The Girl with the Fork 2024 - Movies (Jan 29th)
Black Girls 2024 - Movies (Jan 29th)
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Dark Night of the Soul 2024 - Movies (Jan 28th)
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Echoes Of A Hermit Solitude Resilience and the Power Of Writing 2024 - Movies (Jan 28th)
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Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
The Kelly Clarkson Show - (Oct 2nd)
Scam Goddess - (Jan 30th)
Raid the Cage - (Jan 30th)
Hollywood Squares - (Jan 30th)
The Tucker Carlson Show - (Jan 30th)
The Ingraham Angle - (Jan 30th)
The Five - (Jan 30th)
Special Report with Bret Baier - (Jan 30th)
Outnumbered - (Jan 30th)
The Challenge- All Stars - (Jan 30th)
All Elite Wrestling- Dynamite - (Jan 30th)
The Thundermans- Undercover - (Jan 30th)
Expedition Bigfoot - (Jan 30th)
Dark Side of the Cage - (Jan 30th)
NOVA - (Jan 30th)
School Spirits - (Jan 30th)
The Last Word with Lawrence ODonnell - (Jan 30th)
The Real Housewives of Salt Lake City - (Jan 30th)
Ashes and Snow, a film by Gregory Colbert, uses both still and movie cameras to explore extraordinary interactions between humans and animals. The 60-minute feature is a poetic narrative rather than a documentary. It aims to lift the natural and artificial barriers between humans and other species, dissolving the distance that exists between them.
African Cats captures the real-life love, humor and determination of the majestic kings of the savanna. The story features Mara, an endearing lion cub who strives to grow up with her mother’s strength, spirit and wisdom; Sita, a fearless cheetah and single mother of five mischievous newborns; and Fang, a proud leader of the pride who must defend his family from a once banished lion.
The Serengeti is Africa's largest nature reserve and one of its most notable inhabitants is the cheetah, also called cheetah. A young cheetah tells of his carefree childhood on the Serengeti Plain in Tanzania, thanks to his wonderful mother. She takes care of food on the shelf and with her he and his brothers and sister have nothing to fear. Lesson one: tripping the calf, lesson two: choking and biting to death, lesson three: Catching a calf yourself. Mother cheeta allows her boy to practice on a gazelle calf she has caught for them. One day, the young cheetahs will have to hunt themselves. Without Mommy's help.
Determined to prove herself, Officer Judy Hopps, the first bunny on Zootopia's police force, jumps at the chance to crack her first case - even if it means partnering with scam-artist fox Nick Wilde to solve the mystery.
A group of men are on safari. One of the party refuses to give a gift to a tribe they encounter. The tribe is offended, seizes the party, and one-by-one, kills all but one of the safari members in various creative and horrifying ways. The last surviving member is given "The Lion's Chance" by the tribal leader to be hunted down by a party of tribal warriors.
An American boy and girl, spending six months in Kenya with their scientist parents adopt a cheetah, only to realize that they must set it loose so that it can learn to hunt and be free. However, when the animal is captured by poachers planning to race it against greyhounds, the two city kids, together with a young African goat herder they befriended, head off into the wild to rescue the cheetah.
Diana Mariscal reached a moment of fame in the sixties, when at just 18 years of age she was the lead actress of the movie Fando and Lis by Alejandro Jodorowsky. The moment seemed to trigger a promising career, but her public image faded little by little until disappearing. Forty years later the traces of her existence have not been entirely erased.
At the beginning of 2012 the so called war against crime, led by the Mexican Federal Government brought, as consequence, a number of nearly 50,000 casualties and a social climate of violence and distrust. How was this experienced by the men and women who fight this violence from the trenches of science? To the End of Reckoning tells through the eyes of the Jalisco Forensics Institute the development of this engagement, in one of the most violent states in the Country.
During 1950, Miguel Contreras Torres led a group of filmmakers to officially denounce William O. Jenkins' monopoly on film theaters, which was built throughout the country upon crime and corruption. Ever since, Uncle Miguel was ridiculed and eventually forgotten, but it is certain that his proclaim announced the separation of Mexican cinema and its audience. Discoveries may be found in the films made by Miguel, and bringing back to life these moving pictures might recover this history that was never told, a story that is almost lost and that Contreras Torres himself tried to pass on through his writings in The Black Book of Mexican Cinema.