Ang Araw sa Likod Mo

An indigenous family, one of the last forest people of old, copes with the unusual changes in their environment including the imposing lifestyle and customs of the more sociable tribes on the plains.

Mikey, a young, discreet, gay man from the affluent class, spends five years in a city jail while hearing his case for drug pushing. Inside prison, Mikey holds back to adapt to the culture and stratification among inmates. Eventually, Mikey becomes a ‘Mayor’ (ring leader) to a group of gay inmates called “Gang-da”. Together, they thrive to survive the dangers of several gang riots, the mundane, and the decay of human dignity.

A woman returns to the village of Kagbunga in the Bikol region carrying the ashes of her only son via the old train that circles her universe like the tandayag, the primordial serpent. In a filial act of mourning, she will reckon and reconcile the thin line that exists between tragedy and transcendence and prove and that even the most broken life can be restored to its moments.

A self-made farmer and rice mill owner who faces a rebellion by his two sons when he installs his young mistress as the new woman of the house immediately after the death of his wife. Complicating matters further is the fact that the older son is already living with his common-law wife in the same house.

Two women in a remote Muslim community confront an escalating blood feud and reach deep into themselves in hopes to undo the feud stretching back generations.

A story of Ilyong, recently-dead man killed by the police, after he was caught stealing. This is the beginning of his story, his death. Soon after, he was brought into a sleazy funeral home, run by Violet, a greedy homosexual who has learned to survive by renting out the dead bodies in his funeral home to Simon. Along for the ride is Jojo, a police officer who is under the payroll of Simon and who supplies the dead bodies for Violet to take care of and make money from. Violet has two workers, On-on and Dyograd.

A story of an over-the-hill prostitute whose life savings are stolen during the Holy Week.

A young boy frequently visits an old man who lives alone, keeping him always in good company. One night, he chances upon the old man watching a dated clip of himself as a cross-dressing boy. This sparks within the young boy an interest to find out more about the old man's past. What he ultimately discovers aids both him and the old man towards a richer understanding of how the weight of life and identity should be carried.

Mara is scared of water. She has a rare condition that keeps her from touching any forms of liquid. As a single mother, her only pearl is her frisky son Elim, who was later on diagnosed with a life threathening disease. The boy’s only request is to learn how to swim.

Kaye arrives at the airport in Pampanga where she waits for her estranged father to fetch her. Arriving late, her father tells her they have to wait for another arrival later that day. In those first few hours they spend together, how do they both attempt to get to know each other?

Little Mia has a lot of questions about death even if she is only 7 years old. She has always heard about it but never fully understood it. And as she experiences the loss of her own father, she struggles to see her mother’s sadness grow heavier each day. Mia seeks help instead from the shadow puppets her father left her, to cope and understand the meaning of life and death.