Cops - (Mar 21st)
Gogglebox - (Mar 21st)
Deadline- White House - (Mar 21st)
Teen Mom- The Next Chapter - (Mar 21st)
Air Crash Investigation- Special Report - (Mar 21st)
Chris Jansing Reports - (Mar 21st)
Katy Tur Reports - (Mar 21st)
Piers Morgan Uncensored - (Mar 21st)
Make It At Market - (Mar 21st)
Gardening Australia - (Mar 21st)
Drag House Rules - (Mar 21st)
Come Dine With Me- South Africa - (Mar 21st)
Four in a Bed - (Mar 21st)
The Kelly Clarkson Show - (Mar 21st)
The Chase Australia - (Mar 21st)
Crimewatch Live - (Mar 21st)
Bargain Hunt - (Mar 21st)
Ghosting - (Mar 21st)
Stadium Lockup - (Mar 21st)
Fruits Basket - (Mar 21st)
In this film, Laerte conjugates the body in the feminine, and scrutinizes concepts and prejudices. Not in search of an identity, but in search of un-identities. Laerte creates and sends creatures to face reality in the fictional world of comic strips as a vanguard of the self. And, on the streets, the one who becomes the fiction of a real character. Laerte, of all the bodies, and of none, complicates all binaries. In following Laerte, this documentary chooses to clothe the nudity beyond the skin we inhabit.
In 1939, just finished the Spanish Civil War, Spanish republican photographer Francesc Boix escapes from Spain; but is captured by the Nazis in 1940 and imprisoned in the Mauthausen concentration camp, in Austria, a year later. There, he works as a prisoner in the SS Photographic Service, hiding, between 1943 and 1945, around 20,000 negatives that later will be presented as evidence during several trials conducted against Nazi war criminals after World War II.
On 15 May, 2006, double amputee Mark Inglis reached the summit of Mt Everest. It was a remarkable achievement and Inglis was feted by press and public alike. But only a few days later he was plunged into a storm of controversy when it was learned that he had passed an incapacitated climber, Englishman David Sharp, leaving him to a lonely end high in the Death Zone.
Stylized with dramatic interiors and a distorted frame rate, this early documentary miniature from Szulkin depicts six sequences of solitary, repetitious labor.
As a teenager in the '90s, Soleil Moon Frye carried a video camera everywhere she went. She documented hundreds of hours of footage and then locked it away for over 20 years.
The Dangers of the Fly is an educational film made by Ernesto Gunche and Eduardo Martínez de la Pera, also responsible for Gaucho Nobility (1915), the biggest blockbuster of Argentinean silent cinema. De la Pera was a talented photographer, always willing to try new gadgets and techniques. This film experiments with microphotography in the style of Jean Comandon's films for Pathé and it is part of a series which included a film about mosquitoes and paludism and another one about cancer, which are considered lost. Flies were a popular subject of silent films and there are more than a dozen titles featuring them in the teens and early twenties.
Documentarian Jose Sanchez-Montes turns his attention towards the late Cuban musician Ignacio Villa, known throughout the world as Bola de Nieve (Snowball), with this 2003 biographical documentary entitled simply Bola de Nieve. A master pianist, Bola de Nieve was a mainstay through the middle portion of the 20th century, with his music almost omnipresent in South America cinema throughout those formative decades. With Bola de Nieve's famous statement "I'm a sad person, but my songs sound happy" in mind, Sanchez-Montes also looks at the influence of the musician's African heritage and homosexuality upon Bola de Nieve's unique musical style.
Star Trek: Evolutions is an 80-minute Paramount Pictures Star Trek documentary compilation which was first released on 22 September 2009 as part of the Star Trek: The Next Generation Motion Picture Collection Blu-ray and DVD sets.
This is a reconstruction of the daily life of an ordinary family. With kindness and gentle humour, the film reveals the relationship between the older and the younger generation. The original concept of a short film study with authentic characters of the Ravager family grew into a feature-length picture on the border between a documentary and fiction. It was made as an improvisation without a previously approved screenplay in the course of only twenty days.