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There is a heritage of disorder in our blood. An unhinged Baron keeps his children as prisoners in the family mansion for fear they will inherit the family illness - insanity! It's one of Hammer Films' most divisive productions, some laud it as a Gothic horror with art house veneers, others say it's simply pretentious tripe! The truth is that it's a bold and ambitious picture, a tricky narrative of mental health, incest and brutal patriarch pressure, all cloaked in the Hammer traits so prevalent in their 70s productions. Cue blood and nudity, hammy acting, good acting, splendid costumes, vivid colour and a mansion setting of some distinction. Unfortunately the story remains too vague for too long, it never settles into a rhythm to unsettle the viewer, while the poor acting from the principals playing the family (Robert Hardy, Shane Briant and Gillian Hills) destracts from what is on paper a fascinating screenplay. There's something for every horror fan in here, even though it's not explicitly a horror film, so roll the dice and take your chance. I'll sit on the fence like a Swiss politician and rate it 5/10
_**Gothic Hammer with muddled story and unsympathetic characters**_ A Baron in 1835 (Robert Hardy) keeps his adult son & daughter locked-up and drugged because he thinks they're insane, like his dead wife. He hires a dubious doctor known for mesmerism (Patrick Magee) to assist him, along with his assistant (Kenneth J. Warren). Meanwhile there are murders in the local area and a priest meanders around babbling about the evils of the Baron and this or that, which incites the villagers. "Demons of the Mind" (1972) is an obscure Hammer film featuring many of the positives of Hammer horror, such as haunting Gothic atmosphere, serious characters/story, stunningly gorgeous women and a quality score. The character of Falkenberg (Magee) was patterned after Franz Mesmer, who theorized the existence of a natural energy transference that he called "animal magnetism,” sometimes later referred to as mesmerism. That’s all good, but the story is told in a confusing way and there are no characters to sympathize with, except maybe the Baron's daughter (the beautiful Gillian Hills) and the guy who comes to the castle to aid her (Paul Jones). Unfortunately, Elizabeth is too zoned-out to care about and the hero is a secondary character. As beautiful as Gillian Hills is (who’s a little reminiscent of Emily Browning), Virginia Wetherell outshines her as Inge. You might remember Virginia from “The Crimson Cult” (1968). In any case, she has a tasteful nude sequence for those who care. Deirdre Costello is also on hand as Magda. Another plus is the fanatical priest who rings true, but the character isn't given enough screen time or dimension. Although "Demons of the Mind" is a decent Gothic horror flick from Hammer, it’s pretty much a misfire despite the highlights. It's not as good as most of their vampire, Frankenstein or werewolf flicks. The problem isn’t just the befuddled storytelling and lack of sympathetic characters; it’s hard to relate to the topic of generational "insanity.” I put that in quotes because I don’t believe the son & daughter are truly insane, but rather that the father causes their condition through his misguided leadership and “treatments.” The film runs 1 hour, 25 minutes, and was shot in England as follows: Bolney, West Sussex (the Zorn manor), which is 20 miles due south of London; Black Park (the forest scenes), which is just west of London; and Elstree Studios, which is just northwest of London. GRADE: C
Dirty Harry Callahan returns for his final film adventure. Together with his partner Al Quan, he must investigate the systematic murder of actors and musicians. By the time Harry learns that the murders are a part of a sick game to predict the deaths of celebrities before they happen, it may be too late...
After a 4 a.m. knock at the door and haunting voices, Kristen McKay and James Hoyt’s remote getaway becomes a psychological night of terror as three masked strangers invade. Now they must go far beyond what they thought themselves capable of if they hope to survive.
Henry likes to kill people, in different ways each time. Henry shares an apartment with Otis. When Otis' sister comes to stay, we see both sides of Henry: "the guy next door" and the serial killer.
The story revolves around a Basque Roman Catholic priest dedicated to committing as many sins as possible, a death metal salesman from Carabanchel, and the Italian host of a TV show on the occult. These go on a literal "trip" through Christmas-time Madrid to hunt for and prevent the reincarnation of the Antichrist.
A teenager's quest to launch Norwegian Black Metal in Oslo in the 1990s results in a very violent outcome.
A young financial auditor, promoted to his first serious position, soon finds himself following in the fatal footsteps of his predecessor.
A murder victim is brought back to life by a mysterious crow. With the help of a beautiful woman, he exacts revenge on his killers – only to realize his enemy has discovered the one weakness that can destroy him forever.
Jonathan Ecks, an FBI agent, realizes that he must join with his lifelong enemy, Agent Sever, a rogue DIA agent with whom he is in mortal combat, in order to defeat a common enemy. That enemy has developed a "micro-device" that can be injected into victims in order to kill them at will.
When a rare phenomenon gives police officer John Sullivan the chance to speak to his father, 30 years in the past, he takes the opportunity to prevent his dad's tragic death. After his actions inadvertently give rise to a series of brutal murders he and his father must find a way to fix the consequences of altering time.
Cate Blanchett stars as Philippa, a British teacher living in Turin, Italy, who has seen many friends, including her husband, fall victim to drug overdoses. Philippa has repeatedly contacted the police with information about Turin's biggest drug dealer but, complicit in his dealings, they have completely ignored her. So Philippa decides to dole out her own form of justice with a homemade bomb - setting her off on a journey from young widow to fugitive on the run.