Paid in Full

Young love and childish fears highlight a year in the life of a turn-of-the-century family up to the 1904 St. Louis World's Fair.

The sudden death of her mother brings Myung-eun back home to Jeju island. There she meets her estranged sister Myung-ju and Myung-ju's daughter Seung-ah, still living at their old home, and Hyun-ah who has lived with them for over 20 years like a relative. A career woman whose hard exterior masks her illegitimacy and abandonment issues, Myung-eun tells Hyun-ah she wants to start looking for her father after the funeral. Single-minded in her desire to dig up memories of her father and discover why he left, Myung-eun resents that Myung-ju, who like their mother is a carefree fish trader and an unmarried mother of a young daughter, seemingly doesn't care. At first Myung-ju is reluctant to accompany Myung-eun, but after Hyun-ah persuades her, guilt and her sense of duty as an older sibling prevails. And so the two sisters who are dissimilar in character...

A grieving father in a downward spiral stumbles across a box of his recently deceased son's demo tapes and lyrics. Shocked by the discovery of this unknown talent, he forms a band in the hope of finding some catharsis.

Alice arrives unannounced at her estranged brother Ethan's house in an attempt to reconcile, but bizarre visions, the return of his strange girlfriend and Alice's paranoia and suspicion force the siblings to cling onto reality amidst mysterious circumstances.

A sister and brother face the realities of familial responsibility as they begin to care for their ailing father.

Still grieving after the murder of her boyfriend, hairdresser Justice writes poetry to deal with the pain of her loss. Unable to get to Oakland to attend a convention because of her broken-down car, Justice gets a lift with her friend, Iesha, and Iesha's postal worker boyfriend, Chicago. Along for the ride is Chicago's co-worker, Lucky, to whom Justice grows close after some initial problems. But is she ready to open her heart again?

A saga of class relations and changing times in an Edwardian England on the brink of modernity, the film centers on liberal Margaret Schlegel, who, along with her sister Helen, becomes involved with two couples: wealthy, conservative industrialist Henry Wilcox and his wife Ruth, and the downwardly mobile working-class Leonard Bast and his mistress Jackie.

Meabh, a spirited fifteen-year-old, shields her two younger sisters, Lucy and Aine, from the ongoing neglect and abuse they are experiencing in their catholic children’s home by telling them transcendent Irish Fairy Tales. Desperate to protect them, Meabh takes the blame for her sisters’ rule breaking, resulting in severe punishment from the head nun, Sister Joan. Fearful her sisters will be adopted by another family without her, Meabh plots an escape.