Дерево Джамал

Spanning over one thousand years, and three parallel stories, The Fountain is a story of love, death, spirituality, and the fragility of our existence in this world.

a young artist tired of his lonely life decides to walk through the city and reunite with someone from his past.

Smilja is a little girl living in Dalmatian Zagora. One day, her mother dies under a small oak tree and she is left without parents. Luckily, she gets adopted and continues to nurture the oak where her mother died. Many years later, Smilja is a handsome woman, but her jealous stepbrother Josip kills her boyfriend Ivan and rapes her. Ivan's brothers swear revenge.

A film with no protagonist revolving around being trapped inside and going toward the beauty of nature and freedom.

The impressionistic story of a Texas family in the 1950s. The film follows the life journey of the eldest son, Jack, through the innocence of childhood to his disillusioned adult years as he tries to reconcile a complicated relationship with his father. Jack finds himself a lost soul in the modern world, seeking answers to the origins and meaning of life while questioning the existence of faith.

In Brooklyn circa 1900, the Nolans manage to enjoy life on pennies despite great poverty and Papa's alcoholism. We come to know these people well through big and little troubles: Aunt Sissy's scandalous succession of "husbands"; the removal of the one tree visible from their tenement; and young Francie's desire to transfer to a better school...if irresponsible Papa can get his act together.

Hirayama is content with his life as a toilet cleaner in Tokyo. Outside of his structured routine, he cherishes music on cassette tapes, books, and taking photos of trees. Through unexpected encounters, he reflects on finding beauty in the world.

In a rainy afternoon drive, a man embarks on a journey through his memories. As he questions his faith, the line between past and present begins to blur, leading him into a maelstrom of fragmented images.

A man’s female friend who just came back from London spends time on the river shore.

Having remained alone in his village house, old Gatyo must move in with his son and daughter-in-law in their flat in the city. They receive him with great understanding and sympathy but cannot find the key to his heart. Torn out of his natural environment and left bewilderingly rootless, this good man cannot adapt himself to the urban way of life. He does not like the mayonnaise he is offered, does not know how to use the lift. The people hurrying in the streets seem to him indifferent, and some even sly and deceitful. He sees the city as a place full of hostile people and inanimate objects. He badly misses the warm human touch of his village. Death is the only possible solution to the tragic conflict of this peasant, crucified between the archaic and the modern, and unable to adapt to the urban lifestyle.

Young Pud is orphaned and left in the care of his aged grandparents. The boy and his grandfather are inseparable. Gramps is concerned for Pud's future and wary of a scheming relative who seeks custody of the child. One day Mr. Brink, an agent of Death, arrives to take Gramps "to the land where the woodbine twineth." Through a bit of trickery, Gramps confines Mr. Brink, and thus Death, to the branches of a large apple tree, giving Gramps extra time to resolve issues about Pud's future.