3] The film released with Auro 3D sound in selected theatres, becoming the third Indian film to employ the technology after Vishwaroopam(Tamil) and 1- Nenokkadine (Telugu).[4]

Set against the backdrop of 1971 Indo-Pak war, the movie is inspired by real incidents and the protagonists are inspired by Param Vir Chakra recipients. The movie shows what consequences of war are on the lives of soldiers on either side of the border.

Aalroopangal narrates the effects of hartal in the life of common man. Nandu does the lead role as a roadside food vendor.The film plots how an unexpected declaration of hartal changes his life.

The film takes a deeper look at the social status of people who are forcefully converted to a different religious belief, and how they are looked down upon.

All that David Pauly ever wanted in life was to witness the downfall of his high school nemesis Chembaden Joey. When Joey louses up Davy's betrothal ceremony, Davy and his friends vow to scheme up something that would button up Joey forever. Enter Giri, a village boy who joins the gang on the mission, for vested interests of course. But little did he know then, about Baagirathi or the misadventures that awaited the gang on their revenge quest.

In Nadodimannan, Padmanabhan plays a village youth who does not have a particular inclination towards any political party and joins any protest being held. He earns a living by participating in demonstrations for various political parties. He then reaches the city where he is strung to the upper levels of society and gets elected as the Mayor. His conflicts and attempts to cleanse the city form the rest of the story

A special battalion of police is deployed by the government to do away with Maoist menace (A banned Left organization) in a tribal village near forest. The police forcibly occupy a tribal primary school for their camp. One day, the police are on lookout for some people in the forest near the school at night. A policeman follows a person deep into the forest and nabs the person. The person arrested happens to be a woman. He tries to come out of the forest with the arrested person, but he loses his way in the wild. The woman knows the path to get out of the forest but she is not willing to show him the way. Thus, both the hunter and the hunted are stranded in the thick forest. Power, Crime, Man, Woman, the Hunter, the Hunted... all such equations change utterly and are no more what they used to be. The film has been very un-expected resemblance with Maoist hunt and killing happened last month in Kerala.

Purushan, a student on his way to Delhi, becomes obsessed with the tragic suicide of a young drummer. He collects many people to go with him to tell the boy’s mother.

Salaam Kashmir revolves around two men - Tomy Eeppan Devassy and Sreekumar. Jayaram plays Sreekumar, a character who does all the domestic work expected from a wife in normal course. Into this peaceful world enters Tomy (Suresh Gopi) disrupting the domestic bliss and bringing out an unexpected twist.

Ghost-busting is both scary and hilarious in this tale of bhoots on the ground.

Three friends decide to hire a prostitute on the day of the Aatukaal Pongala - a Hindu festival in Trivandrum - when their wives are busy.