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_**What if the "good guys" are just as bad as the bad guys?**_ Released in 1975, "Posse" is a Western starring Kirk Douglas and Bruce Dern. Douglas plays, Nightingale, a marshal campaigning for the Senate in West Texas while Dern plays Strawhorn, a notorious outlaw leader whom Nightingale wants to bring in to increase his chances of winning the election. Bo Hopkins is on hand as one of the marshal's deputies while James Stacy plays a newspaper editor who opposes the marshal's campaign. The movie debuted a year after Nixon resignation due to the Watergate scandal and "Posse" takes advantage of the public's loss of trust in politicians. Nightingale (Douglas) and his deputies are juxtaposed with Strawhorn (Dern) and his losers. There's no overt message, however, until the last 20 minutes. Speaking of which, the twist of the climax initially turned me off and filled me with disgust. But, after reflecting on it, I saw what the movie was getting across and respected it. It's just that the way the message is conveyed is awkwardly implemented. It could've been done more smoothly. Some critics mistake the film's message as comparing a (supposedly) corrupt politician with a (supposedly) honest lawbreaker, but this is inaccurate. For one thing, "honest lawbreaker" is an oxymoron, particularly where Strawhorn is concerned. Right out of the gate the movie plainly shows him to be a murderous thug and, while a smooth-talker, he's never made out to be the good guy. He's a scumbag criminal worthy of hanging, impure and simple. Nor is Nightingale shown to be wickedly corrupt. He's a commanding marshal of the territory, which is a good thing; he has political aspirations and ties to the railroad, so what? Even when tempted by the blonde hottie Mrs. Ross (Beth Brickell) he charmingly turns her down on the grounds that it wouldn't be advantageous. Isn't that what wisdom is-having the scruples to recognize and deny foolish, immoral or destructive desires/behaviors? For more insights on the message of the movie remember that the film is called "Posse." See below for details. Beyond the movie's message, "Posse" is a competent, entertaining Western with interesting characters, a quality cast and quite a bit of action. The film runs 92 minutes and was shot in Sabino Canyon, Florence, Sonoita, Aravaipa Canyon and Old Tucson, Arizona. GRADE: B-/C+ ***SPOILER ALERT*** (Don't read further if you haven't seen the movie) I didn't find the deputies' sudden shift to the life of outlawry to be believable. True, they would each have $6000, which would've taken three years for them to make doing honest work, but it wasn't like this was enough moolah to radically change their lives, not to mention they'd lose the prestige that came with being deputies; and the possibility of becoming marshals or sheriffs one day. No matter how you slice it, this was an awkwardly implemented twist and lowers my grade of the film. That said, there were signs that the 'posse' were already bad (with the exception of one deputy who refused to betray Nightingale and turn to crime). For instance, at least three of them are shown secretly bedding some young babes from the town in a conveniently available boxcar. These nubile ladies were obviously attracted to the "bad boys," which just so happen to be 'upstanding deputies,' members of the brave posse. What else is new? So what's the movie saying? The line between respectable profession and outlawry can be very thin. People can be in an honest occupation and be corrupt; they're essentially just masquerading. It happens everywhere all the time. One critic lambasted the film for it's "tortuous confusion of good and evil." Actually, the movie just sheds light on the existence of evil in places where people naively pull the wool over the eyes not to see it. Look no further than HeyLIARy. What about Nightingale? Was he shady or just his men? I personally don't think he was. He struck me as an ambitious justice-seeking marshal with political ambitions and he refused to even consider an illicit sexual liaison. But it's not a good reflection on his character that the majority of his men were corrupt, so maybe he was too, at least a little; and it would overtly manifest down the line in office. Despite my criticisms, any movie that can spur such questions is worth checking out.
A posse discovers a trio of men they suspect of murder and cow theft and are split between handing them over to the law or lynching them on the spot.
As the west rapidly becomes civilized, a pair of outlaws in 1890s Wyoming find themselves pursued by a posse and decide to flee to South America in hopes of evading the law.
Leo, a young aspiring writer struggling with self-worth creatively, has an eventful dream.
Brad Henderson arrives in Star City just in time to witness three men rob a bank of $30,000 and kill a teller. Charged for the crime and jailed, Brad realizes he must escape and track down the real killers since the only one who can prove his innocence is his friend, Sheriff Bill Gregory, who has been shot and will not soon regain consciousness. Chasing down the robbers one by one, he eventually discovers the identity of the gang's ringleader.
While the Civil War rages on between the Union and the Confederacy, three men – a quiet loner, a ruthless hitman, and a Mexican bandit – comb the American Southwest in search of a strongbox containing $200,000 in stolen gold.
A small-town sheriff in the American West enlists the help of a disabled man, a drunk, and a young gunfighter in his efforts to hold in jail the brother of the local bad guy.
The Durango Kid is a sort of Robin Hood of the West who helps the lovely Walters (who replaced Starrett's usual love-interest, Iris Meredith), the daughter of a homesteader, defeat the evil MacDonald who has been terrorizing the decent citizens with his gang of rustlers.
A bandit kidnaps a Marshal who has seen a map showing a gold vein on Indian lands, but other groups are looking for it too, while the Apache try to keep the secret location undisturbed.
The irrepressible Donald Barry is twice falsely accused of murder in this typical low-budget but well-mounted Republic Western. Barry plays Jim Randall, a lawman assigned to investigate a series of gold shipment robberies. Arriving in the middle of a hold-up, Randall finds himself accused of killing the driver (Yakima Canutt). Wells Fargo agent Cal Chambers (Milton Kibbee) vouches for his innocence, however, claiming him to be a noted geologist. Along with several of the prospectors, Jim devises a plan to prove that Jud Parker (Harry Worth) is using his dummy mine as a cover for stealing ore.
Old Mexican-American sheriff Bob Valdez has always been a haven of sanity in a land of madmen when it came to defending law and order. But the weapon smuggler Frank Tanner is greedy and impulsive. When Tanner provokes a shooting that causes the death of an innocent man and Valdez asks him to financially compensate the widow, Tanner refuses to do so and severely humiliates Valdez, who will do justice and avenge his honor, no matter what it takes.