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Good enough. It doesn't come close to Disney's other film from the 1990s featuring Mark Twain's Huckleberry, 'The Adventures of Huck Finn'. In fairness, this one is more about Tom Sawyer than Huck, which is pleasing given they already portrayed Huck just two years prior. The actor who depicts the latterly named character is Brad Renfro, who isn't all that to be truthful; he's fine, just not memorable at all. Jonathan Taylor Thomas, meanwhile, plays Tom and he is, probably, the best part of this production. He's cheekiness works well for the role. Elsewhere, Eric Schweig (Injun Joe) makes for a decent bad guy. I like the vibe of 'Tom and Huck', I think it could've done without the love story but that doesn't hamper things much. I would say the film goes at a slower pace than I would prefer, it particularly drags ever so slightly towards the end. Still, I rate it... mostly thanks to Mr. Thomas.
**A (much) smaller production from the Disney repertoire that everyone forgot.** No one can deny the quality and relevance of Mark Twain's work, even those who, like me, were never attracted to his books. Yes, I have never read Twain's books, even though they are available in good translations into my mother tongue. I never felt the desire or curiosity. This film takes advantage of two of its most important characters: Tom Sawyer and Huckleberry Finn, two boys full of personality. However, it's the only thing it takes advantage of, creating an entirely new story for them. It may not seem like it, but it is a film with Disney's approval. It is a film aimed at a teenage audience, with some maturity, and therefore has some violence and already addresses normal themes among teenagers, such as dating. The story created for the film is good enough for the effect it is, and for the film in question, but it is clear that the studio did not waste a lot of time or spend a lot of money on this production. On a technical level, the film meets the minimum requirements, but does not deliver anything beyond that. Overall, the film is good enough to entertain us, but it is unlikely to leave a lasting memory in anyone's mind. It is absolutely forgettable, so much so that, nowadays, no one remembers it. Jonathan Taylor Thomas and Brad Renfro are the duo of young actors who lead the cast, and they are really the only ones to deserve a certain type of prominence for the work they have developed. Eric Schweig and Michael McShane do smaller jobs, but they are the most valuable adults. The rest of the cast is an anonymous and indistinct mass like a ballet nucleus, moving and circulating without wanting our attention.
A veteran high school teacher befriends a younger art teacher, who is having an affair with one of her 15-year-old students. However, her intentions with this new "friend" also go well beyond platonic friendship.
Lewis, a brilliant young inventor, is keen on creating a time machine to find his mother, who abandoned him in an orphanage. Things take a turn when he meets Wilbur Robinson and his family.
A wealthy New York investment banking executive hides his alternate psychopathic ego from his co-workers and friends as he escalates deeper into his illogical, gratuitous fantasies.
An urgent phone call pulls a Yale Law student back to his Ohio hometown, where he reflects on three generations of family history and his own future.
In the year 2036 mankind has revolutionized the medical field. Scientist have conquered death via the use of internal nanomachines and the “Shell System,” however, only the richest can afford to partake. Yozo Oba has been troubled by strange dreams and one day joins his friend’s biker gang. They embark to the “The Inside,” where society’s elite live, however, this begins a terrifying journey of discovery that will change Yozo’s life forever.
Tom Ripley is a calculating young man who believes it's better to be a fake somebody than a real nobody. Opportunity knocks in the form of a wealthy U.S. shipbuilder who hires Tom to travel to Italy to bring back his playboy son, Dickie. Ripley worms his way into the idyllic lives of Dickie and his girlfriend, plunging into a daring scheme of duplicity, lies and murder.
In Victorian England, the independent and headstrong Bathsheba Everdene attracts three very different suitors: Gabriel Oak, a hardworking young sheep farmer; Frank Troy, a handsome and reckless Sergeant; and William Boldwood, a prosperous and mature bachelor.
A young woman, living with her parents and siblings on a remote farm in harsh, picturesque northern Québec, has three suitors: a steady and unimaginative farmer, Eutrope, the Americanized and wealthy Lorenzo, who has sought his fortune in Boston, and François Paradis, a rough and virile logger who captures her heart despite the warnings of her parents and the village priest. For a year, marked by seasonal change in an atmosphere charged with the strangeness of Indians and the demons of the woods, we see Maria at work and prayer, struggling with decisions, choosing to stay in Canada, in love with François, seeking to change his rough behaviors, and dealing with extraordinary loss.
A group of close friends who attend a private school all have a debilitating crush on the sunny star pupil, Sun-ah. The only member of the group who claims not to is Jin-woo, but he ends up loving her as well.
The timeless tale of Ebenezer Scrooge comes to thrilling new life as Tony winner Jefferson Mays plays over 50 roles in a virtuosic masterclass of a performance that must be seen to be believed.
Fast Eddie Felson is a small-time pool hustler with a lot of talent but a self-destructive attitude. His bravado causes him to challenge the legendary Minnesota Fats to a high-stakes match.