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Katy Tur Reports - (Jan 16th)
Junior Bake Off - (Jan 16th)
Andrea Mitchell Reports - (Jan 16th)
The Last American Vagabond - (Jan 16th)
Deal or No Deal - (Jan 16th)
Dimension 20 - (Jan 16th)
The Nature of Things - (Jan 16th)
Family Feud Canada - (Jan 16th)
A League of Their Own - (Jan 16th)
All Elite Wrestling- Dynamite - (Jan 16th)
The Kelly Clarkson Show - (Jan 16th)
The Chase Australia - (Jan 16th)
The 11th Hour with Stephanie Ruhle - (Jan 16th)
Watch What Happens Live with Andy Cohen - (Jan 16th)
Bangers and Cash - (Jan 16th)
Dateline- Secrets Uncovered - (Jan 16th)
Sold on SLC - (Jan 16th)
Tyler Perrys Zatima - (Jan 16th)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
"Canadian singer-songwriter Kinnie Starr and first-time director Stephanie Clattenberg pair up to pile revelation upon revelation in this blood-boiling expose of the music sector’s traditional gender bias and ‘glass ceiling’ mindset..." Read the full review here: http://screen-space.squarespace.com/reviews/2017/7/8/five-favourites-from-melbournes-festival-of-factual-film.html
Caravagyo is a duo of Portuguese-Brazilian DJs, Beatriz Valleriani and Kamila Ferreira. By creating an alternative and safe space with a strong feminist and queer message, they combine global and local sounds to connect a community who identifies and expresses itself through this music genre.
To achieve women's rights and gender equality, these three pioneers were willing to risk their livelihood and their future, as well as their reputations.
Combining Documentary, Black Comedy and Musical genres, this genuine film, done in collaboration with the Women and the Law collective, shows some of the ways in which, during history, states have designed their systems to promote women's economic dependency towards men.
Commemorating the centennial of Mercer's birth, this documentary is part biography, part archive, and part recontextualization, taking Mercer's tunes and putting them in the hands of modern singers like Jamie Cullum and Dr. John to show they are still relevant today. Host Clint Eastwood also interviews artists who collaborated with Mercer or performed his songs, including composer John Williams, Blake Edwards, Andre Previn, Tony Bennett, and Julie Andrews. (DVD Talk)
You Gave Me A Song offers an intimate portrait of old-time music pioneer Alice Gerrard and her remarkable, unpredictable journey creating and preserving traditional music. The film follows eighty-four year old Gerrard over several years, weaving together verité footage of living room rehearsals, recording sessions, songwriting, archival work, and performances with photos and rare field recordings. Much of the film is told in Alice’s voice and via interviews with musical collaborators and family members who share the story of Alice and others chasing that high lonesome sound.
The movie captures the responses of 31 authors, musicians, filmmakers and dancers to Olivier Messiaen's monumental organ work "Apparition of the Eternal Church." Listening to the 10-minute piece through headphones, the documentary subjects-most of whom are outsiders to the church and do not know what they're hearing-put Messiaen's project to the test: Is it possible to portray, through time-bound, invisible sound, the spiritual, the architectural, the eternal? The result is a collective interpretation improvising its way through an aesthetic landscape defined by violent contradictions. Resolution abuts eternity, eroticism asceticism, spiritual ecstasy physical torture. Together, the music and its interpreters conjure something like what William Blake famously called the marriage of heaven and hell.
The rare short film presents a curious dialogue between filmmaker Julio Bressane and actor Grande Otelo, where, in a mixture of decorated and improvised text, we discover a little manifesto to the Brazilian experimental cinema. Also called "Belair's last film," Chinese Viola reveals the first partnership between photographer Walter Carvalho and Bressane.
The 1920s saw a revolution in technology, the advent of the recording industry, that created the first class of African-American women to sing their way to fame and fortune. Blues divas such as Bessie Smith, Ma Rainey, and Alberta Hunter created and promoted a working-class vision of blues life that provided an alternative to the Victorian gentility of middle-class manners. In their lives and music, blues women presented themselves as strong, independent women who lived hard lives and were unapologetic about their unconventional choices in clothes, recreational activities, and bed partners. Blues singers disseminated a Black feminism that celebrated emotional resilience and sexual pleasure, no matter the source.