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Good enough. It doesn't come close to Disney's other film from the 1990s featuring Mark Twain's Huckleberry, 'The Adventures of Huck Finn'. In fairness, this one is more about Tom Sawyer than Huck, which is pleasing given they already portrayed Huck just two years prior. The actor who depicts the latterly named character is Brad Renfro, who isn't all that to be truthful; he's fine, just not memorable at all. Jonathan Taylor Thomas, meanwhile, plays Tom and he is, probably, the best part of this production. He's cheekiness works well for the role. Elsewhere, Eric Schweig (Injun Joe) makes for a decent bad guy. I like the vibe of 'Tom and Huck', I think it could've done without the love story but that doesn't hamper things much. I would say the film goes at a slower pace than I would prefer, it particularly drags ever so slightly towards the end. Still, I rate it... mostly thanks to Mr. Thomas.
**A (much) smaller production from the Disney repertoire that everyone forgot.** No one can deny the quality and relevance of Mark Twain's work, even those who, like me, were never attracted to his books. Yes, I have never read Twain's books, even though they are available in good translations into my mother tongue. I never felt the desire or curiosity. This film takes advantage of two of its most important characters: Tom Sawyer and Huckleberry Finn, two boys full of personality. However, it's the only thing it takes advantage of, creating an entirely new story for them. It may not seem like it, but it is a film with Disney's approval. It is a film aimed at a teenage audience, with some maturity, and therefore has some violence and already addresses normal themes among teenagers, such as dating. The story created for the film is good enough for the effect it is, and for the film in question, but it is clear that the studio did not waste a lot of time or spend a lot of money on this production. On a technical level, the film meets the minimum requirements, but does not deliver anything beyond that. Overall, the film is good enough to entertain us, but it is unlikely to leave a lasting memory in anyone's mind. It is absolutely forgettable, so much so that, nowadays, no one remembers it. Jonathan Taylor Thomas and Brad Renfro are the duo of young actors who lead the cast, and they are really the only ones to deserve a certain type of prominence for the work they have developed. Eric Schweig and Michael McShane do smaller jobs, but they are the most valuable adults. The rest of the cast is an anonymous and indistinct mass like a ballet nucleus, moving and circulating without wanting our attention.
A painter lives with his wife and four children in a studio. Due to creative frustrations and the irritation of admirers and hangers-on he becomes increasingly reclusive, finally sealing himself away in the attic. Based on an Albert Camus story.
A happy-go-lucky Shobhan tries to help his friend improve his love life until things become complicated for both of them and tests their friendship.
In early 20th century New York City, an impoverished socialite desperately seeks a suitable husband as she gradually finds herself betrayed by her friends and exiled from high society.
A band of mercenaries led by Captain Curry travel through war-torn Congo across deadly terrain, battling rival armies, to steal $50 million in uncut diamonds. But infighting, sadistic rebels and a time lock jeopardize everything.
A young black pianist becomes embroiled in the lives of an upper-class white family set among the racial tensions, infidelity, violence, and other nostalgic events in early 1900s New York City.
"Grandmother" is a highly romanticized autobiographical novel by a Czech 19th century writer, Bozena Nemcova. It's a classical, compulsory reading in Czech schools, about a wise, working-class woman, happier in her simplicity and good heart than the nobles whom she serves.
A young man comes back to his hometown to be confronted with a bourgeois obnoxious family who has always despised his -now dead - parents because they were music hall artists, "entertainers". But because he's the sole legatee of an uncle's fortune, his relatives become friendly with him.. at least for a while.
Everyone deserves a great love story, but for 17-year-old Simon Spier, it's a little more complicated. He hasn't told his family or friends that he's gay, and he doesn't know the identity of the anonymous classmate that he's fallen for online.
A family believes they are aliens from other planets and tries to save Earth from impending calamity.
Vladimír Michálek chose an unconventional adaptation of Franz Kafka's novel for his feature debut. Artistically reminiscent of the classic films of Karel Zeman, the director reinterpreted this dark story of a man vainly seeking a place in a rigidly ordered society by changing the desperate conclusion into a happy end. The film provided Czech comedian Jirí Lábus with a new kind of role: that of the despotic uncle of a main hero Karel Rossman (Martin Dejdar).
Mikolás and his brother Adam end up with a young German hostage of noble blood during a robbery. While their clan prepares for the wrath of the German king, Mikolás is sent to pressure his neighbor Lazar into a defense pact. Persuasion fails and he abducts Lazar's daughter Marketa on the eve of her initiation as a nun in an act of vengeance.