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I never really understood why Richard Chamberlain became such a big film star. His acting was seriously limited and his characterisations didn't change from one role to the other. This time he takes the part of Alexandre Dumas' hero "Edmond Dantes". Wrongly imprisoned after being betrayed by his jealous shipmate and a corrupt magistrate as a Napoleonic conspirator, he meets the Abbé Faria (Trevor Howard) and together they hope to take a mere four years to tunnel to the sea wall from his cell in the imposing "Chateau D'If". It's pretty clear the old man doesn't have that amount of time. He does, however impart news of the legendary treasure of "Cardinal Slad" and after a bit of nimble body-bag swapping, "Edmond" escapes and seeks vengeance on his persecutors. Cleverly, though, he uses their own foibles to bring them down - the greed of "Danglars" (Donald Pleasence); the ambition of "de Villefort" (Louis Jourdan) and the treachery of acclaimed general "Mondego" (Tony Curtis) who also managed to marry his sweetheart "Mercedes" (an unimpressive Kate Nelligan). My favourite parts of the book are the start - here they are generally skirted over, with little attention to the causes of his betrayal or to his time in the claustrophobic prison that ultimately drove his determination for revenge. Pleasence is good though, he portrays the avaricious banker well and Jourdan comes across strongly as the prosecutor but Tony Curtis is well past his best and the sub plots around the interesting "Caderousse" and the impressionable and honourable young "Albert" (Dominic Guard) characters are largely subsumed into the underwhelming leading role. It looks fine, the production and costumes work well enough - but somehow it is all just a bit lacking. The ending varies from the book - ordinarily that might not matter, but here is robs "Dantes" of the vaguest semblance of humanity which I felt was part of his ultimate redemption story. It's an OK watch, I didn't hate it, but a bit more by way of depth from the star would not have gone amiss.
In 1945, at the end of World War II, Neus Català returns to France, where she recalls her life under the Nazi yoke.
Welcome Home is being touted as a psychological drama with lots of thrills. The movie follows a pregnant woman living in a house. She is visited by a few other ladies presumably some officials and ask her about her lifestyle.
Jurek is 23 years old and he is a history student. He lives with his loving auntie, who raises him and supports him. Feeling that she is a cause and a symbol of his existential boredom, monotony and malaise, he reaches for the hammer…
Miss Maud, an orphan, has grown up in a boarding house, raised by the conservative matron Mrs Frank. In her suppressed desires and love for Mr Eldmann, Miss Maud creates an imaginary world where love is greater than life. Perhaps even greater than death itself …
Seeking revenge for a wrecked home life and a rape, psychotic young beauty Ellen poses as a maid to infiltrate the home of unhappy married couple Bob and Fanny and their alienated teen daughter, Tisa. Suicide attempts, seduction and murder follow in what sounds an awful lot like the Indonesian version of Poison Ivy (1992).
It follows a year in the life of a family in the North-Eastern part of Finland. From the gloomy days of winter to the Mid Summer wedding festivities.
Kim Ji-young, an ordinary woman in her 30s, suddenly shows signs of being inhabited by other women from her life, past and present.
The true story of Henry Hill, a half-Irish, half-Sicilian Brooklyn kid who is adopted by neighbourhood gangsters at an early age and climbs the ranks of a Mafia family under the guidance of Jimmy Conway.
The spoiled daughter of a Georgia plantation owner conducts a tumultuous romance with a cynical profiteer during the American Civil War and Reconstruction Era.