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So everyone is dead for unknown reasons save a guy who hangs out in the library. Now... where have we seen that before? Anyway, they clearly spent their money on the cast. It is a small film, with a small cast, and a small budget but it is done exceptionally well given what it is, but there is some actual power behind it. There are also a lot of miles to burn, and it's slow moving. However, it is a great story for the most part, until the end, where they had to do something to make for a climax and it veered away from the reclusive loneliness that was fine with the world ending... ...And that is where it probably lost a lot of people, but, again, they had to do something to make for an ending, otherwise it would dangle for an eternity, they just sort of made the wrong decision and broke up what the film felt like it was going to be about. Otherwise it's a watchable and moody film.
I did enjoy 'I Think We’re Alone Now' enough, but it does feel like they only scratched the surface of the plot. There's a lot of build-up, but not much reward. I still got enough from it, but I can understand the seemingly lukewarm reaction to this 2018 release. Away from that, I knew I'd get a strong performance from Peter Dinklage and he didn't let me down. Elle Fanning, meanwhile, is solid behind/alongside him. The film sets the ambience well throughout, especially at the beginning, and everything onscreen is shot pleasantly. I did find some of the music, albeit all good, out of place/overly loud in moments. Elsewhere, I personally found the run time to be finely chosen, I just think they could've utilized the 95 or so minutes better.
The 1970s in the former Rhodesia, today Zimbabwe: The native people is going against the white suppressors. As the war reaches the most distant villages as well the two friends Florence and Nyasha join the fighters and assume new names: Flame and Liberty. But the war is not as easy as they thought...
In 1915, Elizabeth has fallen in love with Horace Robedaux, a young man her father condemns as a "wild boy." No matter how strict and protective, her parents cannot deter their daughter's growing independence.
A directionless teenager (Aesha Waks) becomes involved with a headstrong runaway (Summer Phoenix) and her drug-dealing brother (Sam Rockwell).
After a series of murders begin to happen at Gregory Hills school, a group of friends decide to investigate the bodies, thus beginning a great search for the truth and discovering the real killer.
A single mother ekes out a living from welfare check to welfare check, struggling to provide for her daughter.
Linda and George live in a small town. He is the school principal. They are about to celebrate their 16th anniversary. She catches him with her daughter's young teacher, and has to deal with the kids, the town and her love to him.
A melodrama about children, the child murders that the film’s title refers to are the million and one ways that children’s souls are ravaged by neglect, unkindness and cruelty, even though several physical deaths take place in the story.
Pre-American Revolution Virginian girl whose love for the outdoors leads to the friendship of a lifetime. Felicity loves horses, and though her parents plead with her to remain indoors, she years to ride the open plains. When Felicity comes into contact with a beautiful mare which has suffered at the hands of its callous owner, she takes it upon herself to care for the creature.
Stefan Balsiger is a congenial, average councillor to the Swiss embassy in Havanna. While accompanying an US senator on his mission in Cuba, he makes a botch of so many things, that a minor blunder by the Senator turns into a serious incident, which intensifies into a second Cuban crisis - thanks to further entanglements by the media, police, and diplomats who represent the arch-enemies USA and Cuba. Only one person can eventually solve the crisis: Stefan Balsiger himself.
Lili has left everything behind to travel to the edge of the earth and accomplish her dream, fishing the Northern seas. She persuades Ian, the captain of a trawler by the name of Rebel, to give her a chance and let her join the crew. The only woman on board, they call her Sparrow. Hidden behind a frail appearance is a will of steel, and her courage and determination ultimately win over their respect. Adopted into this world of often unfortunate individuals, Lili will conquer her right to live differently, free.
Alma lives a humble and secluded life behind the walls of a contemporary Catholic convent in Denmark. As she prepares for her perpetual vows as a nun, her older brother Erik unexpectedly shows up. He is a recovering alcoholic and clearly depressed, yet Alma struggles to show him mercy, as his presence unearths a family secret she has desperately tried to suppress. With the ceremony impending, Alma begins to lose her footing and doubt whether she is worthy of the love of her God.
