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Mitsuo Ichikawa receives a phone call from Mitsuo Ichikawa. Their names are pronounced the same, but spelled differently using kanji. They also graduated from the same high school. Back in their high school days, Mitsuo Ichikawa was like a subordinate to Mitsuo Ichikawa. Mitsuo Ichikawa is now a hoodlum and tells the other Mitsuo that he killed a woman. They become accomplices and build a new relationship.

Jay is the name of the two protagonists in the film, one is living, the other dead. The living Jay is producing a documentary of the dead Jay, a gay teacher who was brutally killed. As Jay recreates and examines the life of his subject, his own life is affected when he unravels his subject's hidden life and secret love.

In Los Angeles, a colorful assortment of bohemians try to make sense of their intersecting lives. The moody Dark Smith, his bisexual girlfriend, her lesbian lover and their shy gay friend plan on attending the wildest party of the year. But they'll only make it if they can survive the drug trips, suicides, trysts, mutilations and alien abductions that occur as one surreal day unfolds.

An ex-seminarian slash communist runs a hotel in Baguio. He then meets a handsome upcoming lawyer. A once-a-year trip to Baguio by the lawyer and conversations with the hotel owner develop into an affair which encompasses decades of socio-political changes in the country.

As the second work of young director Ran Yinxiao, "May the Rivers and Seas Flow Upward" is set in Chongqing and tells a different kind of family story between three people who are not related by blood. The film has a time span of nearly a century and records the life trajectories of two generations and two families.

In Seoul, a senior and freshman confront their inner demons as they embark on a transformative journey of self-discovery, anchored by a bond of the transformative power of human connection.

In 1960s Wyoming, two men develop a strong emotional and sexual relationship that endures as a lifelong connection complicating their lives as they get married and start families of their own.

In a dark, velvety theatre, there is a first kiss between Pietro and Tommaso. When the lights come back on, however, the two students have different expectations of what might follow. The chaos of awakening desire in its complexity and sensuality is told and made almost physically tangible through looks and gestures, approach and retreat, hope and fear.

Ki-hyeok, moves to a new place to overcome his broken heart. There are no people like himself and no jobs are even available. One day, he meets Sangwoo in an application, who caught a cold. He fears that Sangwoo will leave him.

Ootani and Tachibana have been inseparable since high school. Now that they're in college, they live together, they're happy and everything seems prefect. But their little world is disrupted when they meet an old high school friend, Yuki, who seems to have a crush on Tachibana, making Ootani feel jealous and insecure. Will Tachibana really choose him over a pretty girl?

Laruang Lalake is a realist film that portrays the workers within the Filipino gay film industry and their personal stories - from the naughty to the gritty, from the horny to the hopeful. The film weaves the journey of ambitious probinsyano actor Samuel, Marc the idealistic film crew member who is secretly in love with Samuel and Wilredo a filmmaker on the brink of bankruptcy. And then there is also Peejay who is determined to steal a name for himeslf. As the camera grinds between naked bodies in homerotic play, its all in a day's work for eveyone living in a society that is yet to acept the Filipino gay man.